The Princess and the Pirate

Loads of wacky fun in this costume comedy that features Hope and Mayo who try to elude "The Hook," played with devilish charm by Victor McLaglen. Great gags, rousing excitement and even a cameo by a crooner named Crosby.

This one is so much better than Hope's later romp in the swashbuckling genre called CASANOVA'S BIG NIGHT.

VIRGINIA MAYO displays comic flair as Princess Margaret, the lovely Technicolor photography doing her full justice as the costumed princess running away from the villains with the cowardly Sylvester the Great (BOB HOPE) at her side. Hope is at his comic best, delivering every line with the sort of casual flair for comedy that served him so well during his early years at Paramount.

But having the most fun are VICTOR McLAGLEN as the hook-bearing pirate with a devilish gleam in his eye; WALTER BRENNAN as the maniacal, half-witted pirate called Featherbrain who relishes every scene and gives one of his best supporting role performances; and WALTER SLEZAK as the wicked man who wants the treasure map and Mayo for his own.

Not to be outclassed by these comic performances, we also have HUGO HAAS as the cabaret owner who shares some priceless one-liners with Hope who auditions for a job in his cabaret. The drinking scene is one of the highlights of the film.

Directed at a frantic pace by David Butler, this is one of Hope's most enjoyable romps and it's all dressed up in fancy Technicolor and lavish sets and costumes.

Not to be missed, if you're a Hope fan.

The Princess and the Pirate finds Virginia Mayo taken prisoner by the infamous pirate the Hook played by Victor McLaglen. She's a princess who's run away to marry a commoner, a reverse on what had happened in the United Kingdom a few years back. Unfortunately the only help she can find is a ham actor who's running away from bad notices and bill collectors and he's none other than Bob Hope.

Hope did two films for Samuel Goldwyn and Goldwyn paid dear to Paramount for his services. Right after this film, success though it was, the price for Hope's services convinced Goldwyn he'd better sign a comedy star of his own as he had in the Thirties with Eddie Cantor. That was why Danny Kaye was brought over from New York to start his Hollywood career in Goldwyn's next film.

But The Princess and the Pirate turned out to be one of the biggest successes for both Sam Goldwyn and Bob Hope. Hope is really at the top of his game in this one. Virginia Mayo makes a perfect foil for Hope, it's a pity she didn't do more films with him. Walter Brennan plays an addled old pirate who's not quite as dumb as he lets everyone think he is and he and McLaglen compete with Hope for laughs.

The only one who looks like he's enjoying himself, but playing it very straight is crooked island governor Walter Slezak. He's got a working arrangement with McLaglen, but the two of them aren't above a little double cross.

Of course this is a Bob Hope movie and Hope manages to blunder his way through to survival. But as we learn he loses Mayo right at the end to a visiting bit player from Paramount.

Hope did make good on his word, he never did do another film for Goldwyn again. I guess he wanted to go out on a high note and The Princess and the Pirate is as high a comic note as Bob Hope ever struck in any of his films. Not to be missed by his legion of fans.

Of all of Bob Hopes comedies, sans Crosby, this has got to be the best. A movie you can watch not twice, but a hundred times,( as I probably have ) The classic "beer drinking scene" with "Hugo"! Virginia Mayo......... Walter Slezak.....Walter Brennan, Try as they may...Hollywood can't do any better, no filth, no bathroom jokes, what a challenge it must have been in those day's to bring you a film that did not need to rely on that. Watch and enjoy with your kids or along with the guy's and some beer, it's timeless. A true 10......

Hokey parody of swashbucklers, Hope, Crosby, movies, and everything else. Terrible story, ludicrous development, mediocre supporting cast - but great gags, funny and entertaining. It comes off as a fine film, even before "a bit player from Paramount" steals the final scene. I first saw this in 1945, and have seen it four times since, and it retains its comic charm beautifully.