Nabonga

A goofy, studio-bound melange of fisticuffs, stock footage and men in gorilla suits, atmospherically lit by Robert Cline.

Enjoyable for a late appearance by Fifi D'Orsay as Barton McLaine's saucy henchbabe (it's McLaine who sprains his ankle rather than D'Orsay) and the film debut in the title role of a provocative 18 year-old Julie London as the White Witch, who's grown up all alone in the jungle save for her tame gorilla, her makeup team, wardrobe designer and hairdresser, and - like the young Helen Mirren in 'Age of Consent' - projects a precocity way beyond her actual years.

"Nabonga" marks the debut film of Julie London. It's also the first and only movie of Jackie Newfield, daughter of director Sam Newfield (and niece, of course, of Newfield's brother, Sigmund Neufeld).

By the humble standards of the Neufeld Brothers, this entry is reasonably entertaining. The story is a familiar one (it was later re-used with great effect in "Mr Joseph Young of Africa"), but here it moves with sufficient pace and encompasses enough action to satisfy second-feature fans. True, Buster Crabbe breezes through his part with plenty of charm, but little conviction. As a good guy, his motives towards and treatment of the heroine often seem a little dubious, but such subtleties don't worry Buster at all. Julie London, however, makes quite an impression, while Ray "Crash" Corrigan has a grand time as the gorilla (though he is outclassed in the acting department by young Jackie Newfield). Fifi D'Orsay seems an unnecessary addition to the story, an opinion oddly shared by scriptwriter Myton who gives her little to do and then removes her from the plot with little ceremony. We would have liked to see more of Prince Modupe, however, whose dignified and knowledgeable native guide is far removed from the usual Hollywood stereotypes.

Production values seem adequate enough for Poverty Row and are helped out enormously by Robert Cline's always attractively glossy and often noirishly lit photography.

Available on DVD through Alpha. Quality rating: nine out of ten.

Well, I bought this gem for a fiver out of the blue. I thought: "Buster Crabbe is in it, so it can't be all bad!" Then I watched it in the German dubbing, and had to laugh quite a few times, but at spots neither the original movie makers nor the dubbing crew would have intended to be for laughter. The German dubbing sounds like from a bad porn movie. Really. The lines of the native people are just ridiculous, and the voice of the girls sounds like the voice of a 60 year old woman. Its crap! They even attached new music to it. Somekind of psychedelic syntho-pop, but a really bad one. So I switched over to the original soundtrack, and so I could finally enjoy this movie. Buster Crabbe is like usual awesome in action scenes, but his character play too is definitely better than in any Flash Gordon. I recommend this movie (in English!!!!) for anyone who is interested in fantastic movies from before the fifties. But its not King Kong tho! Therefore: 5 out of 10

Nabonga (1944)

** (out of 4)

A thief steals some priceless jewels and heads off in an airplane with his young daughter. The plane ends up crashing and the little girl befriends an injured gorilla in the jungle. Flash forward several years and explorer Ray Gorman (Buster Crabbe) hears about a "white witch" from the jungle that "fell from a big bird" and heads there to search for the jewels. He finds the now woman (Julie London) being protected by a large gorilla but must find a way to get her to lead him to the jewels.

NABONGA, meaning gorilla, is a rather silly and low-budget jungle adventure that manages to be slightly entertaining as long as you don't take it too serious. if you're looking to find a meaning for life or some sort of great art then it's best you avoid this film at all costs and I'd also recommend not even looking at the posters for it. However, if you like cheap entertainment and just want 71 minutes to kill then there's certainly much worse out there.

I think the best thing about the film are the leads. While neither Crabbe or London give excellent performances, they at least have a nice chemistry together and I thought they were good enough to carry the picture. There's a scene where Crabbe is trying to act afraid of her pet gorilla that is quite funny and especially some of the flirtation going on between them.

The biggest problem with the movie is the fact that the budget was probably a tad bit higher than a pack of gum. There's a ton of stock footage in the movie that makes it look even cheaper and there's no doubt that the majority of the "real" footage was probably shot on one set with very limited range. More times than not the characters just stay in one spot and talk.

NABONGA was meant to be cheap entertainment, which is what it pretty much is.

That's my favorite line, spoken by Buster Crabbe after he's tussled with one, an activity that provides convenient opportunity for him to take his shirt off. This isn't a good movie or a camp classic, but a "B" (or "C") with just enough energy and silliness to be entertaining rather than merely mediocre and tedious.

Julie London, a comely 18 years old in her film debut, plays the young woman who's grown up from childhood in the jungle after a plane crash, protected by a giant ape (Ray Corrigan wears the suit). Buster is the intrepid explorer determined (for virtuous reasons) to find the stolen treasure she doesn't know she's hoarding. Somehow after a decade-plus with no one to talk to she speaks perfect English. She also wears a nice little print cocktail dress she presumably got on sale at the jungle Bloomingdale's.

Buster looks great in his pith helmet and has some funny moments in his initial nervous interactions with London's Doreenand the ape she calls "Samson"--he might have been a good light comedian if anybody had given him the chance. When she amorously caresses Buster's face, his obliviousness is conveyed by another good line: "What's the matter? I need a shave?" This in a brief moment between the usual stock footage animal attacks involving exotic critters from around the globe.

As others have noted, the relationship between "Bwana" Buster and his native guide Tobo (the rather stiff Prince Madupe, who seemingly never made another movie) is less condescending than the norm in such movies--Buster treats him more as partner and friend than servant. Too bad Tobo gets handed an early exit.