Secret Command

There are some great scenes at the wharf with shootouts and manhunting and some very hard fights with sledge knuckles and some water incidents - the greatest scene is the rescuing of a man falling down from a great height, and the greatest combat is also in the water with one man drowning, but everything is rather predictable. It's about sabotaging a wharf building ships for transporting American soldiers over seas, and the Nazis are really bad guys, not hesitating to shoot to kill. Fortunately there are also some women involved (the beautiful Carole Landis) and some very sweet kids, who contribute in saving the film. It is worth watching but only barely, mainly for the dramatic fights and incidents at the wharf, but any propaganda film of 1943 could of course only end one way.

Pat O'Brien shows up on the docks, down and out and in need of a job. His brother Chester Morris, construction manager, reluctantly hires him on. Very soon we discover that O'Brien's real job here is not building ships.

This WWII spy thriller has a bit of romance thrown in and features an assortment of characters whose personal and wartime lives often overlap: Carole Landis and Ruth Warrick are both quite good as women doing jobs that take precedence--at least during wartime--over their personal lives or relationships. Landis is a fellow agent who poses as O'Brien's wife; Warrick is Morris's assistant in the shipyard office. Morris would like to marry Warrick but she may still have feelings for her old flame, O'Brien--whose professional regard for Landis may grow into something more.

Wallace Ford, always fun to watch, is part of "the team"--his main job being spotting Nazis at the shipyard. Barton MacLane is excellent as a rough-edged yard worker whose eventual friendship with O'Brien is hard fought.

The plot is solid: O'Brien and Ford keep an eye out for saboteurs while Morris and Warrick, realizing that O'Brien is no ordinary dock worker, keep an eye on him. There's some comic relief that isn't too funny, unfortunately, and also some cute scenes involving a couple of war orphans that just aren't real convincing.

It's a great role for O'Brien, though, as that rugged American everyman who doesn't say much but performs awesome feats.

World War II spy thriller, taking place in a ship-building plant, with Pat OBrien, who made a whole lotta movies, mostly war times. Carol Landis, who made a good number of movies, but committed suicide at an early age, shortly after making, ironically, "The Noose". Secret Command was nominated for an Oscar, but was up against "30 seconds over Tokyo" (S Tracy, V Johnson,R Mitchum), so of course, it didn't have a chance. I thought the suspense-full high crane scenes were actually pretty good, considering when this was made, in spite of the liberal use of back-mats throughout the film. The sound also cuts out several times, and I wondered if it was dialogue editing, poor recording quality, or the fault of my local cable company. (was shown on Turner Classic Movies in June 2007). see my entry in message boards for this film for additional observations and shortcomings in the script.

These things generally are more interesting for their social history than the cinematic experience. But that history is hot and heavy here.

Its a strange thing to witness, how Hollywood toes the line on perceived social needs, sometimes taking the lead from Washington.

The US entered the war with a strategy not based on valor, or military prowess. It was simply based on outproducing the bad guys. We could make stuff faster than they could blow it up. So industrial sabotage was a real worry. We weren't worried about the Japanese because we simply locked up anyone who looked Japanese.It was the Germans who "looked like us," that were the worry.

So Hollywod ginned up some stories to fit, and this is probably the best of the bunch. The interesting thing here is how far the Irish had come as the prototype American. Only a few decades before, Irish (with Jews) were considered slime. They were quite literally the "other," the non-American.

Its anyone's guess why they rose so quickly. The common theories don't hold much water because we see other groups who behaved much the same way and never achieved the exalted status of the Irish as movie icons. But here we have it in spades: brawling is an honorable, friendly thing. Booze is never mentioned. All the hard working, patriotic, tough souls here are Irish. They win the war with pluck and expect no reward or recognition.

Now, that's a story. Incidentally, though the story, sets and action are pure hokum, that acting here is pretty modern and realistic. I think that's related to the Irish story.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Lightweight Propaganda that is Family Friendly Fodder and Heavy on the Irish-are-Americans Theme, as well as the Need to Include those Cute Kids as a Reminder of what We are Fighting for. Speaking of Fighting, those Irish will Fight at Any Opportunity. They will Fight and Argue with Family Members, Friends, Co-Workers and even the Nazis.

In the Middle of the Movie it Stops Dead to Include a Scene where the Shipbuilders Remove their Welder's Helmets so the Audience can See Everyone is Doing their Part...Negroes...Women...and an Oriental (had to be Chinese because the Japanese were in Internment Camps).

Pat O'Brien is Miscast Again Playing a Hunk that Every Woman on Screen Pines. Ridiculous. The Frumpy, Overweight, Hardly Handsome "Star", should have Traded Places with Chester Morris and it would have Worked a Whole Lot Better.

Carol Landis is a Sleek Beauty and some of the Cinematography is Above Average. Overall it is a Watchable Piece of Propaganda Fluff that is Neither that Suspenseful or Intriguing. In the Prolog it is Mentioned that America is Building Sturdy Ships, Honest Ships. What Exactly is an Honest Ship?