Shadows in the Night

Having seen most of the series over the decades there's a couple of Crime Doctor films I've still to see, this was one of them until last night. Was it worth it the wait? Like the previous commenter, as a fan of b movie detective films (especially from the Golden Age): Yes! This was no. 3 and Columbia were well into their stride by now – and with Boston Blackie, the Lone Wolf and the Whistler – churning out 10 films in 6 years until everyone ran out of steam in 1949.

A mysterious woman visits Dr. Ordway (always played by the ever dependable Warner Baxter) at 3 am in the pouring rain for his psychiatric help because she doesn't know whether the bad dreams she's having tempting her to suicide are actually real. This leads him to stay at her spooky but extremely scenic house and grounds by the ocean containing a motley assemblage of strange guests and staff with secrets galore – when one of them gets murdered the game is afoot to unmask the culprit. The usual stuff in other words, but expertly handled with high production values and a nice brooding smoky atmosphere. George Zucco helps the film but hinders Ordway as a fairly mad scientist – a brilliant stroke to put him in! Distracted Nina Foch plays the woman apparently having nightmares; just about the only film you see her in over here nowadays is An American In Paris. Favourite bits: Ordway's sleepwalking adventure; searching the cellars and the dark underground journey. It's all reasonably cogent and it all fits neatly together by the end.

A nice entry in the series, one I can recommend to fans of the genre as usual and encourage non-fans to save their time as usual.

When the young "Lois" (Nina Foch) starts having nightmares at her seaside home, she calls in the help of renowned psycho-sleuth "Ordway" (Warner Baxter) to help her out. He duly arrives at her rambling pile and finds on his first night that he has become a sleepwalker. Luckily he is found by "Uncle George" (George Zucco) on the beach and escorted back to the house where he discovers a body. Rousing "Lois" they return to discover it's gone! What is going on here? What's with the eerie smoke that hovers around the rooms at times? Is "Lois" just not quite the full shilling or is George Zucco up to his usual nefarious acting tricks? I quite liked this - it's dark and coastal scenario, bodies there then not and just a little chemistry do rather point us to the conclusion, but the whodunit element is still a little left field. It's production is basic, as is just about everything else - but it passes an hour enjoyably enough.

Flaccid. Incoherent. I don't know what movie other reviewers saw but this was truly a mess. Not enough of a motivator in the plot to generate all the mayhem and is never fully explained. Well it's explained and the explanation is absurd and unrealistic. You Tube has all the Crime Doctor movies available, which is where I found this one. I will watch another one as the cast was good in this particular offering. Very atmospheric. Looked like it had potential. What a dud. Many thanks to the other reviewers of this picture for the historical background on the series. Your synopses of the movie were far more interesting than the film itself. I found it trite, un-engaging and ridiculous. My opinion only. No one has to agree with me. I'll give the series another chance though.

Of the ten Crime Doctor films starring Warner Baxter released by Columbia from 1943 through 1949, this is the only one that Turner Classic Movies has never aired. This third entry is one of the earliest screen roles for the young Nina Foch (pronounced Fosh), who plays a neurotic young woman having strange nightmares and calls upon Dr. Ordway to pay a house call at her seaside estate. There is no shortage of suspicious characters not the least of which is Nina's chemist uncle Frank Swift, played by the always enjoyable George Zucco. Other familiar faces include Lester Matthews and Ben Welden. A screen heartthrob during the early talkie era whose health problems by this time included emphysema and arthritis, Warner Baxter was truly grateful for the steady employment of a 'B' movie series like this one. Columbia was one of the few Hollywood majors whose bread and butter came from series like the Crime Doctor, The Whistler, Boston Blackie, and the trio of "I Love a Mystery," all of which were based on popular radio shows of the day. Until their recent airings on TCM, these films had not been widely seen so 'B' movie buffs like myself have been rejoicing ever since. The Crime Doctor series differs from the others in that (with the exception of the initial entry) the title character was never saddled with a love interest and always dedicated to the psychological aspects of the cases (shades of Philo Vance!). Warner Baxter was a native of Columbus Ohio who died in 1951 at the age of 62, much beloved at the time but quietly forgotten today, although his early talkies include appearances opposite Bela Lugosi and Boris Karloff. While none of Dr. Robert Ordway's adventures were truly outstanding, the only one I could not recommend remains the one set in Paris (the ninth, "The Crime Doctor's Gamble," director William Castle's 4th and last entry). Perhaps the most intriguing entry would be the last, "The Crime Doctor's Diary" (1949) which featured an early Hollywood appearance by future Moneypenny Lois Maxwell.

Former criminal Dr. Robert Ordway is now a criminologist. Ordway is visited at three in the morning by the mysterious Lois Garland. Lois complains of nightmares, where the theme of suicide keeps recurring. Ordway then decides to stay in her haunted house, located on the Pacific Ocean. Lois receives several mysterious guests and one of them is murdered. Ordway decides to unmask the culprit using hypnosis and begins investigating the dark cellars beneath Lois's house.

A good entry of the crime Doctor series starring the charismatic Warner Baxter who gets involved in murder and strange apparitions. The ambience is certainly classic dark and brooding with lots of nooks and corners with the house overlooking the sea. Loved all the hidden stairways to the cave to the beach. The Gothic elements, headed by Zucco as a suavely sinister uncle and a ghostly apparition dripping wet from the sea, is well done.