Something for the Boys

As is the usual case with Cole Porter shows, they never arrive intact to the big screen. In the case of Something For The Boys only the title song at the very beginning of the film and sung by Vivian Blaine is kept in the score.

Vivian Blaine has the part that Ethel Merman played on stage for the 422 performance Broadway run. She is one of three disparate cousins who inherit a rundown old southern mansion that saw its best days during the run of the Confederate States Of America. The other cousins are Carmen Miranda and Phil Silvers. Their grandfather must have led an interesting life. While they're deciding what to do with the dilapidated house, their savior comes in the person of Sergeant Michael O'Shea. In a character obviously based on Glenn Miller, O'Shea is a bandleader drafted into the army and he hits upon the idea of converting the mansion into a guest house for army wives. And in the tradition of Mickey Rooney and Judy Garland they decide to put on a show to raise the needed capital to fix the house up.

The rest of the score is composed by Jimmy McHugh and Harold Adamson and truly nothing memorable comes from it. Perry Como plays a small part and only sings. He never really clicked as a film star.

Romantic complications ensue when Sheila Ryan shows up also and she and O'Shea were an item before the war. Ryan is one of those southern belles dripping with honeysuckle and acid.

And of course we've got Carmen Miranda and that's always a treat.

Despite the emasculation of the Cole Porter score, Something For The Boys is pleasant enough entertainment about three cousins doing their bit for the war effort.

I saw this film in 2001 on American Movie Classics (when that channel was still showing commercial-free classic films). The middle section of the film as shown had three ten minute sections which were scrambled and not shown in the proper order. It was confusing to watch the film as a result. With the aid of two VCRs, I painstakingly copied the film and edited the sections into correct order so that I could view the film properly.

Fox Movie Channel showed the film on Monday (Memorial Day) and I was surprised to see that the same scrambled version that was shown on AMC was shown on the Fox Channel. I would have thought that they would have corrected it by now, seven years later!

The film is being released on DVD next month as part of the Carmen Miranda Collection. I'm wondering whether the DVD will have a correct version or whether it will still be the messed up version.

I first seen this movie when I was a boy during the 1940's and liked it very much. I liked it both as a comedy and for the musical numbers. Vivian Blaine was superb, as normal. Too bad Perry Como didn't sing more. I then seen this movie on Turner Movie Classics and now found it to be an okay movie but not one Carmen Miranda's best. Miranda is still very good in it but should of had more to do. Phil Silvers stole the movie and was great. Why would they give the name "Chiquita" to a Brazilian? In Brazil they speak Portuguese not Spanish. Chiquita is Spanish for Petite and sometimes used to mean Girlfriend. In most of Miranda's movies they even give her words to say and though she spoke Spanish. Still a very enjoyable movie. It was also fun to see Judy Holiday, June Haver and Cara Williams who were uncredited at the time.

Once a staple of studio production, this kind of picture now gives movie musicals a bad name. Especially in the light of what was produced subsequently, such a picture becomes an easy target. Paper-thin story line, forgettable songs throughout, less than memorable performances: Fox tried its best with what it had, but the studio could not approach the level of an MGM musical.

Here, as elsewhere, they cast as a leading man in a musical an actor without discernible singing or dancing talent (Michael O'Shea, meet John Payne, Don Ameche, Tyrone Power). While it is nice to see Vivian Blaine get a chance in a leading role, she is an unremarkable singer and not much of a dancer. Note how she does a few simple steps while the chorines and chorus boys are very busy around her, supposedly creating the impression that she is the star performer in a production number. Fox did the same with Alice Faye and even Betty Grable, who was a hoofer.

Frequently, the studio would upgrade the musical comedy quotient of such pictures with first-rate specialty acts, whose inclusion had nothing to do with the story line, or charismatic supporting players such as Carmen Miranda. Alas, the latter - as great as she is - cannot overcome the limitations of the two mediocre numbers she has to work with here. Even the stuff on her head is unimpressive.

Phil Silvers comes across better than in most of his films, but Perry Como was evidently instructed not to move any muscles except those necessary to emit the lyrics.

Indeed, there have been worse musicals. But given the available personnel and production values, this one should go back to the vault, and stay there.

Carmen Miranda at her funniest as Chiquita Hart... imagine Phil Silvers and her as cousins..and they inherit a house down South and turn it into a place for wartime wives..

Look for a young Perry Como singing 'I wish we didn't have to say goodnight'....

If you are a Carmen Miranda fan, try to see this film.