This Happy Breed

This film caught me completely unawares. I had never heard of it until it presented itself on daytime television one afternoon. I really dislike this type of film, as I find most of the time is spent on mediocre happenings in predictable situations. (Ordinary peoples lives are very boring). I was therefore amazed at the fact that I couldn't leave it, Maybe it's because I am getting older or maybe the people in this film reminded me of the adults of the 1950's when I was a child.

The acting is absolutely superb, you really believe in this family and the ups and downs of their lives. The direction of David Lean polishes the excellent cast performance, what more can I say ! ......Fantastic.....

London between the wars, as seen by a couple of old soldier comrades from 1914-18. Robert Newton is one of them, married to an odd-accented Celia Johnson, with troublesome kids and a spinster relation to support. Stanley Holloway is the other and somehow is the father of the ubiquitous John Mills.

Noel Coward and David Lean worked together to bring their saga into our hearts and minds, as we rejoice in the good times and empathise with the bad ones. It may be hokum, but some of it works.

The best scenes are the quiet ones - especially the scene without dialogue where mum and dad react to bad news. Newton and Johnson also have considerable rapport in their scenes which works well.

The Gibbons family is "This Happy Breed," a 1944 film starring Robert Newton, Celia Johnson, Sterling Holloway, John Mills and Kay Walsh. The story begins with the end of World War I in 1919 with the return of Frank Gibbons (Newton) to his family - wife Ethel (Johnson), son Reg (John Blythe) and daughters Queenie (Kay Walsh) and Vi (Eileen Erskine) as they begin their life in a new home. The next 20 years bring weddings, births, tragedy, and death, as it does to all of us. Queenie is being courted by a sailor, Bill (Mills) who wants to marry her, but she wants to better her class and says she can't be happy with him; Vi falls in love and marries, as does Reg. Frank becomes a travel agent after the war and finds that one of his service friends (Holloway) lives next door. They become best buddies and provide the film's humor as they attempt to drink in secret. Ethel meanwhile has to cope with two somewhat difficult characters: the hypochondriacal Aunt Sylvia (Alison Leggatt) and Ethel's mother (Amy Veness) who live with them.

One thing interesting about British films that deal with the war - "In Which We Serve," "The 49th Parallel," and this one, for instance - one is made aware of the hardships, loss, sacrifice and sadness, while American films have a much more romantic quality to them. Though "This Happy Breed" ends just at the dawn of World War II, there is discussion of the European situation, fascism, and a general fear of another war in light of what they all went through in the last one.

"This Happy Breed" is another triumph, though an unsung one, for two wonderful artists - David Lean and Noel Coward, who worked together in this film, "Blithe Spirit" and "In Which We Serve" and had so many brilliant accomplishments on their own. The Gibbons feel like a real family, with a no-nonsense, hard-working matriarch, her more relaxed, emotional husband, and three children who go their separate ways in life and meet turmoil, normalcy, or tragedy. The most touching scene in the movie for me was the talk that Frank has with Reg before his wedding. "Always put your wife first," Frank says after he finally gets Reg to stop kidding around and listen to him.

I wasn't expecting this slice of life to be a tear-jerker, but it was, due to the beautiful acting of Celia Johnson and Robert Newton especially. They are the rocks of the film, providing its center. When Queenie runs off with a married man, she is shunned and disowned by Ethel, yet one can tell just by her movements that she is as heartbroken and worried as she is angry. Frank seems to accept what she says, yet once he's alone, he breaks down and sobs.

"This Happy Breed" sneaks up on you; before you know it, you're involved with the Gibbons. They're the stuff Britain is made of, the stuff that gets the country through its darkest times. A little gem; don't miss it. Oh, and I knew that was Laurence Olivier's voice in the beginning.

This British Technicolor domestic drama from Eagle-Lion and director David Lean charts 20 years in the life of the Gibbons family, from 1919 to 1939. Husband Frank (Robert Newton) has just returned from fighting in WW1, and he and his wife Ethel (Celia Johnson) are moving into a new home in a crowded working class neighborhood. We follow them as they have children, raise them, and deal with the various ups and downs of family life, all leading up to the outbreak of WW2. Also featuring John Mills, Kay Walsh, Stanley Holloway, Eileen Erskine, John Blythe, Amy Veness, Alison Leggatt, and the voice of Laurence Olivier.

Based on a play by Noel Coward, this bears some thematic similarities to 1933's Cavalcade. This is more accessible though, and certainly much better made. Technically the movie is a marvel, with perhaps the best looking color cinematography, courtesy of Ronald Neame, up to this point in film. Lean's direction is also very admirable, with interesting and innovative camera movement. There's one truly outstanding scene wherein a person who has bad news to share exits out of the back door into a garden to relay the message, only the camera stays inside the house, moving a bit, looking out into the backyard but not seeing the news being delivered, all the while loud, upbeat music is blaring from a radio. It's a shattering scene that depicts the often banal setting for life-changing developments. Unfortunately I found much of the rest of the movie uninvolving. The acting is good, very natural and played in the medium to low register. I just couldn't bring myself to get emotionally connected with much of it.

The movie narrates the happenings of a British family since the first world war (1914-18) until the end second world war (1939-45) . The parents (Robert Newton and Celia Johnson) , the troubled and rebel daughter (Kay Walsh) , the friendly neighbor (Stanley Holloway) , the seaman son (John Mills) and others . Meanwhile , being reflected the course of time and are succeeding various historic deeds , thus : the first and second world wars , the soldiers recruitment , death of the king George , the jolly reception to Minister Chamberlain after the useless Munich Convention with Hitler , the trenches digging in preventing the bombing over London by the Germans .

The movie is interpreted by the greatest English actors with important careers . Robert Newton (Treasure island) , Celia Johnson (Brief encounter) , John Mills (Daughter of Ryan), Kay Walsh (Oliver Twist), Stanley Holloway (My fair lady) . Colorful and glittering cinematography by Ronald Neame , a future director with many successes (Adventure of the Poseidon) . Musical conducting by Muir Mathieson , habitual of English classic films , as he was director of symphonic orchestra of London . The picture begins and finishes with a camera travelling from exterior and interior home what it subsequently would be copied in a lot of films (for example : The Family by the director Ettore Scola) . The motion picture was perfectly directed by David Lean considered the greatest British filmmaker . Rating : Awesome . Above average.