Summer Storm

There were quite a few reasons to see 'Summer Storm'. One is because of my long term love of classic film. Two is because of the cast, which included Linda Darnell, Edward Everett Horton (often associated in scene stealing comedic roles) and a personal favourite George Sanders. Three is that it is based on a work by Anton Chekhov, one of the 19th century's finest writers, while it is not one of his best it is still unmistakably Chekhov in mood and characterisation. Douglas Sirk did some fine films and more often than not excelled in melodrama.

While not perfect or a great film, as there was room for it to be darker and more passionate, 'Summer Storm' was quite impressive for an early film adaptation of Chekhov and hardly disgraces the great writer. Sirk has done better and so have the cast, but all of them actually still come off very well and 'Summer Storm' to me was a laudable and largely successful attempt at adapting a work of an author/playwright who is notoriously difficult to adapt.

'Summer Storm' has plenty to admire. Cannot fault the cast. Sanders, at his most handsome, especially excels, he did suave very well and he proves that he could do tormented edge just as well as the cads and villains he was famous for. Darnell is sensual and alluring, despite her role being a bit of a stretch, and the two do have a strong chemistry. Everett Horton is a sheer comedic delight as the count and doesn't resort to mugging. Sirk directs efficiently, not exceptionally but it doesn't wallow into over sentimental melodrama or anything.

It is a very atmospherically photographed film, and benefits also from some intelligent literate scripting that treats Chekhov with respect, a haunting but not overwrought score and a suitably brooding atmosphere.

Having said all that, 'Summer Storm' just misses out on greatness. It could have done with more consistent passion and tension, as while the style is distinctively Chekhov it's Chekhov not fully realised. The low budget does show too in the threadbare, less than sumptuous sets.

Will agree too that the manipulation is sometimes on the silly side.

On the whole, a very laudable effort worthy of a lot of praise and more recognition. 7/10.

In 1919, in Russia, the former Count 'Piggy' Volsky (Edward Everett Horton) visits the publisher of the Times Nadena Kalenin (Anna Lee) and brings a manuscript that he had stolen from his friend Fedor Mikhailovich Petroff (George Sanders) to be published. Nadena gives some money in advance and reads the document.

In the summer of 1912, the aristocratic and handsome Petroff is the examining magistrate in the summer resort in Chienova in the District Haircker in the Imperial Russia. His fiancée Nadena is spending the summer vacation in Chienova with her parents that own a publishing house. When Petroff visits his friend Volsky, he meets the gorgeous peasant Olga Kuzminichna Urbenin (Linda Darnell) and he falls in love for her. Olga is an ambitious woman engaged to be married with the peasant Anton Urbenin (Hugo Haas) and she flirts with Petroff. When Nadena witness Petroff and Olga together, she calls off her engagement with Petroff. But sooner Petroff learns that the gold-digger Olga is having a love affair with Volsky, cheating not only her husband but also him. When Olga tells to Petroff that she will marry Volsky, a tragedy happens.

"Summer Storm" is a melodramatic love story based on the novel "The Shooting Party" of Anton Chekhov. It is strange to see George Sanders and Linda Darnell in the role of Russian characters and Petroff singing in Russian is funny. The tone of Douglas Sirk's adaptation of this tragic story has exaggerations in the melodrama but is not bad. My vote is seven.

Title (Brazil): "Summer Storm – O Que Matou Por Amor" ("Summer Storm – The One Who Killed for Love")

Such a pity that Detlef Sierck was unable to realise his wish to film Anton Checkhov's 'The Shooting Party' whilst working at UFA Studios, even more so in that, as Douglas Sirk, he eventually turned out this homogenised Hollywood version.

Mr. Sirk's visual sense is evident here and it is nicely shot by Archie Stout but the whole enterprise is studio bound, pedestrian and utterly devoid of passion.

The film's poster is designed to show the physical attributes of ravishing Linda Darnell who plays the first of her sultry temptresses. Her beauty wreaks havoc in the lives of her woodcutter husband played touchingly by Hugo Haas whose East European accent makes his character refreshingly idiomatic; the blinkered, hedonistic and utterly loveable aristocrat of veteran scene stealer Edward Everett Horton and the judge of George Sanders. Although Russian by birth, Gentleman George in his first of three films for this director, is far too urbane to convince in such a passionate role whilst his scenes with Miss Darnell lack the necessary fire.

In retrospect, with the notable exception of Clarence Brown's 'Anna Karenina', Hollywood's attempts to film Slavonic literature must be accounted a failure. The cultural gap is simply too vast.

Summer Storm is an adaption of Anton Chekhov's play The Shooting Party updated so as to include the Russian Revolution and the upheavals in the social order it brought. But certain things are both international and eternal. As this one where a beautiful peasant girl uses her looks and charm to get ahead in a society that didn't have any feminist notions.

Linda Darnell is our beautiful and alluring female protagonist. She's a peasant girl who is on the estate of Count Edward Everett Horton and before the film is over she gets the hormones going for Horton, for his estate manager Hugo Haas and for Judge George Sanders.

This was a bit of interesting casting for Sanders as he was in fact born in old Russia and according to his biographer and colleague Brian Aherne had a bit more of that temperament in his nature than you would realize. But for all of his position and sophistication he's addicted to love when it comes to Darnell.

This was also unusual casting for Edward Everett Horton who usually was playing silly fuss budgets in so many comedy films Some of that is here, but director Douglas Sirk got so much more from the character. As Sanders observes about the decadent Horton, he's everything that's wrong with the society that he is a part of.

Anna Lee is in Summer Storm also. She's the girl Sanders throws over for Darnell. But comes the Revolution and the worm really does turn.

It's not exactly what Chekhov had in mind, but Summer Storm is definitely worth a look for fans of the various cast members.

This had to come my way by accident. I must have wanted the 2006 film of the same name, and clicked this by mistake. It's the only reason I can imagine I have it.

Well, have it I do, and lets see what we have.

Linda Darnell (The Mark of Zorro) was excellent as a gold-digger, and George Sanders (All About Eve) outstanding as the object of her love. Edward Everett Horton was amazingly funny as a Count who was to lose it all in the impending Russian Revolution.

Lori Lahner was also a scene stealer in her only film.

A tragic love story that makes me glad I got it in error.