The Suspect

Unlike the grim dramas of Fritz Lang Edward G. Robinson played in (Scarlet Street and The Woman In the Window) Charles Laughtons' character of a genteel middle aged and middle class Englishman of the early 20th Century seems to be a figure of strength and solidity. The only thing to ruin this is a classic harridan of a wife at home. A loveless marriage that has produced a son the only point of agreement this couple has agreed to in the two decades + of this anchor on Mr. Marshall's soul. Then comes the heavenly disaster of love in the form of newly unemployed Ella Raines. No Joan Bennett sexpot/wench as in Woman In the Window,but a Good and proper English girl down on her luck who meets the kindly Mr. Marshall who at first is only doing the Good Deed that has earned him the respect of his neighborhood. But when you have the Nag from Hell(played to the nines by an icy shrewish Rosiland Ivans) and Henry Daniells as your pseudo-Gentleman stumblebum in the area Deep Trouble for the Good Man awaits. Add in Stanley Ridges performance as a Scotland Yard Inspector who Sherlock Holmes would respect as an equal,and you have a very distinct and classy journey down the Boulevard of Bad Choices for Good Reasons. Daniell's realization (too late)that Mr. Marshall has steel in his backbone is Movie Cool.

Charles Laughton stars in director Robert Siodmak's excellent 1944 suspense thriller as a middle-aged shop manager in turn-of-the-century London who's driven to murder his shrewish wife when he falls in love with a beautiful young woman, and is then pursued by both a determined Scotland Yard detective and a blackmailing neighbor.

Laughton gives one of his most subtle, controlled performances as a basically good man who turns murderous when his nagging wife threatens to expose his "friendship" with beautiful Ella Raines. Miss Raines is very appealing as his heart's desire, and looks quite beautiful in the period costumes. Rosalind Ivan, who has a similar role as Edward G. Robinson's emasculating wife in Fritz Lang's 'Scarlet Street,' 1945, is excellent as the nagging wife. And Henry Daniell and Molly Lamont also offer top support as Laughton's no-account neighbor and his abused wife.

An excellent story of murder and blackmail that will appeal to fans of both Hitchcock-like thrillers and the marvelous Charles Laughton.

Philip Marshall (Charles Laughton) is trapped in a loveless marriage and his wife Cora (Rosalind Ivan) refuses to grant him a divorce. He meets Mary (Ella Raines) and they embark on a romance of friendship before he puts an end to it because of his married status. Meanwhile, Cora has discovered the secret and jumps to a wrong conclusion vowing to humiliate both him and Mary in both their workplaces and their social sets. Cora has an accident and dies. Phillip and Mary are now free to live together but Inspector Huxley (Stanley Ridges) suspects murder.

This is an atmospheric thriller where the viewer is in complete sympathy with the suspect. The cast are all very good with the exception of John Marshall (Dean Harens) and his annoying girlfriend. Why has he got an American accent when he is supposed to be English? Anyway, the rest of the cast give their characters real depth so that we dislike those that we are meant to - Rosalind Ivan as Laughton's wife and neighbour Gilbert (Henry Daniell) - and like the main characters of Laughton and Raines.....and you always think "Oh no" whenever Inspector Huxley appears on the scene.......if only he wasn't so inquisitive and determined.........It's a good film and Laughton is both funny and charming - the scenes between him and his wife are very entertaining.

"The Suspect" is a taut suspenser, grandly acted by Charles Laughton and fine cast, and beautifully produced. But who can see it? Unfortunately, for some strange reason, the film was never brought out on video format. This comment is written to hopefully create some interest in helping to rectify this void. With all the less capable films on video, this is one omission which needs to be seriously addressed. ###

Unhappily married to bitter woman who refuses to divorce him, an aging Londoner is eventually driven to kill his wife; he succeeds in staging the death as an accident, but a rugged detective declines to let the matter go in this Robert Siodmak thriller. The film features some great directional touches, such as how Siodmak refrains from showing us the murder, instead leaving everything implied by the protagonist simply grabbing a cane and looking up a staircase in deep thought. What really makes the film work though is Charles Laughton's measured lead performance. Through the gentlest of eye movements and subtlest vocal inflections, Laughton manages to render his character so human and down-to-earth that it is easy to root for him throughout, even when he commits unspeakable acts. His battle of wits with the detective are very good too, with Laughton positioned to bluntly state "why don't you arrest me?" after being hounded so relentlessly by the policeman. The supporting cast is not quite up to Laughton's level, with Rosalind Ivan very one-note as his wife in a performance that only requires her to be shrill. The film is also rather slow to warm up with around half an hour elapsing before the murder. Once the film gets going though, it never lets up. It is simply enthralling to watch and the suggestive final shot provides a pitch perfect note for the film to end on.