IMDb RATING
6.3/10
2.5K
YOUR RATING
When two bumbling barbers act as agents for a talented but unknown singer, they stage a phony murder in order to get him a plum role.When two bumbling barbers act as agents for a talented but unknown singer, they stage a phony murder in order to get him a plum role.When two bumbling barbers act as agents for a talented but unknown singer, they stage a phony murder in order to get him a plum role.
Bob Haymes
- Jeff Parker
- (as Robert Stanton)
Rags Ragland
- 'Rags' Ragland
- (as 'Rags' Ragland)
William 'Bill' Phillips
- Kavanaugh's Assistant
- (as Wm. 'Bill' Phillips)
Fred Aldrich
- Assistant to Robert Z. Leonard
- (uncredited)
Richard Alexander
- Eddie
- (uncredited)
Joe Bacon
- Nubian Slave
- (uncredited)
King Baggot
- Barbershop Patron
- (uncredited)
Featured reviews
Abbott & Costello play two barbers in Hollywood who dream of being agents, and get their chance when a young singer they know becomes quite good, but is unknown, so the team schemes to change all that, and of course many mishaps and misunderstandings occur as a result. Last of their three films to be made at MGM is much better than "Lost In A Harem"(Never saw the other one, named "Rio Rita") Film does have some good scenes like when Lou is mistaken for a prop dummy, or they have to shave a balloon. Real actors at the studio have cameos like Lucille Ball, Preston Foster, Rags Ragland, and director Robert Z. Leonard. Still, this film isn't funny enough to succeed, and remains forgettable.
I accept that this isn't the best A&C movie ever made but you cannot blame the stars.
The script was poor and some of the co-stars either didn't want to be there or just weren't up to the skills of ability that A&C achieved.
There are some classic one on one scenes between Abbott & Costello with the best being the barber scene that will have you in stitches if you like burlesque style of humor.
I for one am a fan however if you are a first time viewer of the famous duo I would recommend a movie released in the same year "The Naughty Nineties" or my personal favourite of "Abbott and Costello in the Foreign Legion" This is still a must see for A&C fans however if you watch this without prior knowledge you will be disappointed and you may not appreciate just how hard A&C work to make this a half decent movie.
Thanks for the memories boys.
The script was poor and some of the co-stars either didn't want to be there or just weren't up to the skills of ability that A&C achieved.
There are some classic one on one scenes between Abbott & Costello with the best being the barber scene that will have you in stitches if you like burlesque style of humor.
I for one am a fan however if you are a first time viewer of the famous duo I would recommend a movie released in the same year "The Naughty Nineties" or my personal favourite of "Abbott and Costello in the Foreign Legion" This is still a must see for A&C fans however if you watch this without prior knowledge you will be disappointed and you may not appreciate just how hard A&C work to make this a half decent movie.
Thanks for the memories boys.
Can you imagine A Night at the Opera with only two Marx Brothers? That's essentially what you get in Abbott and Costello in Hollywood.
As good as they were, the Marx Brothers never got their names into the title of any picture they did. That's because they weren't half the box office draw that Bud and Lou were.
Like Chico and Harpo, Bud and Lou are barbers who get the idea to be agents. They decide to handle the career of Robert Stanton the same way Chico and Harpo sign up Allan Jones. And crooner Stanton does get into the picture in just about the same way Jones broke into Il Trovatore.
Too bad though that Stanton never got to sing some songs as good as Cosi-Cosa or Alone. Might have a career for him.
A&C got some good bits in. They had a good scene with MGM comedian Rags Ragland after Ragland comes in for a shave. And Costello being chased through the finale in a midway sequence is pretty funny.
This was the last of three films that Universal loaned out the boys to MGM for the glossier productions than what they were used to at Universal. My favorite of the three MGM films has always been Lost in a Harem. That has more the zany quality of the Universal films than either Abbott and Costello in Hollywood or Rio Rita has.
This one did only so-so box office as compared to the Universal product and Carl Laemmle, Jr. lent them out no more.
As good as they were, the Marx Brothers never got their names into the title of any picture they did. That's because they weren't half the box office draw that Bud and Lou were.
Like Chico and Harpo, Bud and Lou are barbers who get the idea to be agents. They decide to handle the career of Robert Stanton the same way Chico and Harpo sign up Allan Jones. And crooner Stanton does get into the picture in just about the same way Jones broke into Il Trovatore.
Too bad though that Stanton never got to sing some songs as good as Cosi-Cosa or Alone. Might have a career for him.
A&C got some good bits in. They had a good scene with MGM comedian Rags Ragland after Ragland comes in for a shave. And Costello being chased through the finale in a midway sequence is pretty funny.
This was the last of three films that Universal loaned out the boys to MGM for the glossier productions than what they were used to at Universal. My favorite of the three MGM films has always been Lost in a Harem. That has more the zany quality of the Universal films than either Abbott and Costello in Hollywood or Rio Rita has.
This one did only so-so box office as compared to the Universal product and Carl Laemmle, Jr. lent them out no more.
This is one of the three pictures Abbott and Costello made for MGM-- who proved with Buster Keaton, the Marx Brothers films after "A Day At the Races and Laurel and Hardy's late releases," that they really don't have much of a "touch" for this kind of comedy. Abbott and Costello fared much better at Universal with films such as "Hold That Ghost," "Buck Privates," "Who Done It?" "Abbott and Costello Meet Frankenstein," "The Time of Their Lives," etc. That's not to say that the film is terrible, it just suffers from sloppy pacing, almost no story, and somewhat weaker material for A&C (which was much sharper in the Universal films).
It definitely has its funny points, but it doesn't hold together very well as a complete film. Best to stick to the Universal's--- especially if you are a first time viewer of Abbott and Costello.
It definitely has its funny points, but it doesn't hold together very well as a complete film. Best to stick to the Universal's--- especially if you are a first time viewer of Abbott and Costello.
Buzz Kurtis (Bud Abbott) and Abercrombie (Lou Costello) are working at a Hollywood salon for the stars. Abercrombie pays Buzz to teach him how to be a barber and it's not going well. They do a house call at Hollywood agent Norman Royce's office. They witness his work and decide to become agents themselves.
I love the shaving scenes. Lou is turning into full Curly. I like him with the kids. There are some very funny individual scenes. The overall story is not that important and it's not that compelling. This end with a couple of dangerous split second stunts and a fun roller coaster ride.
I love the shaving scenes. Lou is turning into full Curly. I like him with the kids. There are some very funny individual scenes. The overall story is not that important and it's not that compelling. This end with a couple of dangerous split second stunts and a fun roller coaster ride.
Did you know
- TriviaThis film's producer, Martin A. Gosch, was not an MGM in-house producer, as most producers were on the studio's films. He was the producer for Bud Abbott and Lou Costello's radio show, and they insisted that he produce this film rather than someone they believed would be looking out for MGM's interests rather than theirs.
- GoofsDuring Costello's shaving scene, members of the crew can be heard laughing off-camera.
- Quotes
Buzz Kurtis: Every time you open your mouth, what happens?
Abercrombie: I eat.
- ConnectionsFeatured in That's Entertainment, Part II (1976)
- SoundtracksI Hope the Band Keeps Playing
(uncredited)
by Ralph Blane and Hugh Martin
Performed by Bob Haymes and The Lyttle Sisters
- How long is Bud Abbott and Lou Costello in Hollywood?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Abbott y Costello en Hollywood
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.37 : 1
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