Two Girls and a Sailor

Saw this delightful musical, filled with great performers: James, Durante, Cugat, Iturbi, and many others, when I was eleven while in New York with my mother in 1944, and never saw it again until today 14 Feb, 2006 in TCM... easy going plot, well articulated with good acting, fine music and mainly everlasting songs... All in all, just great fun all the way... the fine start of June Allyson brilliant career...

What a great feeling to live back those far gone days when even though in war, America was united as ever, with natural sorrow and hardships, but full of dreams, commitment, proud of itself, with high hopes for a better world... Made me nostalgic? Yes indeed!

This was one of my grandmother's favorite films and she bought it when it came out on video. I have watched it so many times, I am afraid that the tape is going to fall apart. I hope that it becomes available on DVD soon! The characters are interesting and the story is touching. The songs, costumes, and dance numbers are unforgettable. The array of stars in this film makes it fun to watch to see who's coming up next. I want my children and grandchildren to be able to watch it as well. It is family tradition for myself, my sister, and my grandmother to watch it together.If you can find this video somewhere, I definitely recommend it!

I was nine in 1944, living in Cincinnati during WWII when this movie came to RKO Royal Theatre.I saw it twice then. Later, when we had moved back to Tennessee, I saw it again the Roxy Theatre in Clarksville, Tenn. About 1995 I read that "Two Girls And A Sailor" was released on VHS,I rushed to have my video store order me a copy. Now I have it, and watch it every couple of months. It's almost like being 9 years old again ! (And I'm still mad about June Allyson !)

TWO GIRLS AND A SAILOR (1944) is mindless fluff featuring a string of guest stars and musical acts, meant to cheer audiences up while WWII raged on overseas.

In the tradition of many other wartime musicals, the film is almost like sitting through a concert. A simple plot serves as an excuse for a parade of musical numbers that aim to entertain the cinema-goers as much as the in-movie club patrons. It's pure escapism. Throw in some romance, some comedy, and a dash of patriotism and you have a very pleasant movie indeed.

And TWO GIRLS AND A SAILOR is a very pleasant movie. Fluff, yes, but it's fun. June Allyson and Gloria DeHaven play showbiz sisters who sing at a nightclub and entertain servicemen at their apartment. Thanks to the generosity of a mysterious admirer, the girls are able to open their own canteen to put on shows for the men in uniform. But what happens when both sisters start falling for the same guy (Navy sailor Van Johnson)?

Both actresses are charming and do a nice job. Gloria DeHaven is very beautiful, but it is June Allyson as the protective older sister who wins us over. I've never considered myself much of a June Allyson fan, but she certainly was talented and her performance here (singing, dancing, acting, comedy) is great.

Jimmy Durante provides solid comic relief and even sings his hit "Inka Dinka Doo". Van Johnson plays an all-American good guy, a sailor who happens to be a multi-millionaire. Tom Drake is Johnson's rival for DeHaven's affections, an Army sergeant who's really kind of a jerk.

MGM showcases many of its top musical acts throughout the film, including popular trumpeter and bandleader Harry James, the exotic Xavier Cugat Orchestra, jazz vocalist Lena Horne, deadpan singer Virginia O'Brien, the singing Wilde Twins (sisters Lee and Lyn), and piano maestro Jose Iturbi. Even Gracie Allen shows up for a comedic piano number.

Thinly plotted musicals aren't always my thing, but there's something very likable about this production. Allyson, DeHaven, Johnson, Durante, and Henry Stephenson (as Johnson's grandfather) are all great. The musical acts serve as a 1940s time capsule. The story is sweet and innocent. Just sit back and be entertained.

This slight musical comedy from 1944 was a blockbuster of its year. Its one of those Stage door canteen where G.I.s are entertained by hit musicians of their including the popular band and orchestra leader Harry James and Xavier Cugat. The big hit "Young man with a horn" is featured prominently. The songs are lovely and generally feel orchestrated and operatic as this is a Joe Pasternak production. Like a Bruckheimer, a Selznick, a Freed or a Ross Hunter, you know a Pasternak when you see it. That is, slight plots with certain scenes that are written and play better than the whole movie and make you wish they were in another movie. There is usually a love plot involving dueling sisters, mother and daughter, or jealous daughters to their dads. The actresses are pretty and young. The songs, hits of their day but taken out of their time and the situations, they lack the oomph for classic appreciation unlike the movies of Arthur Freed. Take note, there is a dream sequence in this movie that is begging for one of those Freed musical numbers but instead we get Jimmy Durante shenanigans that lifts the weight from the scene. Thorpe, the journeyman director at MGM who made a lot of hits, directs in his usual flat and placid style that gets the job done and not much more. If only Pasternak aimed higher, varied the formula a little, he could have been a champion, not just a contender.