IMDb RATING
6.2/10
1.5K
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Bumbling detective Stan Laurel disguises himself as a famous matador in order to hide from the vengeful Richard K. Muldoon, who spent time in prison on Stan's bogus testimony.Bumbling detective Stan Laurel disguises himself as a famous matador in order to hide from the vengeful Richard K. Muldoon, who spent time in prison on Stan's bogus testimony.Bumbling detective Stan Laurel disguises himself as a famous matador in order to hide from the vengeful Richard K. Muldoon, who spent time in prison on Stan's bogus testimony.
- Directors
- Writers
- Stars
Rafael Alcayde
- Hotel Clerk
- (uncredited)
Eumenio Blanco
- Attendant
- (uncredited)
Paul Bradley
- Cafe Customer
- (uncredited)
Rory Calhoun
- El Brillante
- (uncredited)
Lynn Craft
- Defense Attorney
- (uncredited)
Steve Darrell
- Mexican Policeman
- (uncredited)
Lorraine De Wood
- Spanish Girl
- (uncredited)
Joe Dominguez
- Mexican Policeman
- (uncredited)
Robert Filmer
- Bullfighter
- (uncredited)
Edward Gargan
- Vasso
- (uncredited)
Gus Glassmire
- Judge
- (uncredited)
Irving Gump
- Mr. Gump
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
THE BULLFIGHTERS (1945)
This was the last movie the aging Laurel and Hardy made for Twentieth Century-Fox, and it's another fun and underrated one at that, even if it doesn't quite measure up to the classic shorts they made a decade earlier. They really manage to inject a lot of old tried and true gags into the proceedings, thanks in part to the fact that Stan Laurel is reported to have co-directed, and so the team had more input with regard to their jokes and material. Here, the "boys" are in Mexico where Stan is mistaken for a famous bullfighter. Many laughs ensue, and this one's a winner.
*** out of ****
This was the last movie the aging Laurel and Hardy made for Twentieth Century-Fox, and it's another fun and underrated one at that, even if it doesn't quite measure up to the classic shorts they made a decade earlier. They really manage to inject a lot of old tried and true gags into the proceedings, thanks in part to the fact that Stan Laurel is reported to have co-directed, and so the team had more input with regard to their jokes and material. Here, the "boys" are in Mexico where Stan is mistaken for a famous bullfighter. Many laughs ensue, and this one's a winner.
*** out of ****
Laurel & Hardy's last American film is also probably the best(or more accurately,least worst)of their post-Hal Roach movies.One positive aspect,unlike their previous Fox/MGM wartime efforts,is that there are scenes in the film which are reasonably in character,as likeable innocents,and not complete idiots. A reworking of the egg-breaking sequence from HOLLYWOOD PARTY(1934)works quite well,as does a water-throwing routine.Arguably the best moments in the film are with cult character actor Hank Worden,who while registering at the hotel says he can't write("He's forging my name!",Stan protests!). Where the film falters is with supposed villain Ralph Sanford.Walter Long,Rychard Cramer,Charlie Hall and James Finlayson were both menacing and funny in the Roach films,but in this film,Sanford is neither despite his bulky frame.Former Radio announcer Richard Lane is good though,but the film falters in it's second half with a hackneyed 'double' story;namely Stan being a lookalike for the great bullfighter Don Sebastian.And for the first time since their earliest silent days,Fox's make-up department do away with their comic hairstyles.Still,the film brightens up with an amusing 'freak' ending,which Stan liked to employ occasionally with the Hal Roach studios.Not a good film,but certainly a tolerable one compared to A-HAUNTING WE WILL GO(1942) and THE DANCING MASTERS(1943).
yes, their final for the USA, and too bad it is far from their "average" feature for the great Hal Roach (1927-1940).
on the other hand, along with THE DANCING MASTERS, this hangs together as a *comedy* and the Director thankfully does not bog them down as the naïve but lovable dummies who spend all their time helping the young lovers.
some genuine laughs are delivered...and this cannot be said of most of their post-Roach stuff in the '40s. some great opportunities are lost, as usual in this Fox effort, but the picture has the right look and the comedy flows, like the '43 flick mentioned above.
on the other hand, along with THE DANCING MASTERS, this hangs together as a *comedy* and the Director thankfully does not bog them down as the naïve but lovable dummies who spend all their time helping the young lovers.
some genuine laughs are delivered...and this cannot be said of most of their post-Roach stuff in the '40s. some great opportunities are lost, as usual in this Fox effort, but the picture has the right look and the comedy flows, like the '43 flick mentioned above.
Mexico, Detectives Laurel and Hardy are on the trail of the evil Larceny Nell, but they get distracted by the usual assortment of Fox Studio gangsters. One of the gangsters notices Stan's remarkable resemblence to Don Sebastian, the great bullfighter. A lightbulb goes off in his head. Wackiness ensues.
Standard Laurel and Hardy film which is enjoyable from start to finish. There's plenty of slapstick; the egg smashing scene in the bar had me in stitches. Laurel & Hardy were visibly ageing but they still had the comic timing to pull it off. There's an energetic dance sequence by Diosa Costello and a pant splitting one.
Standard Laurel and Hardy film which is enjoyable from start to finish. There's plenty of slapstick; the egg smashing scene in the bar had me in stitches. Laurel & Hardy were visibly ageing but they still had the comic timing to pull it off. There's an energetic dance sequence by Diosa Costello and a pant splitting one.
Way back in the day before Laurel teamed with Hardy, Stanley was quite the comic silent screen star and many of his short subjects were satires of current big screen productions. One of the best of them was Mud And Sand where Stan Laurel did a spoof of Rudolph Valentino and his role in Blood And Sand. 20th Century Fox also now owned the rights to Blood And Sand because of the great Tyrone Power sound version that had come out a few years earlier.
So in their farewell film before the disastrous comeback with Utopia, Stan and Ollie did The Bullfighters where Laurel got to be a bullfighter again. And he plays a dual role the great Don Sebastian of Spain and just plain Mr. Laurel who with Mr. Hardy are a pair of private eyes from Peoria.
Now if you can wrap your minds around the concept of ANYBODY hiring these two as detectives, The Bullfighters is an amusing enough film though not up to the standards of their Hal Roach work. They're in Mexico on an extradition job to bring back Carol Andrews and of course in their usual fashion make a holy hash of that.
But promoter Richard Lane notices Stan's resemblance to Don Sebastian and since this guy whom he has brought over and promoted is being held up at the border. They've got a problem however in Ralph Sanford who got sent up the river on the mistaken testimony of these two lugnuts and threatens to skin them alive.
The Bullfighters is amusing, especially in that last sequence when both of Laurels personas show up in the bullring with the PI from Peoria getting well fortified for the occasion. I can't blame Stan it's the only way I would go in a bull ring.
You'll have to see The Bullfighters to see if Sanford makes good on his threat.
So in their farewell film before the disastrous comeback with Utopia, Stan and Ollie did The Bullfighters where Laurel got to be a bullfighter again. And he plays a dual role the great Don Sebastian of Spain and just plain Mr. Laurel who with Mr. Hardy are a pair of private eyes from Peoria.
Now if you can wrap your minds around the concept of ANYBODY hiring these two as detectives, The Bullfighters is an amusing enough film though not up to the standards of their Hal Roach work. They're in Mexico on an extradition job to bring back Carol Andrews and of course in their usual fashion make a holy hash of that.
But promoter Richard Lane notices Stan's resemblance to Don Sebastian and since this guy whom he has brought over and promoted is being held up at the border. They've got a problem however in Ralph Sanford who got sent up the river on the mistaken testimony of these two lugnuts and threatens to skin them alive.
The Bullfighters is amusing, especially in that last sequence when both of Laurels personas show up in the bullring with the PI from Peoria getting well fortified for the occasion. I can't blame Stan it's the only way I would go in a bull ring.
You'll have to see The Bullfighters to see if Sanford makes good on his threat.
Did you know
- TriviaStan Laurel and Oliver Hardy's final Hollywood movie. According to L&H biographer Scott MacGillivray, 20th Century-Fox offered to keep its "B" movie department open for the pair, but they declined to do any more movies for Fox.
- GoofsAfter being kissed by an admirer who'd mistook him for Don Sebastian, Stan faints, folding his arms as he is falling so that an off-screen stage hand can grab him at the elbows to break his fall.
- Quotes
Stanley Laurel: I don't want to fight any bulls, I don't like bulls,
[high-pitched-crying]
Stanley Laurel: I'm allergic to bulls!
- ConnectionsEdited from Blood and Sand (1941)
- How long is The Bullfighters?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Dick und Doof als Stierkämpfer
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 1m(61 min)
- Color
- Aspect ratio
- 1.37 : 1
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