Apology for Murder

Fun, fast-paced imitation of DOUBLE INDEMNITY, with Hugh Beaumont in the Fred MacMurray role and Ann Savage in the Barbara Stanwyck part. Savage does as good a job at being nasty as she did in DETOUR and Beaumont is fine, too. Prolific PRC director Sam Newfield keeps it moving and keeps it very entertaining. This is very hard to see, but highly worthwhile. Supposedly Paramount sued PRC to keep this out of theaters because it was far too similar to DOUBLE INDEMNITY. Too bad because it's good in its own right.

I too have seen this rather bad production and had a discussion with Anne Savage after. The film was shut down due to the larger, Paramount Pictures, who had just released Double Indemnity a year earlier. The story by James M Cain was actually based on a true story from the thirties. Appology was based on the actual story and not the Cain novel. Paramount wanted to sue the PRC studio because it felt that they stolen the story. This would have crippled the already small production house. And yes, while Double Indemnity is a much better movie, Apology is true to the real life story.

Hugh Beaumont and Fred MacMurray...Migrated to TV to Play "Wonderful", Highly Successful and Enduring TV-Dads on "Leave it to Beaver" and "My Three Sons"...

But Both Played the Lead in Almost Identical Movies, One an Academy Award Multi-Nominee and Top-10 Film-Noir,

the Other a PRC (Producers Releasing Co..."Pretty Rotten Crap..."Poverty Row Cinema") Quickie.

"Apology" has All the Pitfalls and Baggage that Accompany Movies Made on the Cheap...60 min. Run-Time...Mostly One-Takes, and Not a Whole-Lotta-Time or Money to Make a Better Movie.

But the Low-Rent Studios "Reason to Be" was Making "Watchable Movies for the Bottom-End of a Double-Bill while Making a Dollar-Bill.

Providing Work for Out-of-Work Folks that Worked in the Movies,

and through No Fault, but Resources, Sacrificial Lambs for "No-Shame" Ghouls to Pick the Bones Clean Laughing at 'Primitive Art" for Not Being "Legitimate" Art...Bullies All.

But "Apology for Murder" Makes No Apologies and "Respects" the Billy Wilder Film..."Imitation is the Greatest Form of Flattery"...

Anne Savage will Never Apologize for NOT being Barbara Stanwyck,

Her On-Screen Persona is Something to be Proud. If there Ever was an Actress "Born" to Play "Femme-Fatales", She's the One.

Hugh Beaumont is Fine "Playing the Sap", and the Ending is a Violent and Peaceful Wrap where He Delivers and then Some.

Ignore the "Deja Vu" when it Surfaces in this "Homage" and Enjoy.

If "B-Movies" Didn't Exist...There would be No "A-Movies".

Definitely...

Worth a Watch.

Investigative journalist "Blake" (Hugh Beaumont) is looking into a lucrative business deal that might be in the offing for the wealthy "Kirkland" (Russell Hicks). An impromptu meeting, though, introduces him to a new proposition - the man's much younger wife "Toni" (Ann Savage). She's unhappy, soon seeking solace in his arms and plotting his demise. "Blake" is initially unwilling to co-operate, but she's a clever woman and... The question is, can they get away with it and manage to frame "Jordan" (Pierre Watkin) for good measure? At just over the hour, this is quite a watchable crime thriller with plenty of feminine wiles, manipulation, betrayal and an ending that delivers just desserts a-plenty. No, it's not a great or especially memorable film and I could have done with someone like Barbara Stanwyck in the lead (they could have too, I guess) but if you like the genre you'll enjoy this readily enough.

I have to admit that I know nothing about Director Sam Newfield but, having watched this out and out ripoff of DOUBLE INDEMNITY, which came out in 1944, I am not likely to look for any more of his work because there is never a good reason to plagiarize, and that is what his studio and he did with this B pic.

I am amazed that no legal proceedings were started against the studio on the grounds of theft of intellectual property, plagiarism, and related charges.

It's a pity, because Ann Savage is quite convincing as the murderous merry widow who convinces naif Hugh Beaumont to murder her hubby so she can chalk up his fortune. Russell Hicks and Charlie Brown also deliver credible performances, though the fact that a newspaper editor should be allowed so much freedom to investigate does extend to snapping point your suspension of disbelief. Edward G Robinson as an insurance company investigator made far more sense in DOUBLE INDEMNITY.

The script deserves a fat zero, it is a blatant copy.