Apology for Murder

Investigative journalist "Blake" (Hugh Beaumont) is looking into a lucrative business deal that might be in the offing for the wealthy "Kirkland" (Russell Hicks). An impromptu meeting, though, introduces him to a new proposition - the man's much younger wife "Toni" (Ann Savage). She's unhappy, soon seeking solace in his arms and plotting his demise. "Blake" is initially unwilling to co-operate, but she's a clever woman and... The question is, can they get away with it and manage to frame "Jordan" (Pierre Watkin) for good measure? At just over the hour, this is quite a watchable crime thriller with plenty of feminine wiles, manipulation, betrayal and an ending that delivers just desserts a-plenty. No, it's not a great or especially memorable film and I could have done with someone like Barbara Stanwyck in the lead (they could have too, I guess) but if you like the genre you'll enjoy this readily enough.

The minor Hollywood studios and companies usually waited a decent interval---say two or three years--- before they made their own version of a major company film, but good old PRC had an early-day version of the TV mentality that says if it was good last week, we'll make it again tomorrow. Rigor mortis hadn't set in on Fred MacMurray's "Double Indemnity" character before PRC had their own grind-house version playing. Nothing to it; just change the insurance salesman and company cop to a reporter and his editor; cast Ann Savage (who else?) in Barbara Stanwyck's scheming, double-dealing wife role and tell the exhibitors it will be ready in two weeks. And who needs Billy Wilder and James M. Cain when they have Sam Newfield and Fred Myton? Not any of us PRC-schlock lovers for certain. The super market scene-lovers could be disappointed.

Supposedly, get this from IMDb: In 1951 RKO was to start a crime thriller called "The Sins of Sarah Ferry" about a courthouse clerk in Binghamton, NY, who falls herself falling in love with a beautiful liar who's accused of armed robbery and a hit-and-run charge involving a death. This project never materialized because the plot was considered too close to that of Double Indemnity (1944)

Well, gee, that didn't stop PRC studio from doing "Apology for Murder" which is identical to Double Indemnity except that this time, the easily-led murderer, played by Hugh Beaumont, is a newspaper reporter. He's talked into killing the husband of Ann Savage, who else. And his boss, like Edward G. Robinson in Double Indemnity, is hot on the trail of the killer. In this version, a man is convicted and sentenced to death for the murder.

Not much to say - it's a cheap version of the real thing. That Ann Savage was sure something.

This film essentially involves an extremely wealthy businessman by the name of "Harvey Kirkland" (Russell Hicks) who has had the misfortune to have married a woman who is much younger than him and is interested in only one thing-his money. As it so happens, he is involved in a huge business deal and because of that the local newspaper sends a reporter named "Kenny Blake" (Hugh Beaumont) to try to get an interview with him. Although he is successful in meeting with him he is denied an interview and is asked to leave his house. On his way out, however, he meets Harvey's wife "Toni Kirkland" (Ann Savage) who immediately catches his attention. One thing leads to another and soon they become romantically involved. It's during this time that she convinces him to help her kill her husband so that they can have his entire fortune for themselves. But what Kenny doesn't know is whether she actually loves him or just wants to get her hands on her husband's money. Now rather than reveal any more I will just say that this film started off well enough but slowed down after the first 30 minutes or so and ended on a very corny note. Even so, I suppose it helped pass the time fairly well and for that reason I have rated it accordingly. Average.

Fun, fast-paced imitation of DOUBLE INDEMNITY, with Hugh Beaumont in the Fred MacMurray role and Ann Savage in the Barbara Stanwyck part. Savage does as good a job at being nasty as she did in DETOUR and Beaumont is fine, too. Prolific PRC director Sam Newfield keeps it moving and keeps it very entertaining. This is very hard to see, but highly worthwhile. Supposedly Paramount sued PRC to keep this out of theaters because it was far too similar to DOUBLE INDEMNITY. Too bad because it's good in its own right.