IMDb RATING
7.5/10
3.7K
YOUR RATING
A plain maid and a wounded war veteran are transformed by their love for each other while residing in an enchanted honeymoon cottage.A plain maid and a wounded war veteran are transformed by their love for each other while residing in an enchanted honeymoon cottage.A plain maid and a wounded war veteran are transformed by their love for each other while residing in an enchanted honeymoon cottage.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 3 wins & 1 nomination total
Wally Albright
- Soldier at dance
- (uncredited)
Virginia Belmont
- Bit Role
- (uncredited)
Barbara Blair
- Mildred
- (uncredited)
Patti Brill
- Bit Role
- (uncredited)
Martha Holliday
- Bit Role
- (uncredited)
Nancy Marlow
- Bit Role
- (uncredited)
Sherman Sanders
- Dance Caller
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a lovely, almost-forgotten little RKO weepie from the 40's. It boasts touching performances from it's two leads, Dorothy McGuire and Robert Young, and a fine supporting turn by the always good Herbet Marshall.
'Enchanted Cottage' has a real message. This is a film about seeing with your heart, not your eyes. Laura Pennington (McGuire) and Oliver Bradford (Young) learn to do so while cast under the magic spell of the 'enchanted cottage' they are inhabiting. It seems a hokey concept on paper, but this film really works.
Laura is a homely maid who looks as if she is going to spend her days as a spinster. She takes on a job at a pretty cottage owned by a dour old widow. Oliver Bradford originally wanted the cottage as a honeymoon location for him and his soon-to-be bride. However, Oliver was called to war a day before their wedding. He is disfigured and scarred as a result, and upon arriving home, his fiancé expresses disgust (although we never see it) at his changed appearance. Crippled, bitter and lonely, he takes the cottage as a single man. The kind-hearted, yet plain, Laura helps him in his loneliness, as she too knows what it feels like to be judged on looks alone.
They eventually decide to marry out of convenience. But the spell of the enchanted cottage starts to work on them on their wedding night, as they realise the true love and affection they harbour for each other, a love that goes past face value and transports them into another realm.
It is a tender love story. McGuire is never anything but convincing as the downtrodden yet kind Laura; she impressed me a lot more here than in her Oscar-nominated work for 'Gentlemen's Agreement'. All the time throughout watching the film I was thinking of her as a perfect actress for 'Jane Eyre'. She certainly could play the plain, ordinary girl well, with emotional depth and understanding. Indeed, the relationship between the once-handsome but now-scarred Oliver and the homely, unwanted maid Laura is reminiscent of the Jane-Rochester relationship.
The widow seems to subscribe to the English novel theory too; her stopped clock at the time of her husband's death is very 'Miss Havisham' from 'Great Expectations'.
Marshall is great, giving his usual understated performance as the blind composer who cannot 'see' with his eyes, but can feel with his heart and his brain.
A great musical score accompanies the scenery well, and appropriately dark cinematography complements the darker points of the story too. This was a war-time pic, and once again we are being shown the harsh realities of war through the disabled figure of Oliver. Still, this is more of a love story than propaganda.
This was made by the cash-strapped RKO studio, and today it is little-known. Apparently finding this film is hard, but here in Australia the ABC free-to-air network plays it regularly. I view myself as lucky.
This a tearjerker, and a beautiful romance story. Keep the tissues nearby.
8/10.
'Enchanted Cottage' has a real message. This is a film about seeing with your heart, not your eyes. Laura Pennington (McGuire) and Oliver Bradford (Young) learn to do so while cast under the magic spell of the 'enchanted cottage' they are inhabiting. It seems a hokey concept on paper, but this film really works.
Laura is a homely maid who looks as if she is going to spend her days as a spinster. She takes on a job at a pretty cottage owned by a dour old widow. Oliver Bradford originally wanted the cottage as a honeymoon location for him and his soon-to-be bride. However, Oliver was called to war a day before their wedding. He is disfigured and scarred as a result, and upon arriving home, his fiancé expresses disgust (although we never see it) at his changed appearance. Crippled, bitter and lonely, he takes the cottage as a single man. The kind-hearted, yet plain, Laura helps him in his loneliness, as she too knows what it feels like to be judged on looks alone.
They eventually decide to marry out of convenience. But the spell of the enchanted cottage starts to work on them on their wedding night, as they realise the true love and affection they harbour for each other, a love that goes past face value and transports them into another realm.
It is a tender love story. McGuire is never anything but convincing as the downtrodden yet kind Laura; she impressed me a lot more here than in her Oscar-nominated work for 'Gentlemen's Agreement'. All the time throughout watching the film I was thinking of her as a perfect actress for 'Jane Eyre'. She certainly could play the plain, ordinary girl well, with emotional depth and understanding. Indeed, the relationship between the once-handsome but now-scarred Oliver and the homely, unwanted maid Laura is reminiscent of the Jane-Rochester relationship.
The widow seems to subscribe to the English novel theory too; her stopped clock at the time of her husband's death is very 'Miss Havisham' from 'Great Expectations'.
Marshall is great, giving his usual understated performance as the blind composer who cannot 'see' with his eyes, but can feel with his heart and his brain.
A great musical score accompanies the scenery well, and appropriately dark cinematography complements the darker points of the story too. This was a war-time pic, and once again we are being shown the harsh realities of war through the disabled figure of Oliver. Still, this is more of a love story than propaganda.
This was made by the cash-strapped RKO studio, and today it is little-known. Apparently finding this film is hard, but here in Australia the ABC free-to-air network plays it regularly. I view myself as lucky.
This a tearjerker, and a beautiful romance story. Keep the tissues nearby.
8/10.
My wife and I love this movie. There is an ugly duckling in all of us but the right person can bring out the swan. This movie brings that out so well. I am my wife's prince charming and she is my Princess. This movie helps us remember that after 15 years of marriage. In the movie we are taken away from our everyday lives to a quiet mysterious cottage. Couples have visited the cottage for hundreds of years, and gone away mysteriously changed and in love. The film creates a strange atmosphere that takes you into the thoughts and feelings of two lonely people. We then witness their magical transformation into happy beautiful people. No matter how hard the outside world tries to take that happiness away from this happy couple, the cottage protects their romance.
I've taped this movie in the black and white and the colorized version, which is no longer seen on TCM. If you want to forget your troubles in a movie and escape for a couple of hours into a "magical" time that no longer exists, watch this movie. Definitely a "chick flick", I think, but a wonderful one at that. The music is haunting, the views of the cottage and it's surroundings make you wish for a time that we can no longer go back to, a time of a simpler life, with no technology, and values were different. The story is like a fairy tale set to real life, where dreams come true in the end. I never get tired of watching it. Good acting especially by the supporting cast. Robert Young didn't look so bad even with his scars, and Dorothy McGuire fit the part. Ladies! Watch this flick if you're into old classic movies and don't mind a bit of corniness. . .
The Enchanted Cottage is about two emotionally wounded people who find themselves and find love in the cottage where the man was supposed to honeymoon with his intended bride and the woman worked as a maid to the lady who owned the place.
Robert Young who is a Boston Brahmin has plans to marry the beautiful Hillary Brooke and they've got a beautiful seaside cottage owned by Mildred Natwick in which to honeymoon. They're about to close the deal when it's announced that Pearl Harbor has been attacked. Like so many others the war puts a hold on personal plans and Young goes off to enlist.
But Young comes back from the war facially disfigured, no longer the charming and self assured to the manor born type he was before. He takes the cottage not for a honeymoon, but for solitude as he wants to shut the world out.
Dorothy McGuire plays the rather plain Jane maid who Natwick employs and who crushes out big time on Young at first sight. He doesn't notice her back then, but he notices her now and the two when they start to open up and communicate discover love. Is it them or is it the cottage they're in who some say does cast an enchantment over folks.
The Enchanted Cottage is a Madame X style weepy woman's picture made enjoyable by the sincere performances of its stars. McGuire is truly touching why she did not get an Oscar nomination is really ridiculous. The film did get one nomination for Best Musical Scoring.
On hand also is Herbert Marshall as a blind veteran from the first World War who is a pianist. Marshall was in fact a wounded veteran, he lost a leg in combat there and understood his character very well. He guides the younger generation to some self realization. Spring Byington plays Young's mother and her usual flighty character takes on a bit of an edge to it as she can't see what kind of angst Young is going through.
The Enchanted Cottage holds up very well for today's audiences, it could probably be remade with very few changes made and then only to place and time because the message about love is timeless.
Robert Young who is a Boston Brahmin has plans to marry the beautiful Hillary Brooke and they've got a beautiful seaside cottage owned by Mildred Natwick in which to honeymoon. They're about to close the deal when it's announced that Pearl Harbor has been attacked. Like so many others the war puts a hold on personal plans and Young goes off to enlist.
But Young comes back from the war facially disfigured, no longer the charming and self assured to the manor born type he was before. He takes the cottage not for a honeymoon, but for solitude as he wants to shut the world out.
Dorothy McGuire plays the rather plain Jane maid who Natwick employs and who crushes out big time on Young at first sight. He doesn't notice her back then, but he notices her now and the two when they start to open up and communicate discover love. Is it them or is it the cottage they're in who some say does cast an enchantment over folks.
The Enchanted Cottage is a Madame X style weepy woman's picture made enjoyable by the sincere performances of its stars. McGuire is truly touching why she did not get an Oscar nomination is really ridiculous. The film did get one nomination for Best Musical Scoring.
On hand also is Herbert Marshall as a blind veteran from the first World War who is a pianist. Marshall was in fact a wounded veteran, he lost a leg in combat there and understood his character very well. He guides the younger generation to some self realization. Spring Byington plays Young's mother and her usual flighty character takes on a bit of an edge to it as she can't see what kind of angst Young is going through.
The Enchanted Cottage holds up very well for today's audiences, it could probably be remade with very few changes made and then only to place and time because the message about love is timeless.
My wife and I had seen this wonderful,hopeful romantic film, long ago.When we retired to the Ocean Shore, we built our dream cottage. All who visit have remarked on the feeling they get when they enter our home. We christened it The Enchanted Cottage and had that name carved across our mantle.We love to tell the story behind the name and even have a copy of the Movie to share with others as the video is no longer available.Our friends are charmed by the premise, and share our feeling about this absolute gem of a movie.
Did you know
- TriviaIn 1973, it was announced that a remake would be made. According to Robert Young, the setting would be updated and Dorothy McGuire and he would be playing the parts of the housekeeper and blind pianist originally played by Mildred Natwick and Herbert Marshall. The idea fell through after McGuire watched a screening of the original at Young's invitation at the actor's home. She said that the film belonged to another period and that she did not want to go backward.
- GoofsAs Mr. Bradford is leading Major Hillgrove to the beach, there is a dog swimming in the ocean as Laura chats with Danny. The dog brings the stick to be thrown back into the water, and he is completely dry.
- Quotes
Laura Pennington: Oliver, we've never written our names - somehow I think they'd want us to.
- Crazy creditsIn the opening credits, the principle actors are seen with their names superimposed over the shots. Dorothy McGuire is seen in her character's beautiful and then unattractive state; Robert Young is seen only in his normal, attractive state. This is interesting in that the story deals with both characters, not one, falling in love and seeing only one another's beauty, despite both of their unfortunate appearances.
- Alternate versionsAlso shown in computer colorized version.
- ConnectionsFeatured in TCM Guest Programmer: Whoopi Goldberg (2007)
Details
- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 1.37 : 1
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