Guest Wife

Claudette Colbert is married to Richard Foran and is on her way on a second honeymoon when Richard's friend Don Ameche shows up minutes before they were supposed to leave for the train. It seems Claudette doesn't like to hear from him, as he is always asking Richard for help in his outlandish schemes. The latest one is that Don's boss thinks he's married, because not only did he tell him so, but he showed him a picture of his supposed wife. Claudette doesn't like the sound of this, and rightly so, because the picture of the lady in question is her. And, he now needs her to assist him to carry out this extended farce. Forced against her wishes, she goes with Don, leaving Richard behind due to a misunderstanding. Most of the rest of the film has Claudette with Don posing as his wife, while Richard is trying to get there. The film may sound pretty fun and laid-back with the stars involved, and while it does, it tries too hard to be zany and the situations feel forced, particularly when she decides to turn the tables on Don and act like she likes the position he's put her in. You could do a lot worse, even some of her own films. I've reviewed some of Claudette's pictures that are a lot worse, but considering the stars this feels more annoying in parts than it should. Chester Clute has a memorable bit as a shoe salesman on holiday in the big city, when he recognizes her, which would jeopardize her situation, and all he wants to do is check out her shoes and feet, because he knows his customers' feet! But all he can do is sneak about on the floor under the restaurants' tables, trying to get to her with no sense of direction, startling ladies and causing a commotion! "All I want to do is see her feet!" You may find this little film amusing, but by the end, you'll reach for something better.

This is one of those patented situation comedies that are repeatedly used in the movies or television. So and so has a job, and his boss is a believer in the sanctity of marriage. Somehow the boss learns that so and so is married, and has a nice marriage. When he gets an opportunity, the boss invites so and so and his wife to spend the weekend at his home...which panics so and so because he really is not married, but circumstances (ah, those perennial circumstances) have led to his having claimed he was married. Now his job and his future are on the line...what should he do?

Why, borrow the wife of his best friend, of course!

Variations appear everywhere: Christmas IN CONNECTICUT, for instance, has Barbara Stanwyck usurping the home of her friend Reginald Gardiner to impress her sanctimonious boss Sydney Greenstreet (who has another great "rounded" fat name - Alexander Yardley). On television a failed series in the middle 1960s was OCCASIONAL WIFE, which had an executive in a baby food company requiring a fake wife for the happiness of his employer. He uses his neighbor two floors beneath his apartment (the hero and heroin frequently have to meet on the fire escape of the apartment between theirs, leading to a running joke of the reaction of the man who owns that apartment. About the same time Jack Lemmon made his film GOOD NEIGHBOR SAM, where a married man has to help his neighbor (Romy Schneider) inherit her wealth by pretending he is her husband (Mike Connors). Connors reciprocates by pretending to be married to Lemmon's real wife Connie Stevens (leading to some complicated incidents of both men purposely making each other jealous -and almost driving neighbor Robert Q. Lewis crazy in the process).

Despite it's repetitive use it is not a bad plot, and in GUEST WIFE it was well handled. Here Ameche is a reporter for a newspaper - magazine chain, who has had to make up his marriage to make his copy more relevant. It has made Ameche a major news figure, and his boss (Charles Dingle, pleasantly using his pompous threatening characterization to comic use - and quite well) wants to meet the little woman, who behaved so bravely in the Far East. As Ameche has based her on Claudette Colbert (the wife of his best friend Dick Foran), he goes to Foran to get permission to borrow Claudette for a few hours (for dinner with Dingle). Foran is willing, but Colbert is tired of the number of times Ameche has somehow manipulated Foran into doing things for Ameche that were not in the interest of either Foran and Colbert.

But she goes along, until she finds that Dingle has become more plans for them in the coming weekend. Ameche, for fears for his job, willingly expands the time that Colbert is with him, but this slowly gets the formerly subservient Foran to resent his friend more and more. This leads to some nice pieces of comedy with hotel detective Grant Mitchell and with nosy neighbor Chester Clute. And Colbert, sensing an opportunity she won't miss, takes advantage of the situation to keep turning up the heat on a flustered Ameche. It turns out to be a nice little comedy, well worth viewing and even watching again.

Foreign correspondent Don Ameche has never met Claudette Colbert, the wife of his best friend, Dick Foran. He has been using her picture and the claim she is his wife to get a lot of bonuses from his employer, Charles Dingle. Now back in the States, he wishes to borrow her for his New York meeting, and through the usual situation comedy mix-ups, does

All three leads are practiced farceurs in this sort of comedy, and under the direction of skilled director, Sam Wood, this is good, if not particularly remarkable movie. The best bits are carried out by others, like house detective Grant Withers, who thinks he has Foran's number, and Wilma Francis, one of Ameche's girl friends who thinks she can recognize true love when she sees it. Chester Clute and Irving Bacon have small but amusing bits.

Ameche had been the highest-paid actor in the world when his contract with Fox expired Suddenly, his movie career collapsed, although his radio, television, and Broadway career did very well for decades. It would not be until the 1980s that he came back in favor, and he made the most of his last ten years before dying in 1993 at the age of 85.

"I can tell more about a woman by looking at her feet than by looking at her face". Luckily "Mary" (Claudette Colbert) doesn't wear Wellington boots in this sometimes rather confusing comedy. She is happily married to docile bank manager "Chris" (Dick Foran) who, in turn, just happens to be best pal with writer "Joe" (Don Ameche). This latter chap has a problem. He has won an award - and an $1,000 honorarium, but he needs to acquire a wife in an hurry. Who better than "Mary"? She's none too keen on "Joe" nor on this wacky idea, but for the sake of a peaceable life she agrees. Imagine the confusion that causes at home when his boss sees his wife in the newspapers married to an altogether different man! Tongues will wag and there might even be a run on the bank! Well, enter onto the scene the redoubtable Charles Dingle's "Worth" and then add a dose of mischief from a "Mary" who has decided she is going to have some fun, and we are set fair for a standard screenplay that delivers predictably, but that also showcases Colbert's engaging talent with this flighty and amiable character and an Ameche who is on good form, too. The plot does recycle itself once or twice and the scenarios do contrive the humour a little, but this has enough different about it to avoid the usual "love triangle" type of scenario, there are a few enjoyable twists, and ever since her "Cleopatra" in 1934, Colbert can do little wrong in my book.

Guest Wife is directed by Sam Wood, written by Bruce Manning and John Klorer, and stars Claudette Colbert (Mary), Don Ameche (Joe) and Dick Foran (Chris). The story tells of a journalist, Joe, who claims to his boss that he is married because the company would like their employees to be as such, and Joe wants to take some vacation leave. But he happens to still be single. Something that's now a major problem since his boss requests the company of Joe and wife for the weekend! His pal Chris lends him his wife Mary so as to bluff his boss into agreement, however, things start to get complicated.

Obviously hampered by the strict censorship that existed at the time of its making, Guest Wife none the less is a cheeky little comedy that boasts fun acting and a safe and solid script.. Tho referred to as a screwball comedy in some quarters, I feel that doesn't quite do the film any favours. Yes the gags are breezy enough, but they are hardly of the whirlwind scattergun variety. The interplay between the wonderful Colbert and the charming Ameche is spot on, even if the heavy cloud of censorship tone downs stops the material from being fully realised into a classic comedy must see. There's an itch about just who we are supposed to root for since Chris is a nice guy and Mary clearly loves him, and of course Joe is a bit of a cad when one considers his deception. Yet we are in the company of Mary and Joe for the most part, which although it be a fake marriage, it's a nice coupling. So either way come the end some viewers will be left disappointed.

Safe and tidy, with the film as a whole more likely to leave you with a smile more than a beaming grin. 6.5/10