Kitty

Amusing and witty story of a street girl (Paulette Goddard) in 18th century London, who rises to become a duchess.

Of particular note is Constance Collier, showing off a brilliant flare for comedy as Lady Susan Dowitt, an aging courtesan who instructs Goddard in matters of gentility. Constance had a long career on stage and screen going back to the silent era, and this film displays her talents as a fine comedienne.

Paulette Goddard is "Kitty" in this delightful 1945 film directed by Mitchell Liesen for Paramount. The film also stars Ray Milland, Constance Collier, Cecil Kellaway, Patric Knowles, and Reginald Owen.

Goddard plays a young guttersnipe who steals for a living. As she's trying to steal the gold buckle off of a footman's shoe, she is noticed by none other than Thomas Gainsborough, who cleans her up and paints her. She comes to the attention of Sir Hugh Marcy (Milland) but when he finds out she's a guttersnipe, he loses interest.

Once her beautiful portrait is on display, the Duke of Malmuster buys the portrait and prevails upon Sir Hugh for an introduction to the subject. Since Sir Hugh is flat broke, he and his tipsy aunt (Collier) try to turn Kitty into a lady so they can introduce her to the Duke, who is in a position to get Hugh his job back. Things, however, take a turn. Not only does Kitty have other plans, but fate steps in.

A very good movie, inspired by Shaw's Pygmalion, that has a wonderful, lively performance by Goddard, who goes from Cockney spitfire to lady and falls back on her Cockney roots when she loses her temper.

Milland is good and not very likable as the conniving Sir Hugh, and Constance Collier is a riot as Aunt Susan. Handsome Patric Knowles is on hand as a friend of Sir Hugh's who, like a lot of other men, is captivated by Kitty.

I was a little disappointed in the ending. I frankly would have liked to have seen Kitty go off into the sunset with someone else.

I agree with one of the posters here that this would have been a beautiful film in color. But I'll take Goddard any way I can get her; she's always been a favorite of mine.

I remembered this one from TV a hundred years ago. Paulette Goddard has the title role, and she is quite beautiful and completely convincing. Real-er than Eliza Doolittle, she slips in and out'a Houndsditch slang, but she is never comic or plays it broad. She is a lady long before she marries into royalty.

Her persistent love of Hugh (played at his caddish-sexy best by Ray Milland) is the engine that drives the story. Plenty of good supporting roles, including Sara Algood, Cecil Kallaway (playing Gainsborough),Eric Blore, and that divinely handsome eternal man-who-loses-the-girl, Patric Knowles.

I loved it - and though I am not a great Ray Milland fan, I find he can be very convincing as a lover. His only better example of it is "Golden Earrings" with Miss Marlene Dietrich. And as for Miss Goddard, we never saw enough of her to type-cast her - feisty, spirited, yes, but a little unexpected in the depth of her performance, and a very lovely lady to boot.

This is what movies used to be - good characters (somebody to root for), an intelligent story, and Glamour. I recommend this picture highly!

If you have not seen this film, you are missing a great classic film. Director Mitchell Leisen's skill with art design, his precise handling of actors, and an attention to detail are quite obvious. What is also obvious is that the picture's sets and furniture have that grandiose William Hearst feel to it. Later, I was not surprised to find out that Leisen had indeed borrowed items from Hearst . Maybe the publishing magnate was hoping that Paramount's director would cast main squeeze Marion Davies in the title role. That obviously did not happen. But we do have Paulette Goddard, who despite the dazzling array of Hearst treasures, is perhaps the most ornate piece of set décor on screen.

Paulette Goddard deserves to have this movie seen and enjoyed, and so do we. She was a charming actress, and this film gave her a chance to show it. Ray Milland is also a very charming cad. It's been too long since I've seen it, on TV when I was much younger, but I remember how much I liked it. For years I think I had it confused with FOREVER AMBER, but I was able to get ahold of that film on VHS a couple of years ago, and was greatly disappointed--I thought it sure wasn't as good as I remembered. It wasn't until I happened upon KITTY while looking at films done by Paulette, whom I also loved in REAP THE WILD WIND, that I realized I was disappointed by AMBER because it was not KITTY. Well, so it goes.

Come on, whoever owns the Paramount vault, dig into it. And look at other Mitchell Leisen films too, like HOLD BACK THE DAWN, TO EACH HIS OWN, and LADY IN THE DARK (which I don't think I've seen but would love to). He is one of the great UNDISCOVERED directors.

Give us DVDs--PLEEEEZE.

leisen