Night Boat to Dublin

This film caught my attention solely on the basis of the title. An rather implausible wartime yarn of how British Military Intelligence attempt to track down a kidnapped Swedish scientist who may be on the verge of a major breakthrough in nuclear technology. The story moves along at pace on the basis of hunch and coincidence, but that said moves along in an enjoyable way. Robert Newton is fine as the lead, but the real star for me at least is Guy Middleton who provides amusing quips throughout. Edited by Flora Newton one of a number of women editors working in the British Film Industry at this time.

The flimsy plot of this wartime intelligence story relies on endless coincidences, hunches and lucky breaks. The determinedly amateur British intelligence operation is seriously lacking in direction and professional discipline, but who cares when the script writer is on your side? Such dull viewing could give spies a bad reputation.

During the last days of WWII, a Danish scientist is suspected to be working with the Nazis even if he is known for his anti-Hitler stance. Two intelligence officers discover a track leading to a relevant information leaki n Ireland and embark on the faithful night boat to Dublin. Only one is going to return with a plan to capture the spies... and he will even get married to keep his cover.

The plot, characters, and acting are engaging enough to keep you watching until dénouement.

"Night Boat to Dublin" should have been a lot better. The storyline is an interesting one on the written page and Robert Newton is an underrated leading man. The plot is thin when it comes to sustaining any kind of narrative and the pace tends to drag its own feet. Some scenes feel as though they have been merely cobbled together. Even so, there is plenty to like. Robert Newton does well as the Government operative who goes undercover as hired help for the villains of the film. The classical theatre actor, Marius Goring, is completely wasted in his one scene appearance. His screen time amounts to about three minutes, if that. There is some good photography and this creates some tension, especially when Robert Newton and his colleagues are searching for incriminating evidence. You won't find a lot of action but the ending is still good.

This is a typical Edgar Wallace style 50 minute B movie, minus the decent storyline, believable characters and any tension or excitement, and extended to 90 dreary minutes.

Even the great Newton couldn't supply any gravity to this lightweight nonsense.