Midnight Manhunt

The sole reason to watch this B-movie is the cast of veteran actors which includes George Zucco and Leo Gorcey, and who give the material more care than it deserves.

The plot concerns the "now we see it, now we don't" game thats played with the corpse of a murdered man. The man was a notorious killer who had been missing for five years before turning up near a wax museum. I won't spoil what happens since despite all the flaws can be quite entertaining if taken on its own terms.

The film suffers from two problems. The first is a cheapness that, while not truly bad, makes the wax museum seem more like a cardboard dive then a real place. The other problem is that the script, while containing funny lines, moves everyone around in a rather awkward manner as if they had to fill out several sections of the movie until its time to move to the next location. Neither problem is deadly, rather they are annoying in the "If they just didn't do that this would be so much better" sort of way.

If you should see this on TV or on the bargain video rack, by all means venture to dive in, since while its not the best of its type, its pretty damn good thanks to the great cast.

After Scared Stiff, Ann Savage played the feminine lead in Midnight Manhunt, in which she is relentlessly put down by charmless William Gargan – not one of my favorite leading men by a long chalk. David Lang's script is one of those affairs in which a collection of not overbright characters get themselves involved with murder and missing jewels on the flimsiest of pretexts. As a time filler, this little "B" is overladen with dialogue but still plays with reasonable celerity, thanks more to the sterling efforts of an A-1 support cast led by Leo Gorcey and Charles Halton than to any input from dull, relentlessly plodding, over-emphatic direction from co-producer William C. Thomas (of the Scared Stiff Two-Dollar Bills).

This movie has all of the charm that makes old movies fun. Tough newspaper reporters compete with one another as they deal with a murdering villain and an arrogant police detective. I cannot recall seeing Ann Savage in anything else, but right away I liked her. She had the look and presence that should have made her a bigger star. Although she gets second billing in the credits, I think she is the star that really pushes the plot the most. Leo Gorcey adds a fun comedy element that keeps the movie bouncing along. The action starts at the very beginning and keeps building until the end. All the events take place in one night as the different characters are involved with finding, moving, hiding, and searching for a mobster's corpse. For what appears to be a B movie, the whole movie keeps up a steady pace for plot twists. If you love movies of the 40's in general this movie will be a pleaser.

There isn't much to say about this one. It involves a body (which should be decomposing) being dragged around by a series of people. There are a couple of reporters who use absolutely no common sense in the process of trying to use the body to get a scoop. There's Leo Gorcey, playing the Bowery Boys character, with the malapropisms and the general insensitivity. George Zucco is running around, trying to get his hands on the body. Keeping a low profile probably would have protected him, but this doesn't occur to him. Everything is silly and far fetched and probably played well in a theatre on Saturday afternoon as a bit of escapist drivel in the forties.

There's no denying that this B-feature has its flaws, but it's kind of fun to watch. It's a crime drama with plenty of comic relief, with a solid cast that does pretty well with a story that could easily have fallen apart. The production is strictly low-grade, but they tried to make up for it in part with a lot of offbeat sets and dimly-lit scenes.

The story reminds you of Hitchcock's "The Trouble With Harry", since most of the plot concerns the trouble caused by an inconvenient corpse. It's not, of course, as good as a Hitchcock movie, and its implausible aspects are not masked the way they would be in a better production, but it still gets some decent mileage out of the premise.

Ann Savage does well as a young reporter trying to sort things out. She has the strong presence that she showed in noir features like "Detour", while this time being much more sympathetic. George Zucco strikes an appropriately menacing tone, and Leo Gorcey adds some entertaining comic relief.

This is a good movie to watch when you just want to pass a pleasant hour or so with something entertaining that does not demand careful attention, and when you are prepared not to be too critical. With the right expectations, it actually works pretty well.