The Girl of the Canal

I find it almost impossible to watch this right through, so nostalgic is it of a way of life virtually gone now. The blend of professional actors with, presumably, real-life characters works well. There's nothing really to fault-photography is very good and sharp; music appropriate; lots of familiar faces-e.g. Megs Jenkins, a young Harry Fowler...

Couple this with "The Song of the Road" (1937), which is about the replacement of horses on farms, and you have a pretty good depiction of life in England before and after the War. One critic summed up the 1937 film as "..a sentimental, idealised account of a country at peace with itself". It's not that simple of course, but there are plenty of documentaries about analysing the harder edge of those times.

Enjoy these films for what they are-wonderful depictions made with feeling, and valuable social documents.

A sort of hybrid film with a good dose of documentary mixed in with a slight story. Excellent photography of a the canals and the boats and showing a way of life that was about to vanish. Could have done without the sonorous intonation of the poetry making it a sort of aquatic Night Mail.

This film is mainly a romance but is also a Documentary. Showing life on "the Cut" when the canals where a part of the British transport scene.

The story follows the lives (and loves) of two families. The "Traditional" Smith's (Father, Mother & Mary Smith) in the Horse Drawn Barge "Sunny Valley" (which is converted to a motor barge in the film) and the "Modern" Stoner's (Mother, Ted Stoner & his younger brother Alf) in the motor barge "Golden Boy" & butty (an unpowered barge) "Blackbird".

Although released in 1945 it was filmed during the later part of the second world war the couple Mary Smith & Ted Stoner never get to marry (not in this film anyway) as Ted is "Called-Up" and joins the Army (The Royal Engineers).

The end of the film sees "Sunny Valley" emerging onto the River Thames at Limehouse, East London.

Airplanes and motorcars and railways have left the canals of Great Britain far behind as our canals like the Erie Canal in my region of America. Today they exist as artificially made rivers hopefully with a fish in them.

But the canals had a revival of sorts as a method of transporting war material during World War II which lasted two years longer for them than it did for us. Painted Boats is an interesting mixture of documentary about the canals with a boy/girl story of two young people who are the latest generation of families who work the barges and locks of Britain's canal system. Jenny Laird and Robert Griffiths are the two young people who meet and plan to marry but Mr. Hitler disrupts all those plans.

These people's whole lives are wrapped up in the canal system from cradle to grave. When you either run a boat or the locks there's little need to know anything else. A really telling scene in this film is when Laird and her mother May Hallatt sign a new contract with a company and sign with "Xs". No need for literacy on a barge.

Painted boats is an interesting story of a time gone by in the United Kingdom.

Veteran Ealing director Charles Crichton's second feature film is as much documentary as drama. Handsomely shot on location by fellow Ealing craftsman Douglas Slocombe, like most of the studio's productions of the period it was intended at the time as reportage but has long since become a historical record of a vanished world.

The heroic tone of Louis MacNiece's commentary (portentously intoned by James McKechnie) is in marked contrast to the simple humanity of the film itself.