Pillow of Death

Pillow Of Death is the last of Universial's well-made, entertaining Inner Sactum series of second feature thrillers, all utilizing the often wasted talent of Lon Chaney, Jr., off-beat stories, a rather spooky, Gothic atmosphere, a battalion of fine character actors, and a covey of beautiful "B" leading ladies, and second female leads as the love interests of the unglamorous Chaney. All get the job done in under seventy minutes, Pillow being the longest by a bit at an hour and six minutes. It is also the only picture of the series not to use the spooky, distorted talking head in a crystal ball as a prologue, a device apparently inherited from the popular radio show which inspired the movie series. It wasn't really missed. Neither the worst nor the best of the series, Pillow has arguably the best production values with most of the action set in a lavish Victorian mansion.

Chaney's secretary the beautiful Brenda Joyce, also his love interest in Strange Confession (see my review), lives in the "old dark house" with a set of eccentric, querulous relatives. Chaney, an attorney, leaves her there in the opening scene, then drives home and "have it out with" his wife. You see, he wants to marry said pretty secretary, who has apparently been sitting on big, strong bossy-wossy's lap while taking dictation. But he finds that his wife has been murdered by suffocation (with the title pillow no doubt). He becomes suspect numero uno of course and for the rest of the movie is subjected to investigation and harassment by the police and a goofy, fat spiritualist (J. Edward Bromberg). Seances and bodies pile up.

This well done "old dark house" mystery has you suspecting everyone, including Chaney and Joyce, before it is over. The suspects, as is traditional in one of these, are eliminated by becoming victims -- except for the resident ghost of course, which turns out to be a raccoon in the attic. I'm not so sure I didn't suspect that pest, too. The identity of the killer did in fact come as a surprise! Big hint: it wasn't the butler. The clever drawing room mystery style was what kept this rather confused entry in the Inner Sanctum cycle interesting. Well-acted by all. Chaney was always fascinating, and Brenda Joyce deserved better than swinging through the jungle on a vine with Tarzan.

Not as good as some of the others in the series, but mild entertainment for 66 minutes with the a/c going full blast on a hot August evening.

Pillow of Death is the last of the six Inner Sanctum mystery / thriller films that Universal made in the 40s. And, in my opinion, it's one of the two best (Weird Woman being the other). In this one, Lon Chaney Jr is Wayne Fletcher, a lawyer in love with his secretary. The problem is, he's got a wife at home. So when she's found dead under mysterious circumstances, Fletcher is the natural suspect.

Despite what I consider to be a rather silly title, Pillow of Death is a solid little film. The writing is excellent with a surprising (at least surprising to me - even on a repeat viewing) solution that works nicely. The atmospheric "old dark house" trappings, complete with a seance, and plot twists keep things interesting. The direction is crisp as the film moves along at a good pace. And, like most of Universal's B output from this time period, the sets and cinematography look better than they have any right. It really is quite beautiful to look at. Overall, Pillow of Death is a well made movie.

As for the acting, there's very little to complain about. Chaney is fine in the lead, but I admit the "tormented soul" routine he perfected in The Wolf Man gets a bit old. Co-star Brenda Joyce, taking a break from playing Jane in the Tarzan series, is more than capable. There are a number of notable performances in the supporting cast, but none quite like George Cleveland. What a joy!

7/10.

Last of the Inner Sanctum movies. It was pretty obvious these weren't making money--this doesn't even open with the floating head in the crystal ball.

Attorney Wayne Fletcher (Lon Chaney Jr.) is in love with his secretary Donna Kinkaid (Brenda Joyce), but he's married. His wife is found smothered to death and he's the prime suspect. He's released (lack of evidence) but a seance is held and his wife is heard accusing him of murder...then her body disappears from the crypt...then members of the Kinkaid family are getting murdered...

Busy little murder mystery. It's shot on big, beautiful, atmospheric sets (I'm assuming from another movie) and has good performances and keeps you guessing who's doing it, and why, till the very end. Entertaining--one of the better Inner Sanctums. I give it a 7.

I recently purchased the Inner sanctum box set with all 6 of the Inner sanctum movies and was not disappointed at all.I really enjoyed Pillow of Death, OK its a corny title but it had everything in it if you enjoy old dark houses, whodunits,murders in the night etc.Lon chaney gave a decent enough performance in it and was supported by a good cast including the lovely Brenda joyce and the solid J.Edward bromberg i have read a few reviews which slate this film so i watched with trepidation and was pleasantly surprised it is a great little B movie which universal made in the 40's to much credit, it is atmospheric with many twists and turns moving along at a lively pace, i personally didn't find it dull or slow..if you enjoy the old black and white horrors from this period i am sure you wont be disappointed..just watch it with no great expectations and im sure you will see its not as bad as it has been painted. Without giving anything away it will keep you guessing all the way through..enjoy it for what it is.

When Vivian Fletcher is found murdered, her husband, attorney Wayne Fletcher (Lon Chaney Jr.), is the prime suspect: the man has romantic feelings for his pretty secretary Donna Kincaid (Brenda Joyce) and his wife's death is all too convenient. Other murders follow, and Fletcher desperately tries to prove his innocence despite the mounting evidence against him.

Pillow of Death is another one of those hokey Inner Sanctum murder mysteries starring an already past-his-prime Lon Chaney Jr. (not that he was all that great when he was in his prime). It's packed with tired cliches (a creepy old house, ghostly voices, a seance, a secret passageway) and, for the most part, is a wholly unremarkable affair. However, just as I was about to write the entire thing off as another dull and predictable gothic B-movie thriller, it delivers a final act that was not what I was expecting to see, but was exactly what I had been hoping for. See it and you'll understand.

4/10, bumped up to 6 for that ending.