A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.A woman uses a deck of cards to predict death within 24 hours for a stranger sitting at a bar, then tries to help him remember who he is based on items in his pockets.
Ernie Adams
- Bit
- (uncredited)
Walter Baldwin
- Western Union agent
- (uncredited)
Sherlee Collier
- Girl
- (uncredited)
Margia Dean
- Bit Part
- (uncredited)
Edythe Elliott
- Mrs. Crawford
- (uncredited)
Otto Forrest
- The Whistler
- (uncredited)
Jack George
- Locksmith
- (uncredited)
Jack Gordon
- Taxi Driver
- (uncredited)
Frank Hagney
- Man Delivering Cake
- (uncredited)
I. Stanford Jolley
- Motorist
- (uncredited)
Cy Kendall
- Druggist
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Amnesia themes were a favorite of detective stories in the '40s, and THE POWER OF THE WHISTLER is no exception. A man who is befriended by a woman who senses danger in his future (JANIS CARTER) is unable to recall anything about his past. She and her sister both combine forces to delve into the few clues they found in the man's pockets and go about trying to hunt down someone who knows his identity.
If you can get past the implausibility of the set-up--a complete stranger (Carter) willing to become a full time detective upon short acquaintance of a man she knows nothing about--well, then you can sit back and watch the story unfold without too much cynicism.
The man's identity remains a teasing enigma up until the last fifteen minutes or so. JEFF DONNELL is the helpful sister who unravels a few clues of her own.
The script is full of loopholes, coincidences, contrivances, as all of these Whistler series are, but it makes an engrossing story if you're willing to suspend your disbelief.
If you can get past the implausibility of the set-up--a complete stranger (Carter) willing to become a full time detective upon short acquaintance of a man she knows nothing about--well, then you can sit back and watch the story unfold without too much cynicism.
The man's identity remains a teasing enigma up until the last fifteen minutes or so. JEFF DONNELL is the helpful sister who unravels a few clues of her own.
The script is full of loopholes, coincidences, contrivances, as all of these Whistler series are, but it makes an engrossing story if you're willing to suspend your disbelief.
Richard Dix plays...well, that's the secret. He gets hit by a car early on in the movie and gets one of those handy Hollywood cases of amnesia. Shortly after being hit, he's asked by a girl in a restaurant to be allowed to tell his fortune for a lark, to show her friends how it's done. The cards come up bad, and then his amnesia comes to light, causing the amateur fortuneteller to more or less adopt him so she can help him find out who he is. You'll notice that folks trust one another in this flick a lot more than they probably ever did in real life. With the results your parents probably warned you about. Dix, as usual, is great as this befuddled but somehow sinister stranger. This is perhaps the best of the Whistler movies. Warning: Implied violence to cuddly animals!
I really like The Whistler movies. Richard Dix plays a different role in each one. Sometimes he's a good guy, sometimes bad. The plot here has Dix as a man suffering from amnesia after being struck by a car. A woman (Janis Carter) playing around with tarot cards predicts death for Dix within 24 hours so she feels the need to warn him. She finds out he has lost his memory so she tries to help him figure out who he is so together they can prevent his death.
There is one part that amused me a great deal. It really has no significance to the plot or how much you will like the movie but I will share it anyway. During the first meeting of Dix and Carter, he feels faint so she opens a car door and they sit down in the back seat to talk. After their conversation, some guy gets in and is surprised to see them. He's the owner of the car! So the girl explains they just needed a place to sit down, to which the car owner replies "Oh okay" like it's perfectly normal. Then he offers to drive them some place! I don't know if this scene just shows how much times have changed or what, but it made me laugh when I watched it. I just can't see that scene playing out the same way in a movie today.
This is a fun B movie with some good performances and an interesting story. There are some bugs in the plot but nothing that detracts greatly from the entertainment level, at least for me. Fans of Dix and The Whistler series should like it a lot.
There is one part that amused me a great deal. It really has no significance to the plot or how much you will like the movie but I will share it anyway. During the first meeting of Dix and Carter, he feels faint so she opens a car door and they sit down in the back seat to talk. After their conversation, some guy gets in and is surprised to see them. He's the owner of the car! So the girl explains they just needed a place to sit down, to which the car owner replies "Oh okay" like it's perfectly normal. Then he offers to drive them some place! I don't know if this scene just shows how much times have changed or what, but it made me laugh when I watched it. I just can't see that scene playing out the same way in a movie today.
This is a fun B movie with some good performances and an interesting story. There are some bugs in the plot but nothing that detracts greatly from the entertainment level, at least for me. Fans of Dix and The Whistler series should like it a lot.
This 40s b movie boasts mediocre acting, awkward dialog and a fairly ridiculous story, but it all sort of works, generating genuine suspense and moving at a fairly quick pace. The premise is interesting, with an amnesiac helped by a a stranger, but it requires you to accept that a bunch of people think it's a better idea to figure out a stranger's identity by searching his pockets than by seeing a doctor or contacting the police.
One interesting thing about this movie is how trusting everyone is. Some people get into a stranger's car to rest, and when the stranger shows up he offers them a ride. Stuff like that keeps happening throughout the movie. Were people really that trusting back then? If so, the movie suggests it might not be such a good idea.
One interesting thing about this movie is how trusting everyone is. Some people get into a stranger's car to rest, and when the stranger shows up he offers them a ride. Stuff like that keeps happening throughout the movie. Were people really that trusting back then? If so, the movie suggests it might not be such a good idea.
Power of the Whistler, The (1945)
** (out of 4)
Third film in the series has Richard Dix being hit by a car and losing his memory. A card reader (Janis Carter) befriends the man as the two search for his real identity but who he turns out to be is the real shock. Based on a radio show episode, this film manages to be somewhat entertaining, although it seems long even at just 66-minutes. It takes a while for the story to get going but the twist in the man's identity comes out of no where and is handled very well. This is when the film really picks up and leads to a very good final act. Dix is very good in his role and Carter comes off good as well. Landers steps in to direct this one after William Castle handled the first two. I was a little letdown that he didn't keep the action moving better because he usually handles these B films a lot better. There's some nice humor scattered throughout and also a rather mean spirited side, which includes killing of a lot of animals.
** (out of 4)
Third film in the series has Richard Dix being hit by a car and losing his memory. A card reader (Janis Carter) befriends the man as the two search for his real identity but who he turns out to be is the real shock. Based on a radio show episode, this film manages to be somewhat entertaining, although it seems long even at just 66-minutes. It takes a while for the story to get going but the twist in the man's identity comes out of no where and is handled very well. This is when the film really picks up and leads to a very good final act. Dix is very good in his role and Carter comes off good as well. Landers steps in to direct this one after William Castle handled the first two. I was a little letdown that he didn't keep the action moving better because he usually handles these B films a lot better. There's some nice humor scattered throughout and also a rather mean spirited side, which includes killing of a lot of animals.
Did you know
- TriviaThe signature whistling at the beginning of each of the Whistler movies was provided by Dorothy Roberts, backed by the theme's composer Wilbur Hatch and his orchestra.
- GoofsWhen William (George) and Jean get into the cab after her visit to the book store, a clear shadow of the boom microphone moves across the roof of the cab.
- ConnectionsFollowed by Voice of the Whistler (1945)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Die Macht des Whistler
- Filming locations
- Rockefeller Center, Manhattan, New York City, New York, USA(Stock Footage)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 6m(66 min)
- Color
- Aspect ratio
- 1.37 : 1
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