The Missing Corpse

PRC was a tiny studio that rented space at larger studios and made their films on a shoestring budget. Generally, when I see a film was made by PRC, I either avoid it or expect it to be, at best, a time-passer. Imagine my surprise when I found I not only liked "The Missing Corpse" but would highly recommend it. It's hard to believe...especially since there are no big name actors and the film is clearly a B-movie, clocking in at only 62 minutes in length!

Henry Kruger owns a newspaper and his greatest nemesis is a rival newspaper owner who takes delight in slandering Kruger. Because of this, Kruger has been known to threaten the guy if he didn't stop harassing him. Imagine Kruger's surprise, then, when he discovers the guy in his trunk...dead! Who did it and how is Kruger going to get rid of the body? Watch this clever film and find out for yourself.

As I said, I really liked this one. This was helped by having Frank Jenks in a supporting role. While few would remember his name, he was very adept at this sort of film and helped make it fun.

Wealthy newspaper publisher Henry Kruger (J. Edward Bromberg) can't get served breakfast—he sits at his morning table but the servants just carry the trays right on past. His wife Alice takes breakfast in bed and sends down a note asking him to check her overdrawn bank account; son James takes only tomato juice due to today's hangover; daughter Phylis is "indisposed" but her photo is featured in the rival newspaper's story about last night's nightclub brawl. Mr. Kruger is understandably fed up with his family.

He also does not get along at all with that rival paper's publisher: a crook and blackmailer named McDonald (Paul Guilfoyle). McDonald has plenty of enemies—there's Kruger himself; his chauffeur Hogan (Frank Jenks) who claims to have a score to settle; and even McDonald's muscle man Joe, who discovers his own motive for murder.

Yes, we can see it coming…but the murder is not the surprise here: rather, it's the way the dead body keeps jumping around, from car trunk to wood box to numerous other locations. Who moved it now? and who will stumble on it next? Rapid dialog and one silly situation after another add up to a pretty funny picture.

Bromberg and Jenks lead the cast well; their boss-and-chauffeur act clicks nicely as each assumes that the other did the murder and eventually has to be enlightened.

Momentum builds as the rest of the family and numerous others gradually congregate at the vacation lodge where Kruger and Hogan (and the corpse) are holed up. "Why, Henry, we'll have a family reunion," says the wife on her arrival; "Won't that be nice," is Kruger's quietly bitter reply.

It's a good natured if not particularly inspired murder comedy. Totally ridiculous—but fast moving and unpretentious.

Body, body, where's the dead body. Seems a non-breathing one gets around better than a breathing one. Then too, the murdered corpse is never where you'd expect it to be. And so, for better or worse, a nomadic corpse just about amounts to the plot. Good thing the narrative's full of colorful characters, and a fast moving director who never lets things drag. I like the way the amusing parts are under-played such that the acting never gets sappy. Cast-wise, It's a paunchy Bromberg, a smirking Jencks, a fluttery Randolph, and a sinister Weldon; together, they lift the skimpy narrative into a pleasantly entertaining programmer. Seems Bromberg's business rival turns up dead and the newsman's got to hide the body before others pin the murder on him. But can he, since new people keep turning up and turning things over in his mountain lodge. And when was the last time a paunchy, middle-aged short guy got the leading part in a flick. It does happen here and no camera tricks try to hide it. I guess my only gripe is the relative absence of shapely girls in that nifty 1940's attire. All in all, the flick's the kind of fun escape meant to ease wartime audiences. And dare I say it, fun too, even for a new millennium.

I usually don't expect much from PRC movies. What a delightful surprise this was - it was funny, face paced, and entertaining. Also helping was that the print I saw was very good, from Amazon Instant Video. Henry Kruger (Bromberg), an honest and well-to-do newspaper publisher is ignored by his wife, son and daughter. Added to this is his ongoing dispute with a rival publisher who is a crook and a blackmailer. Angry over a photo the rival has published of his daughter, Kruger threatens him. Talking things over with his chauffeur, Mack Hogan (Jenks), Kruger decides to take a vacation and go to his hunting lodge. Unknown to him, the rival publisher is murdered by one of his victims and the murderer puts the body in the truck of his car. After arriving at the lodge, Kruger finds the body (thanks to the antics of a cute dog). There is a nosy highway patrolman hanging around and Kruger and Hogan struggle to keep the cop from finding the body. When the wife, son and daughter show up, the body is moved from room to room. Interestingly, Kruger's family keeps their knowledge about the body from the cop. Given this, the ending was a bit of a twist. I don't recall ever seeing Bromberg in a comedy role. He was excellent in the role as was Frank Jenks as the chauffeur. This movie is a lot of fun.

PRC produces an enjoyable item here with little funding, a comedic melodrama that successfully incorporates both verbal and visual humour, along with a dollop of suspense, in creating a picture notable for its rare featured performance by veteran supporting actor J. Edward Bromberg, skillful direction, and especially effective scoring, in addition to a clever scenario that benefits from perfect pacing to smoothly advance the action. A whimsical plot requires that scripting, acting, and editing combine equally to avoid mere giddiness, and that is the case here, with Bromberg cast as Henry Kruger, an ethical newspaper publisher who threatens Andy McDonald, his counterpart upon a rival big city (Los Angeles) tabloid, with physical harm after McDonald splashes a nightclub escapade involving Kruger's daughter upon his journal's front page. After the blackmailing McDonald is murdered by one of his victims, his corpse is chased from the unsuspecting Kruger's automobile trunk to a series of makeshift hiding places, with humorous perplexity resulting from Kruger's attempts to avoid being implicated in the homicide. Director Albert Herman, for his final feature film commission, ably leads his actors in the briskly gaited affair, and manages in fine fashion to balance comedy with sequences of suspense, aided throughout by a splendid score contributed by classically trained Karl Hajos, who adds pages to his prior work from studio stock, seamlessly blending the total into the narrative. Acting is of variable merit, with Frank Jenks winning the Thespic laurels in the role of Kruger's chauffeur and companion, a typically sharply defined performance from him, capitalizing upon his impeccable sense of timing.