They Were Expendable

One reveiwer critices this film about lack of action he misses the point,all the characters are well developed which makes the ending so painfull. The acting is first rate every part is played with a great belief,,there are so many great scenes that touch the heart.The men are bonded together by their actions and when the bonds are broken through death or orders it hurts us all. Donna Reed is gorgeous to look at ,only a small role but well acted. At the end of the film you feel a lump in your throat and a tear forms in your eye,I love this movie.9/10

Wayne and Ford at their peak.

Somehow I missed this film until a few years ago on a cable movie channel. Growing up with WWII as the dominant theme of modern history and an appreciation of the older film stars, this film is without question the most realistic in terms of the message and of just passed events with superb performances in the old morality style of the 40's.

The old Navy, surviving in the Asiatic backwater where promotions could take years, bears the brunt of the onslaught of total war for America. A heroic tragedy of holding the line to bide time for the Nation to recover.

A story for all time, the greatest war movie of all time. No matter how large the budget and digital special effects, they will never capture the texture and feel of this film. The dying of the old Navy from Yangtze to Cavite with gutsy sailors like "Boats" living hard in the backwater paradise of the Pacific on $20 a month.

The tragedy of continuing defeat, overwhelming catastrophic events, the ill prepared Nation, the dying of the old Navy, all combine to make this film, made with event still fresh in the actors and film makers minds, a statement of that war and of the heroes which the audience knew first hand. It says, we knew these men and boys and they were as fine a heroes this country has ever produced and they will live larger than life for as long as this film exists.

There are two films here, one wrapped around the other. The one that begins and ends the film is breezy, action-oriented, mostly shot outdoors. Better than Sands of Iwo Jima, but other than that fairly average WWII fare, even taking into account the fact that it is a largely accurate retelling of a tremendous defeat.

The other film is mostly shot inside, either in the hospital or at social events, and is far darker and more moving. While Ford gives us some of his standard hokum, such as the trio hiding underneath the cottage, this section looks much harder at death, defeat and helplessness.

The indoor setting is key, Ford had shot in shadows before, as in Grapes of Wrath, and he did again in My Darling Clementine. But the scenes in the hospital are even more evocative: they remind us that the war has only begun and that the worst lies ahead. And while some commentators have complained that this movie is too slow, in this section the slow pace makes the feeling of imminent loss that much more poignant. I'm thinking in particular of the scene when Donna Reed does her hair in the mirror before coming to the table. Here we not only get to feast our eyes, along with the officers waiting at the table a few feet away, at the impossibly beautiful Donna Reed, but we get a sense of what a struggle it must have been to try to maintain any sort of normal life in wartime.

I don't suppose it would be possible to have sustained this note throughout the movie--no string quartet can be all adagio--but I wish the bookend sections had measured up to the middle section.

Stirring WWII film, directed by John Ford, about the contributions of the Navy torpedo boat squadron to the war effort. In addition to the action and wartime heroics, there are subplots about the rivalry between Navy lieutenant Robert Montgomery and frustrated subordinate John Wayne, and a romance that blossoms between Wayne and nurse Donna Reed.

Montgomery, a gleeful ham when the role calls for it, offers one of his most subtle and successful performances as the sober squadron commander. Wayne does a great job, as well, playing a character with more layers to him than just a gung-ho war hero. His character is brave, to be sure, but he's also ambitious to rise in rank and a little petulant. Not attributes one immediately thinks of when they think John Wayne. Reed is lovely and charming as ever.

It's a little overlong, as many movies over two hours seem to be (then and especially now), but Ford makes the most of it and it never feels padded. Definitely worth a look for Ford and Wayne fans, or anyone who enjoys World War II films. It's one of the best.

Very few, if any, WW2 films are better than this. I first saw it several years ago on a wet miserable Saturday afternoon in winter and subsequently taped it at the next showing. I have seen it several times since then.

Despite not living through this difficult time I can imagine it capturing how the US forces felt in the early days of the Pacific war. As the film states, these are the men who laid down the initial sacrifice that others built on. They were no doubt aware of this, and that escape before the Japanese arrived was their only real chance of survival.

John Ford created a basically solemn film in keeping with the times. Action is pretty minimal but this does not detract from the film at all. Solid performances from all the caste and one of John Wayne's best performances. Some of the action sequences could have been better (but it was made over 50 years ago), a bit too much of men jumping on and off MTB's, and the dinner scene between Wayne and Donna Reed did nothing for me. A downbeat ending with some crew going off to help plan for later battles and others marching off to almost certain death, but it is in keeping with what the US forces faced at the time.

Recent good WW2 films such as Saving Private Ryan and Thin Red Line show what can be achieved now with a big budget and huge technical advances, but it doesn't make them any better than this film.

I only hope it comes out in DVD in the UK. 9 out of 10.