The theater in which this film is set was called The Windmill and performers there refused to be deterred by the blitz that was leveling much of London at the time.The theater in which this film is set was called The Windmill and performers there refused to be deterred by the blitz that was leveling much of London at the time.The theater in which this film is set was called The Windmill and performers there refused to be deterred by the blitz that was leveling much of London at the time.
- Director
- Writers
- Stars
- Nominated for 2 Oscars
- 2 wins & 2 nominations total
- Specialty
- (scenes deleted)
- Dancer
- (uncredited)
- W.A.C. Woman
- (uncredited)
- News Vendor
- (uncredited)
- Cabbie
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Show Must Go On, Even During The Blitz
A whole lot of extravagant musical numbers photographed in gorgeous technicolor are held together by a plot involving Rita being the object of a campaign by Eagle Squadron RAF member Lee Bowman. Though she's warned by fellow performer and best friend Janet Blair that Bowman's a wolf in Eagle Squadron uniform, Rita plunges headlong into things. She's also got dancer Marc Platt interested in her as well.
For a British set film, this cast sure had an awful lot of Americans. This film would have been so much better done across the pond with someone like Jessie Matthews or Anna Neagle starring. The numbers are nice enough though, the musical score by Jule Styne and Sammy Cahn contained one song, Anywhere which got an Oscar nomination. A much better song of their's that Frank Sinatra sung in Anchors Aweigh, I Fall In Love Too Easily, was also nominated that year, but Rodgers and Hammerstein got the statue that year for It Might As Well Be Spring. Tonight And Every Night also got an Oscar nomination for Best Musical Scoring.
The musical numbers are great, but the plot is pretty thin.
The show went on even during the London blitz
While this story is a fictional, it was adapted from a play that was based on the real Windmill Theatre that put on its shows every night during the blitz. It was the only theatre in London to do so.
The plot is a good one, with a romance that builds over time with one of the show's lead performers, Rosalind Bruce and an RAF pilot and squadron leader, Paul Lundy. Rita Hayworth plays Bruce, and she and Janet Blair as Jud Kane and Marc Platt as Tommy Lawson have some very good song and dance numbers.
Florence Bates plays May Tolliver, the theater producer and boss who keeps the show going. When the sirens sound to warn of an oncoming bombing, the cast, crew and audience all go through the side and backstage doors into the air raid shelter beneath the theater. Some prominent British actors of the day have good supporting roles.
The story has a sad note, but also an upbeat ending that was common and surely most appropriate for the period and place. This is one of several films made during World War II of some historical value. It and others present stories based on real events, places and people during the war.
A Musical With A Story
Momories of WWII
This isn't the best film ever made, but certainly not the worst as some have made it out to be. It's simply a light musical mixed with drama.
To see another take on this story be sure to see "Mrs. Henderson Presents" with Dame Judy Dench and Bob Hoskins. It's a fantastic film that really presents the way it was "back then." I know, because I was around then and this film brought back some good and some bad memories.
DLMc
an enchantress in wartime London
What a gorgeous woman and dancer Rita was, and what charisma! She sparkles on the screen and is stunningly beautiful in this Technicolor film. She looks like her magazine covers - perfect. Lee Bowman is her leading man, Janet Blair plays her best friend, and Marc Platt, a Broadway dancer who is an absolute dynamo, plays a fellow performer.
There really isn't much to this script, except that there's a somewhat unexpected plot twist and the ending isn't as expected. We're looking in one direction while the script goes in another. There are some nifty production numbers and some pretty songs - better, I think, than those found in another Hayworth vehicle, Down to Earth.
Rita's voice is always dubbed, but I wonder if she could sing or could have sung with some training. Guess we'll never know.
Seeing Rita is always worth it.
Did you know
- TriviaRita Hayworth was pregnant during production. As a result, the musical numbers were filmed first, before the pregnancy began to show. As filming progressed, great care was taken to hide her growing belly with muffs, furniture and purses.
- GoofsWhen Rita is putting on the silver dress, the part in her hair jumps from the side to the middle and back again.
- Quotes
Squadron Leader Paul Lundy: [in a bomb shelter] Scared?
Rosalind Bruce: Naturally.
Squadron Leader Paul Lundy: So am I.
Rosalind Bruce: Well, that's not very comforting. That's like having a lifeguard say he's afraid of the water.
Squadron Leader Paul Lundy: Oh, I don't mean this. I mean you. You did a little bombing tonight yourself, you know. That dance you did...
[imitates whistling of falling bomb]
Squadron Leader Paul Lundy: In fact, you bombed from a very low altitude. It's not only unfair, it's practically illegal.
Rosalind Bruce: Well, I'm sorry.
Squadron Leader Paul Lundy: You should be.
Rosalind Bruce: I hope I didn't hit anything vital.
Squadron Leader Paul Lundy: You knocked out my whole communicating system, if that's any concern to you.
- ConnectionsFeatured in Christmas on Division Street (1991)
- SoundtracksTonight and Every Night
Music by Jule Styne
Lyrics by Sammy Cahn
Sung by Rita Hayworth (dubbed by Martha Mears) in film's finale
- How long is Tonight and Every Night?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Heart of the City
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.37 : 1







