West of the Pecos

This excellent Robert Mitchum/Barbara Hale western is equal parts of action, comedy and romance. There's enough characters running around doing stuff that one never gets bored. In a nutshell, Chicago city slickers go west to take over an old hacienda that's been abandoned for years. Of course there's outlaws, stage coach chases, gun play and all sorts of goings on. I rented this from Netflix because after visiting and photographing the Zane Grey Museum in Ohio I'm trying to watch as many of Zane Grey movies as possible. This flick is definitely worth renting.

It was shot in Lone Pine California where many Hollywood westerns were shot. It seems Barbara Hale convinced the director to employ a guy she was sweet on, Bill Williams. He isn't around much in the movie but apparently he was around enough behind the scenes that Barbara managed to sink her hooks into the guy. They ended up married until his death and had three kids. One of the kids was William Katt, the actor.

Richard Martin made a career out of the character, Chito Jose Gonzalez Bustamonte Rafferty. Cracking jokes about his Irish-Mexican heritage in a very dated accent, and busting out his guitar in every movie, he's one of the most recognizable western sidekicks in the business. You've got thirty chances to catch his character, including 1945's West of the Pecos.

In this silly, humorous, escapism movie, Barbara Hale's father, Thurston Hall, has to get more exercise into his daily routine for his health. The family decides to pick up and move from Chicago to their ranch in Texas-but since it's the 1880s, the wild west is dangerous. In order to protect herself, and her French companion Rita Corday, Barbara dresses like a boy. But when she meets hunky Robert Mitchum on the road, maybe she'll want to trade in her trousers for a dress. . .

I actually really liked West of the Pecos, even though it's just a silly western. Barbara Hale does a great job in her dual-personality and getting in touch with her masculine side, and Thurston Hall is a wonderful Frank Morgan knockoff. Of course, my loyalties lie with Robert Mitchum, which is why I first rented this early movie. He's so incredibly adorable in this movie, treating Barbara like a kid brother as they travel together in the desert. At nighttime, she's expected to bunk up with him to conserve body heat, and he holds open the blanket: "Get in! Cuddle!" Seriously, how darling is that?

This was an enjoyable movie, but I expected more from a 1945

western with Robert Mitchum. The theme (a women dressed as a

boy) has been handled better, both before & after this movie. Even

a lower budget Cisco Kid movie with Gilbert Roland did a better

job. What makes this movie enjoyable is the performance of

Barbara Hale. I didn't know she had it in her, but here she's cute,

funny, & a good actress. I'd go so far as to say that she stole the

show from Robert Mitchum, which is a very difficult feat to

accomplish. I rate it 5/10; it would have been lower without Hale's

excellent performance.

I saw this film many years go at the local picture house in Birmingham. Can't wait until it comes back on television.

I think Barbara Hale played her part very well. Also, her maid was also a good addition to the plot. I also think Pecos's side-kick gave a good backing.

Hope they put it back on bbc soon.

These Hybrids Rarely Attain Above Average Status as Each Genre Devolves into Mediocrity.

But Here, it Works Fine with the Help of Mitchum Showing His Quickly Evolving Screen Persona as a Pithy, Straight-Talking, No-Nonsense Macho but Sensitive to Others Grittiness as Likeable as 'All=Get-Out.

Barbara Hale is Easy-Breezy and Confident as Most of the Comedy in the 1st Act is Her Swapping Her Eastern Elitism into a Cowboy(girl).

Thurston Hall Comes-Off Less Entertaining and More Irritating as a Loud, Grumpy, Oldster that Over Emphasizes Everything.

Even When He Dives Right-Into the Gunplay and Commands Respect from All.

Richard Martin as a Mexican Side-Kick is OK but way Over-Shadowed by the Mitchum-Hale Playful Antics. Although the Film Tries Desperately To Include His Latin Entry into the Proceedings.

This is Not a Typical Kid-Friendly Mid-Forties Western. It has a Different Vibe Leaning to some Sexual Situations and Banter that is Edgy.

It's a Good Script Showcasing the Rising of Robert Mitchum as a Bona-Fide Screen-Presence and Bankable Star.

There's Plenty of Gun-Play and Villainy.

Above Average B-Western with Mitchum and Hale Doing Their Romantic Fore-Play with Cutting-Edge Charm.