The Wicked Lady

Judging by the IMDb ratings breakdown for this film, sixty years after its production it remains very much "a women's movie" with female opinion rating it vastly higher than the male across every age group; fascinating to see how the divide still lingers! For my own part, I've always enjoyed the Gainsborough melodramas, and this is probably the best of them thanks to its wonderfully acerbic script.

This style of film is basically the screen equivalent of the classic paperback 'bodice-ripper', with heaving bosoms, witty ripostes and dastardly deeds a-plenty -- which probably accounts for the sex divide. On the other hand, I'd have thought it had a good deal to appeal to the average male viewer... Frankly, I'm not surprised that this picture fell foul of the American censors (a fate shared with various other dramas set in morally dubious eras) in the 1940s: it's not just a matter of the amount of cleavage on display or of the protagonist's flagrantly shocking morals (since these are rewarded in appropriate fashion), but of the racy tinge to a lot of the dialogue.

I think it's the dialogue that makes this film really shine. Where "The Man in Grey" has a tendency to moralise or lumber, "The Wicked Lady" has a sparkling streak of humour almost throughout; watching it in the cinema, you realise for the first time just how many laughs there are as they sweep across the audience. But it also benefits from a galaxy of strong female stars, from the minor parts to the two leading roles: Patricia Roc pulls off the difficult trick of making her gentle, idealistic character both sympathetic and believable when faced with the formidable opposition of Margaret Lockwood's beautiful, amoral Barbara. Barbara as anti-heroine almost takes over the film, and manages to attract our sympathies to the extent that we find ourselves willing her deception of old Hogarth to succeed -- but ultimately she goes too far. Too far for Jerry Jackson, and too far for this viewer at least to feel anything but vicarious satisfaction as her 'bittersweet' ending turns entirely bitter. The Wicked Lady is bad -- bad to the bone.

My main gripe with the film, ironically, is with the happy outcome as shown, after the high emotions and dark ironies that have led up to the finale. I don't hold any grudge against the lovers at all -- it's obvious that all is going to turn out well once the truth is out in the open, and I'm all in favour of their union -- but the way that it is heavy-handedly interjected into the final frames of the picture creates a virtually bathetic anti-climax. That particular outcome really might have been taken for granted, rather than pasted on thickly at precisely the wrong moment...

At the end of World War II the U.K. Gainsborough Studios had a very fine reputation based on the production of a long string of successful films, and backed by a list of very well known performers on whom they could call. November 1945 saw the release of "The Wicked Lady" - a film version of a historical novel by Magdalen King Hall which featured four of their major stars, with Margaret Lockwood in the title role supported by Jean Kent, James Mason and Patricia Roc. Initially this film was panned by many of the critics, but it was immensely successful at the U.K. box office and has now certainly achieved the status of a major black and white classic. I first saw it at quite a young age soon after it was released, and (perhaps largely because of my impressionable age) thought it must be one of the most sexy films ever released. However a few years later I saw it again and this confirmed my first impression. Margaret Lockwood was a great actress who participated in some 50 films during a career which spanned over more than 40 years. The Wicked Lady was a mid-career film made at a time when she was at the peak of her powers and she gave a memorable, if chilling, performance in the part of Lady Barbara Skelton The performances of her co-stars were perhaps not quite so memorable, but this was largely because the premise of both the book and the film was that the wicked lady had a very much stronger character than anyone else with whom she interacted, and it would be hard to seriously fault any of the acting.

For some reason this film never achieved comparable success in the U.S.A. Because the meticulously recreated seventeenth century costumes used for the original version displayed too much décolletage for the Hayes office, it was re-filmed a year after it was first released with modified costumes, specifically designed for the U.S. market. According to IMDb, Universal Pictures were the U.S. distributors; but the film does not seem to be widely known and may only have received a very limited distribution - IMDb do not even list a U.S. rating for this film. Thirty eight years later the film was remade under the same title in colour, with Faye Dunaway in the title role. As is so often the case in such circumstances I found the original version to be very much more memorable, but unfortunately it has now become very difficult to purchase in a form suitable for home viewing. A DVD in PAL format has been released in Europe, but I do not think it was ever produced in NTSC format - one hopes this was not because of continuing concern about the necklines.

This year is the sixtieth anniversary of the original film (which was never released in the United States) and I am now submitting these comments to IMDb to suggest that the anniversary provides an ideal opportunity to release a North American DVD version of it. Many classic black and white films have been released on DVD in this way during the past few years and "The Wicked Lady" would be a worthy addition to this list. Some of the listed prices for such releases tend to be rather high, suggesting that large sales of monochrome films are not expected today. If this is a concern the original version of the film could probably be paired with the 1983 colour remake in a double release which would provide viewers interested in the development of the modern cinema with an excellent opportunity to compare the film making techniques of two very different periods.

Not popular with the critics,and I agree the critical chorus had a certain amount of truth behind it. True, the plot is full-blown melodrama and the characters are pasteboard figures. But what does it matter? Is not extravagant plotting with all its coincidences, unlikely twists and larger than life surprises the stuff that escapist entertainment is made of? Are not players of the calibre of Mason, Lockwood, Rennie, Jones, Aylmer, Roc and Stamp Taylor sufficiently personable and charismatic to breathe life into one-dimensionally written figures? Certainly, I think so (even if Mason himself did not, although undoubtedly one of the causes of his dissatisfaction was the role's brevity).

Leslie Arliss has written and directed with verve, pace and style, his script helped by a great deal of witty additional dialogue and catty repartee, his direction aided by Jack Cox's typically moody, gray-toned photography, John Bryan's magnificent sets, Elizabeth Haffenden's eye-catching Restoration costumes. (Perhaps some of the film's enormous success at the box office can be traced to its low-cut, period gowns. It would be hard to deny that Misses Lockwood and Roc fill their costumes most attractively).

The Wicked Lady has an undeniable sweep and a vigorous dash that carries the audience right along. It may be too excitingly plotted for some, but it always looks so terribly authentic, it is hard not to be drawn into the machinations of villainess Lockwood or sympathize with the careless, carefree vigor of James Mason's full-blooded Captain Jackson. A welcome cast of deservedly popular support artists help round out the movie's terrific production values. Aside from some obvious process screen effects, no expense has been spared. In fact, this Wicked Lady is lavish to a fault.

This Gainsborough Picture costume drama stars Margaret Lockwood and James Mason with Lockwood playing the title role of The Wicked Lady. If you think this film bear resemblance to Forever Amber you'd be right. But Amber St.Clair is a Girl Scout next to the beautiful and treacherous Lockwood as Barbara Worth.

It all starts with Lockwood coming to live with Roc who is about to be married to the propertied and nice, but rather dull Griffith Jones. Lockwood sees security there and when she sets her cap for Jones he and Roc don't have a prayer.

But after that this minx craves excitement that Jones who is not just a landed squire, but concerned with social issues and ahead of his time that way. Lockwood after losing a precious ruby at cards then impersonates notorious highwayman James Mason and steals it back. Mason catches her and he should have obeyed his first impulse to kill her. But Lockwood uses her charms on him and the dashing Dick Turpin like highwayman is also hooked.

This film really belongs to Lockwood. I've not seen too many people as amoral as Lockwood on the screen. Beautiful and deadly this woman is the equal of other amoral females such as Jane Greer in Out Of The Past and Anne Baxter in All About Eve. Four men who trusted her meet death at her hands.

James Mason also deserves a mention. He's got quite the swagger in him as highwayman Jerry Jackson. Sad in terms of acting is competing with Lockwood who gets the woman's role of a lifetime, but he more than holds his own.

If you like Gainsborough's English costume dramas you'll love The Wicked Woman.

The mid 40s were definitely the richest years for Gainsborough films - Madonna Of The Seven Moons, Love Story, Caravan, The Magic Bow, Millions Like Us, 2000 Women, The Man In Grey, Fanny By Gaslight, and the enticingly thrilling Wicked Lady. Of the main six Gainsborough players, four grace the screen in this latest - Lockwood, Mason, Roc and Kent (Calvert and Granger sitting out). Let's talk about Miss Jean Kent for a moment. Not the main character in The Wicked Lady, but her small part as Jackson's "Doxy" was integral to the plot and to Barbara's actions. Since I've seen the movie, I've noticed a fair bit of dispute over Kent's billing. On the box for the video, she was billed 5th - not bad! At this site, she's last. At the beginning of the movie, she was 8th, and at the end of the movie in the "full" credits list, she didn't even get a mention. Perhaps she was so highly billed on the box just because she *was* Jean Kent, and if some unknown girl had played her part, they would have remained in obscurity forever. The part of Doxy is not dissimilar to her Vittoria from Madonna Of The Seven Moons - the "other woman", the lover of the male lead, who eventually drives the female lead to murder. Though Barbara (Wicked Lady) was obviously a lot more jealous of Kent's charms than Rosanna (Seven Moons) was, and Rosanna's murder was because she thought her Nino was with another woman that wasn't her or Vittoria.

But I digress. The Wicked Lady is a fantastic movie, and it's understandable how it was the highest grosser of the above mentioned. Margaret Lockwood is purely wicked, not even loveable, as Barbara, but she's thoroughly exciting and if you don't hate her you at least have to admire her spunk. 30 year old Patricia Roc is perfectly cast as 19 year old Caroline, all sweetness and innocence, trying to believe for as long as possible that her cousin Barbara is the nice, friendly playmate she had as a child. Barbara comes to visit at the time of Caroline's impending wedding, and it's not long before she's stolen the fiancee and married him herself. And that isn't the worst that the Lady Skelton does - not by a long shot!

I read in Miss Lockwood's autobiography that they had to reshoot the entire film a year later with the only change being higher necklines because their low-cut dresses were deemed far too inappropriate for the censors to allow them an American release. After seeing the original version of the movie, I can see why a few old stuffies might have been a bit shocked - the entire movie absolutely sizzles, and the abundance of cleavage doesn't help cool it down. And that's another reason why I give this 10/10 - it's just too darn HOT! ;-)