The Devil's Mask

Second in the I Love a Mystery series sees Jack Packard (Jim Bannon) and Doc Long (Barton Yarborough) investigating a mystery involving a missing man, shrunken heads, and blow guns. Yarborough is at his "good ole boy" best, for those who enjoy him. Bannon is not bad but not exciting. Very ordinary. Anita Louise is irritating throughout the picture. Terribly overwrought performance. The best thing about this series were the nice atmospheric moments. The usage of supernatural or bizarre elements helps separate it from most other B detective films. The killer is pretty easily figured out, though the motivation was pretty cool. Anita Louise's hysterics are the worst part of the movie. Still a decent way to spend an hour and change.

We too often forget that director Heny Levin began his career at Columbia pictures directing such small budget movies. This one belongs to the I LOVE A MYSTERY list, several horror mystery features, under one hour length. A bit talkative, I admit, but also providing a pretty good atmosphere. Not the one Val Lewton's production made, though. This one is Ok, thanks to this atmosphere, no matter the story itself. Henry Levin will become famous with his VOYAGE TO THE CENTER OF THE EARTH, his masterpiece, and several other adventure action movies, finishing with "beach" flicks in the early sixties.

Good combination of horror and noir. Now if I could just figure out whose head belongs on which body, I might be able to figure out the plot. But, no matter since the film is carried by some great noirish atmosphere. The gloom hangs heavy over everyone, so you just know anything might happen. The movie's adapted from a radio stage play and it shows in the stretched out storyline that sometimes appears to ramble. Still, brighter bulbs than mine may be able to follow out the mystery part. Anyhow, I really like the obscure Michael Duane as the ambivalent Rex Kennedy; he brings unexpected depth to the part. The cast is basically an ensemble of no-names, who, nevertheless do well enough in their roles. No, the movie never rises above programmer status, but does show how imaginative these bottom-of-the-bill B- movies could be.

"The Devil's Mask" (1946) is one of the "I LOVE A MYSTERY" series of B-movies produced by Columbia Studios, based on the then-popular radio show. Poker faced Jim Bannon heads up a duo of private detectives who appear in each of the mysteries.

This one begins after a shrunken head is found in the ruins of a crashed plane that was headed from California to Latin America. A woman, who believes that her step-daughter is planning to kill her, hires the pair of detectives.

The mystery deepens when the woman's butler is killed by a poison dart from a blow-gun similar to those used by the jungle tribe of head-hunters responsible for the shrunken head. Add a blackmailing psychiatrist, a crazy taxidermist, a ferocious black panther, a few nebulous characters of dubious repute, and you have an atmospheric little chiller that's most enjoyable.

You may be able to figure out who the killer is, but that won't stop you from searching out more of these neat little "I LOVE A MYSTERY" thrillers.

This is the second film to be based on the popular American radio programme 'I Love A Mystery', and I reckon it's an improvement over the first, the plot easier to follow, with stars Jim Bannon and Barton Yarborough having settled into their roles as private detectives Jack Packard and Doc Long.

This time around, Jack and Doc are hired by Louise Mitchell (Mona Barrie) who believes that her life is in danger from her stepdaughter Janet (Anita Louise), who thinks that her father was murdered by his wife while on safari, her suspicion fuelled by love letters between Louise and her dad's associate, Prof. Arthur Logan (Frank Wilcox). As the pair of private eyes investigate, they encounter Janet's somewhat shady love interest Rex Kennedy (Michael Duane), a killer with a deadly blowpipe, a crooked hypnotist, a savage black panther, an animal loving taxidermist, and a shrunken head containing a secret code.

Director Henry Levin maintains a snappy pace, Bannon and Yarborough make for a great pairing, and the plot is just the right amount of bonkers with being TOO preposterous.