The Jolson Story

I could sit and listen to Jolson music endlessly. First of all,he had to be the originator of soul music, sung right from the heart. We heard what he felt and then felt what he felt. Secondly,he was the only singer I ever heard whose voice sounded like a trumpet. Perfect pitch, clear,crisp and resounding. Hence, we put together those two attributes, add his showmanship, charm and charisma and we end up with the greatest single entertainer in the history of American show business. Larry Parks is truly astounding and gives a performance, including perfect lip synching, that should have earned him the Oscar. Politics came first, apparently.

The film, even with its occasional flaws, was amazingly entertaining. From the first scene to when his Julie Benson walks out by realizing that she could have never taken the music out of Jolson and vice versa,the entire production was pure hypnotic joy. Unbeatable music, warmth, tenderness and humility run wild. A superb feast for the ears and eyes. A never-to-be-forgotten film.

This movie started the wave of biopics that began after WWII. Larry Parks doesn't look the least bit like Al Jolson. For that matter, the script doesn't look much like Jolson's life either. However, the film is very entertaining with a few ironies for the classic film buff. When Parks is on stage, you really get a taste of Jolson in his prime. Al Jolson actually tutored Parks in how to move and interact with the audience using his own style, and it comes across well, even if it is obvious that you are hearing Jolson's voice during the performances and that this voice does not match Larry Parks' speaking voice at all.

Jolson's life story has been sanitized here to keep in line with the values of the post-war motion picture production code, right down to extending the life of Jolson's mother an extra forty years - she died when Al was ten. Also, the movie has Jolson playing the career-absorbed bachelor until he meets his wife Julie Benson (code for Ruby Keeler) when he is in his forties. Yes, Al was career-absorbed, but he still went through two marriages and two divorces before he ever got to Ruby Keeler.

Two very interesting points of the film involve the insertion of the fictional character Steve Martin that allegedly got Al into show business and also the choice of director. The first interesting point is that fictional character Steve Martin is played by William Demarest, who actually had a bit part in 1927's "The Jazz Singer". You'll see him sharing a plate of eggs with Al at Coffee Dan's just minutes before Al bursts into song in "Toot Toot Tootsie". Demarest was a bit player over at Warner's during the beginning of his career. He had no real association with Al Jolson that I know of. The second interesting point is the choice of director - Alfred E. Green. Mr. Green was among that group of directors that ground out the early talkies for Warner Bros during the time that Jolson was a star at that studio. However, he never directed any of the eight motion pictures that Al Jolson starred in for Warners. There were four directors that Jolson worked with over at Warner Brothers that were still alive when this film was made, but for some reason none of them got the job.

At any rate, the movie is very entertaining and well-paced with great renditions of Jolson's acts and songs. For the unvarnished truth about Jolson's life, try to find a copy of the documentary "The Real Al Jolson Story" made in 1986 and originally telecast by Bravo, back when they really were dedicated to the performing arts and before they became so concerned with Top Chefs and Flipping Out - you know, the same kind of stuff you can find on 50 other channels.

"Let me sing a funny song, with crazy words that roll along, and if my song can make you happy, I'm happy.....I'm happy....." Al Jolson sang those words of the song, ' Let me sing and I'm happy,' in the opening of The Jolson Story, words that epitomized the passion and energy in his music. The Jolson Story does a magnificent job in giving us a taste of Jolson's magic that spellbound America in the twenties and early thirties, most of his songs are in the show, April Showers, Swanee, Mammy, California Here I Come and , the incomparable, The Anniversary Song, sang as only Jolson can. And, due to some enterprising technology at the time we also hear more of his voice in the Movie that perhaps his fans did in those days with Film Studio microphones capturing and accentuating a deep resonance that is solely Jolson's. The Film doesn't attempt to factually explore his life, although we do get a chance to see some truths of the relationship with his real life wife, Ruby Keeler, who in the Movie was known as Julie Benson, played by Evelyn Keys. Interesting to note was the fact that Columbia Pictures, who released the Movie failed to give Warner Bros.the Film company responsible for giving Jolson the role in The Jazz Singer, any recognition whatsoever, presenting further evidence of the Producer's and Jolson's desire to give us some entertainment, as opposed to a lesson in history. And, entertained we are, as Larry Parks, with his unbelievable miming to Jolson's songs......apart from a cameo from Jolson singing Swanee....takes us from Vaudeville days in the twenties with all Jolson's great songs and routines, to his semi retirement in the thirties. The Jolson Story is a wonderful experience, full of songs we still sing today more than fifty years after they were released, and sung by the man most of us remember as the greatest entertainer of them all......Al Jolson.

As a previous commentator put it so well, Larry Parks is better at playing Jolson than Jolson is! It's a fact. Watching him perform as Jolson is infinitely more pleasurable than watching the man himself--and if you've seen any of Jolson's own films you'll acknowledge the truth in my statement. Thank God Larry Parks was chosen to play him--his lip synch job is amazing. When those pure rich tones emanate from his mouth the movie goes into high gear. A dazzling number of songs sung in Jolson's inimitable style makes this a real treasure for fans of nostalgia. It's no wonder this was one of the most popular films of 1946. Glossy production values, a great cast, a script that whitewashes the true Jolson character but still has enough bearing on reality to make it an interesting bio. A total pleasure from beginning to end--again, mainly because Larry Parks was at the right place at the right time. Definitely one of the best musical biographies of all time...and fortunately, the sequel is not far behind it. See 'Jolson Sings Again' and you'll see what I mean.

I was 20years old when this film came out, and Jolson voice was so well known even before, that it was such a big thrill to see his biography on film. Larry Parks was typecast from the very beginning, playing Al Jolson. He was a fine actor but got involved with communism politics of the McCarthy Hearings and was dropped by the studios in 1950. Evelyn Keyes (of Gone With the Wind fame) plays Mrs Jolson, and William Demarest plays Jolson's mentor. Ludwig Donath plays his father the Cantor while Tamara Shayne plays his mother. His father wanted him to be a cantor, but Jolson wanted to sing on stage, so he runs away at an early age. He takes up with a fidler on the stage played by William Demarest. It is true that Jolson was such an egotist and loved singing so much that it broke up his marriage. Wonderful scoring of the music, and photography is enchanting. If you like the old songs, especially Jolson's, don't miss it! 8/10