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After divorce, 7-year-old Flip is unhappy. She begins corresponding with a Marine, sending him a photo of Ellen pretending she wrote the flirtatious letters. When the Marine arrives to meet ... Read allAfter divorce, 7-year-old Flip is unhappy. She begins corresponding with a Marine, sending him a photo of Ellen pretending she wrote the flirtatious letters. When the Marine arrives to meet his pen pal, Ellen uses it to make Phil jealous.After divorce, 7-year-old Flip is unhappy. She begins corresponding with a Marine, sending him a photo of Ellen pretending she wrote the flirtatious letters. When the Marine arrives to meet his pen pal, Ellen uses it to make Phil jealous.
S.Z. Sakall
- Luigi
- (as S.Z. 'Cuddles' Sakall)
William 'Billy' Benedict
- Messenger Boy
- (uncredited)
Monte Blue
- Policeman
- (uncredited)
Humphrey Bogart
- Phil's Bogart Impression
- (voice)
- (uncredited)
Eugene Borden
- Waiter
- (uncredited)
Charles Coleman
- Withers
- (uncredited)
Jack Daley
- Bartender
- (uncredited)
Paula Drew
- Barbara
- (uncredited)
Carli Elinor
- Waiter
- (uncredited)
Featured reviews
I agree with most of the comments I've read. The 'Luigi' character is flustered and hilarious, especially at the beginning. While it's a fluff look at serious divorce and the heartache it plays on children, and though there's a goofy lawyer but no corresponding goofy judge; the main thing here is the wonderful child actor, the mysterious Patti Brady as the precocious daughter 'Flip.'
She is so much more natural and delightful than her predecessor Shirley Temple, I don't understand why she didn't continue on for more than a few years. I went and looked up the time frame to see if Shirley could have been copying her, but no, I guess it was the other way around.
This girl went beyond the normal child stereotypes and would have been an improvement in many other Christmas & family & WW II movies (tied in by young giant, Tucker's Marine character, 'Wickie'). I can't find anything on Brady; she must have kept private, later.
When you're watching the stream of standard Christmas repeats, don't miss this one!! It's B&W, but still worth it.
She is so much more natural and delightful than her predecessor Shirley Temple, I don't understand why she didn't continue on for more than a few years. I went and looked up the time frame to see if Shirley could have been copying her, but no, I guess it was the other way around.
This girl went beyond the normal child stereotypes and would have been an improvement in many other Christmas & family & WW II movies (tied in by young giant, Tucker's Marine character, 'Wickie'). I can't find anything on Brady; she must have kept private, later.
When you're watching the stream of standard Christmas repeats, don't miss this one!! It's B&W, but still worth it.
This movie is a hidden gem. I can't understand why this movie doesn't get more air time. Errol and Eleanor Parker make for a real attractive and dashing couple. And their chemistry is impeccable. I really liked the touch of his daughters reference to him as being her Robin Hood. I highly recommend this to anyone who enjoys Errol Flynn. It's nice to see Errol playing a father as well. By all accounts from his very own children, he was a very attentive and loving father in real life. Also, the supporting cast is wonderful as well. You can't go wrong with supporting players such as Hattie McDaniel and Lucile Watson. Hattie McDaniel makes a movie that much better from the get-go. This movie has now become a Holiday tradition in my home. Enjoy!!!
Never Say Goodbye was one of three films Errol Flynn did for Warner Brothers where apparently Jack Warner tried to change his action hero image somewhat and broaden his appeal. No doubt at the behest of Flynn himself who was complaining to Jack Warner the same way Tyrone Power was doing over at 20th Century Fox with Darryl Zanuck.
Errol's a little less than heroic here, just your average divorced father who happens to be a commercial artist. He and Eleanor Parker have been divorced a couple of years now, but daughter Patti Brady so wants them back together again, especially as a Christmas wish.
Errol's willing enough, but he's got some stiff competition in the persons of Donald Woods who is courting Parker and Marine Forrest Tucker who Brady's been writing to. On the imbecilic instructions of her dear old dad who knows what Marines like, she sends a picture of Mommy in a bathing suit. Of course that piques Tucker's interest quite a bit. Errol himself has model Peggy Knudsen interested in him, but she's not going to wait around forever.
Add to this scene stealing veterans like Lucille Watson as Parker's mother and restaurateur S.Z. Sakall and you've got the makings of a nice family type picture, the kind that Errol Flynn so rarely made in his career. Flynn does fine in the part, but for comedy he's far better in Footsteps In The Dark as the millionaire/mystery writer. Flynn's first effort at comedy was The Perfect Specimen done early in his career with Joan Blondell. I've not seen that one, I do so wish TCM would run it.
Never Say Goodbye neither changed Flynn's image with the movie-going public nor did it chart any new directions for him. But it's a pleasant enough comedy diversion. Note that 'imitation' of another Warner Brothers star towards the end.
Errol's a little less than heroic here, just your average divorced father who happens to be a commercial artist. He and Eleanor Parker have been divorced a couple of years now, but daughter Patti Brady so wants them back together again, especially as a Christmas wish.
Errol's willing enough, but he's got some stiff competition in the persons of Donald Woods who is courting Parker and Marine Forrest Tucker who Brady's been writing to. On the imbecilic instructions of her dear old dad who knows what Marines like, she sends a picture of Mommy in a bathing suit. Of course that piques Tucker's interest quite a bit. Errol himself has model Peggy Knudsen interested in him, but she's not going to wait around forever.
Add to this scene stealing veterans like Lucille Watson as Parker's mother and restaurateur S.Z. Sakall and you've got the makings of a nice family type picture, the kind that Errol Flynn so rarely made in his career. Flynn does fine in the part, but for comedy he's far better in Footsteps In The Dark as the millionaire/mystery writer. Flynn's first effort at comedy was The Perfect Specimen done early in his career with Joan Blondell. I've not seen that one, I do so wish TCM would run it.
Never Say Goodbye neither changed Flynn's image with the movie-going public nor did it chart any new directions for him. But it's a pleasant enough comedy diversion. Note that 'imitation' of another Warner Brothers star towards the end.
Errol Flynn is a highly successful commercial artist trying to reconcile with his ex-wife (Eleanor Parker) in "Never Say Goodbye," a 1946 comedy featuring Patti Brady, S. Z. Zakal, Lucile Watson, Hattie McDaniel and Donald Woods.
Phil Gayley's (Flynn) philandering (he draws beautiful women in swimsuits) caused the breakup with his former wife Ellen. As a result, their 8-year-old daughter Phillipa (Brady), whose nickname is Flip, spends six months with her father in New York City and six months with her mother, who also lives in New York City.
Flip wants her parents back together in one place. They want it, too, but every time it's about to happen, a woman shows up because Phil forgot he made a date with her.
Then a marine (Forrest Tucker) comes to town, eager to meet the woman who has been writing to him. It's Flip, with the help of a book and the typing of her nanny (McDaniel).
There was one other helper - Phil, who when Flip wanted to send her photo, suggested she send her mother's instead. The marines land just at the right time, when Ellen is out to give Phil a dose of his own medicine.
This is a rather silly script that is helped immensely by a fine supporting cast, the incredible charm of Errol Flynn and the loveliness - and gorgeous gowns -- of Eleanor Parker. She is stunning in this movie, and, as a fan of hers, why her star didn't burn brighter in Hollywood is beyond me.
Flynn was wonderful in light comedy, and many people believe it was the right niche for him. The problem is, other actors did comedy as well or better, and Flynn's swashbuckling/adventure work is exceptional. However, it's always fun to see him in something different.
His Bogart imitation is suspiciously good; that's because Bogart dubbed the voice. In "Never Say Goodbye," he is just beginning to show a little dissipation around the edges; the major part of his career would be over four years later. It was too short a run.
As others have mentioned, the best part of the film occurs with the appearance of Forrest Tucker, so young he's practically unrecognizable. In fact, he's 27! Worth seeing for the cast.
Phil Gayley's (Flynn) philandering (he draws beautiful women in swimsuits) caused the breakup with his former wife Ellen. As a result, their 8-year-old daughter Phillipa (Brady), whose nickname is Flip, spends six months with her father in New York City and six months with her mother, who also lives in New York City.
Flip wants her parents back together in one place. They want it, too, but every time it's about to happen, a woman shows up because Phil forgot he made a date with her.
Then a marine (Forrest Tucker) comes to town, eager to meet the woman who has been writing to him. It's Flip, with the help of a book and the typing of her nanny (McDaniel).
There was one other helper - Phil, who when Flip wanted to send her photo, suggested she send her mother's instead. The marines land just at the right time, when Ellen is out to give Phil a dose of his own medicine.
This is a rather silly script that is helped immensely by a fine supporting cast, the incredible charm of Errol Flynn and the loveliness - and gorgeous gowns -- of Eleanor Parker. She is stunning in this movie, and, as a fan of hers, why her star didn't burn brighter in Hollywood is beyond me.
Flynn was wonderful in light comedy, and many people believe it was the right niche for him. The problem is, other actors did comedy as well or better, and Flynn's swashbuckling/adventure work is exceptional. However, it's always fun to see him in something different.
His Bogart imitation is suspiciously good; that's because Bogart dubbed the voice. In "Never Say Goodbye," he is just beginning to show a little dissipation around the edges; the major part of his career would be over four years later. It was too short a run.
As others have mentioned, the best part of the film occurs with the appearance of Forrest Tucker, so young he's practically unrecognizable. In fact, he's 27! Worth seeing for the cast.
I thought this was very well done and quite funny. Predictable of course, but great script. I laughed out loud a few times. I wasn't that crazy about the contrived ending that seemed more like a cop out (literally) to wrap things up, but up until the end the action is fast paced, lively and hilarious at times.Flynn does a great job as the father. There are some funny references to other movies, such as Robin Hood and Christmas in Connecticut. Sparks fly between the 2 stars and the supporting cast is great, especially Cuddles and the little girl. Even though I wouldn't consider this a Xmas themed movie, if you are looking for something fresh and new (in terms of if you haven't seen it yet) instead of A Christmas Carol or It's A Wonderful Life, try this as a family friendly Xmas alternative.
Did you know
- TriviaWhen Errol Flynn dons a disguise as Humphrey Bogart, it's Bogart himself who's doing the voice-over.
- GoofsWhen Wickie is doing the flip-ups in Ellen's kitchen, the stunt double's face is visible, making it obvious that Forrest Tucker, who portrays Wickie, is not doing the stunt.
- Quotes
Flip Gayley: Oh, daddy, you're such a flirt.
Luigi: She knows you.
- ConnectionsFeatured in Okay for Sound (1946)
- SoundtracksRemember Me?
Music by Harry Warren
Lyrics by Al Dubin
Sung by a vocal group during the opening credits and played often throughout the picture
- How long is Never Say Goodbye?Powered by Alexa
Details
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.37 : 1
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