The Phantom Thief

In "The Phantom Thief," Boston Blackie (Chester Morris) is as usual blamed for anything that goes wrong on Inspector Farraday's (Richard Lane) watch. This time, as he attempts to help a friend of the Runt's (George E. Stone) return some jewels he didn't mean to steal, Blackie finds himself involved with a phony medium (Marvin Miller), blackmail, and murder, all the while trying to hide from Farraday, sometimes in plain sight.

Not a bad entry into the series, with Jeff Donnell, who was actually a character actress, playing a duped, wealthy woman with rotten taste in men. She handles her part well, considering she usually played a bubbly, wisecracking friend. Marvin Miller, with dark makeup and that sonorous voice, is effective as the medium. Boomers may remember him as John Beresford Tipton's go-to Mr. Anthony on "The Millionaire." Unfortunately he never made it to my house.

Chester Morris is charming and funny as Blackie, but this time he's not particularly ably assisted by The Runt, who is terrified of all those disembodied hands and skeletons at the séance.

Fast-moving and entertaining.

Phantom Thief, The (1945)

** 1/2 (out of 4)

Boston Blackie (Chester Morris) once again finds himself involved in a murder case where ghosts and a weird fortune teller are suspects. This isn't the best in the series but it's not the worst either and in the end it makes for an entertaining 65-minutes. The mystery this time out is pretty predictable and easy to follow but there are some nice added touches including all the stuff involving the ghosts. The supporting cast is up to their usual nice quality with Richard Lane and George E. Stone back to their old tricks as Farraday and The Runt.

Thought this film was one of the best Boston Blackie films with all kinds of slapstick going on with George E. Stone, (The Runt) and Chester Morris, (Boston Blackie). In this film Richard Lane, (Inspector John Farraday) carries on with the same type of role he has played in other films, only in this film Farraday is constantly accusing Boston Blackie of every murder. The Runt manages to get Boston Blackie involved in a diamond necklace which has been stolen from Jeff Donnell, (Ann Duncan) who gives a great supporting role. Dr. Nejino,(Marvin Miller) performs séance's with all kinds of voices from the dead being heard and ghostly hands floating in the air and plenty of trap doors opening and closing in the closets. This film will entertain you, however, this film is a Classic 1946 film and has plenty of the same old thing which is repeated in all of these B films.

The Runt tries to help a friend accused of stealing stolen jewelry and that's how the plot of this Blackie entry starts. Naturally, the police are one step behind Blackie when the plot advances to include a Dr. Nejino who runs seances and has a lovely assistant, model DUSTY ANDERSON who towers over the rest of the cast. It seems the doctor badly wants to get his hands on the stolen necklace.

Dr. Nejino invites Blackie to attend one of his seances so he can witness the effect it has on one of his eccentric women patients (JEFF DONNELL). It turns out that she's had a relationship with Dr. Nejino and wants her stolen necklace back.

The script has Blackie and Inspector Farraday exchanging comic quips and sarcasm over the dead body of Blackie's friend who has been stabbed to death at the seance--one of the story's many unrealistic touches where clever lines rule the day no matter what the situation. The same thing happens with the next murder victim.

It's formula stuff again, with Blackie and The Runt being falsely accused of having something to do with two murders and having to prove their innocence.

GEORGE E. STONE is more annoying than usual as the wimpy Runt, especially during the scene at the seance. DUSTY ANDERSON gives a limp performance as Nejino's pretty assistant and the rest of the cast is strictly by the numbers.

The formula was wearing thin long before this entry was released, but I suppose these films had a certain appeal for audiences when they played the lower half of a double feature bill.

Post-War Blackie film, a little harder edged than before, but still with an over-abundance of verbal witticisms and slapstick. The Runt tries to help a pal accused of stealing a diamond necklace, Blackie gets involved but can't prevent the pal on the lam getting stabbed in the back while watching all of the suspects perform at a rather feeble séance. Huh? It makes sense while you're watching it anyhow, except maybe who the murderer turned out to be - it must have been Real Dark!

Chester Morris as Blackie seemed a bit more relaxed in here than previously, maybe the absence of a black-face routine helped?! Jeff Donnell as Anne was decorative, even if she did stretch credulity with her credulousness! Marvin Miller as Dr. Nejino was Deeply sinister - thanks mainly to his fruity and succinct baritone voice, Dusty Anderson's only problem as his cohort(?) was to be too tall for everybody else in the film. George E. Stone as Runt was starting to bug me in this one - his whining almost-effeminacy made me wish Blackie would bitch-slap him and stand him in a corner as a naughty little boy and spare us his company for the last 30 minutes or so. Inspector Farraday and Sgt. Matthews played the usual good double act, and even old Jumbo got an airing in a good scene.

All told, nice entry in the series.