The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.
Photos
Mark Roberts
- Reed Cawthorne
- (as Robert Scott)
Edward Biby
- Party Guest
- (uncredited)
Boyd Davis
- Capt. Selby Martin
- (uncredited)
Russell Hicks
- Col. Wetherford
- (uncredited)
J. Louis Johnson
- Joshua
- (uncredited)
Robert Kellard
- James Wetherford
- (uncredited)
Featured reviews
"The Unknown" (1946) is a surprisingly entertaining and atmospheric mystery inspired by the "I LOVE A MYSTERY" radio program. It is actually one of three Republic B-movies based on the program, all featured straight arrow detective Jack Packard and his corn-pone partner Doc Long (Barton Yarborough).
In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.
I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.
Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.
The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.
Then again, what do I know? I'm only a child.
In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.
I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.
Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.
The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.
Then again, what do I know? I'm only a child.
The third and last film based on the I Love A Mystery series has San Francisco PIs
Jim Bannon and Barton Yarborough accompanying Jeff Donnell for the reading of andma's will at the Martin Family estate. The Martins are an old southern family
in the Tennessee Williams/William Faulkner tradition and they are on creepy
bunch.
Donnell has been raised away from them in a boarding school all her life and she's now meeting her family including her unbalanced mother Karen Morley for the first time. There's grandma s will to be read, but a whole lot of strange things going on including one real murder.
Good thing Donnell has teo {Is with her as Bannon and Yarborough get to the bottom of things,
Nice if cheaply made mystery with some horror overtones.
Donnell has been raised away from them in a boarding school all her life and she's now meeting her family including her unbalanced mother Karen Morley for the first time. There's grandma s will to be read, but a whole lot of strange things going on including one real murder.
Good thing Donnell has teo {Is with her as Bannon and Yarborough get to the bottom of things,
Nice if cheaply made mystery with some horror overtones.
Re: the review of the Unknown by the reviewer from Kentucky. Republic Studios did not produce the I Love A Mystery series. It was Columbia Pictures. I have the original lobby card from the first film, "I Love A Mystery" (adapted from the radio play "The Decapitation of Johnathen Monk) and probably the only film in the series that was faithful to the radio series. The other two films simply used the characters of Jack Packard and Doc Long. My friend, Carole Mathews appeared in the first film, and signed the lobby card for me. She also provided me with a DVD of the film. Columbia also produced the Whistler film series, which for some reasons lasted longer. There were only 3 films made in the I Love A Mystery series and why they were discontinued is anybody's guess. Probably box office appeal.
The Unknown is directed by Henry Levin and adapted to screenplay by Charles O'Neal and Dwight Babcock from the radio play written by Malcolm Boylan and Julian Harmon. It stars Karen Morley, Jim Bannon and Jeff Donnell. Music is by Alexander Steinert and cinematography by Henry Freulich.
A wonderfully good old fashioned spooky house mystery finds a group of relatives arrive at a big mansion estate for the reading of a will. Pretty soon strange occurrences and accidents are the order of the night.
Clocking in at just seventy minutes in run time, Levin's picture doesn't have time to bore or bother with pointless filler. Standard creepy house rules apply here, shadows dominate the visuals (Freulich's photography excellent), which accentuate uneasy atmosphere as characters trawl through secret passageways, barely lit corridors, the ominous staircase and even a mausoleum that sits next to the house.
The sound mix is important because you have to have creaks and groans, and the unnerving cry of a child in the night, all is spot on there. While the characters are a ripe blend of eccentrics, suspicious suspects,intrepid investigators and a dainty dame. The mystery element holds strong throughout, and while the resolution is hardly a bolt from the blue, it pays off well enough to round out a good time spent with the viewing. 6.5/10
A wonderfully good old fashioned spooky house mystery finds a group of relatives arrive at a big mansion estate for the reading of a will. Pretty soon strange occurrences and accidents are the order of the night.
Clocking in at just seventy minutes in run time, Levin's picture doesn't have time to bore or bother with pointless filler. Standard creepy house rules apply here, shadows dominate the visuals (Freulich's photography excellent), which accentuate uneasy atmosphere as characters trawl through secret passageways, barely lit corridors, the ominous staircase and even a mausoleum that sits next to the house.
The sound mix is important because you have to have creaks and groans, and the unnerving cry of a child in the night, all is spot on there. While the characters are a ripe blend of eccentrics, suspicious suspects,intrepid investigators and a dainty dame. The mystery element holds strong throughout, and while the resolution is hardly a bolt from the blue, it pays off well enough to round out a good time spent with the viewing. 6.5/10
Although there's a little too much Southern exposition to set the stage for a present day story, THE UNKNOWN is a better than average programmer in the Columbia studio's "I Love A Mystery" series. Getting to the heart of the story takes up too much time at the start, but once the story starts dealing with the mysterious things going on in an old Southern mansion, it keeps building interest until the mystery is solved.
The cast is an interesting one, even though there are hardly any big names involved. KAREN MORLEY is the troubled woman on the brink of madness, ROBERT WILCOX is her lover who has been banished from the grounds, JIM BANNON is Jack Packard, the detective, and BARTON YARBOROUGH is again his partner. JEFF DONNELL is the lady who stands to win an inheritance and MARK ROBERTS is the young lawyer designated to read the will.
All of it is directed in nimble style by Henry Levin, an old hand at these sort of programmers and, despite the low budget, given some handsome settings.
Summing up: Gets off to a slow start but gradually builds interest.
The cast is an interesting one, even though there are hardly any big names involved. KAREN MORLEY is the troubled woman on the brink of madness, ROBERT WILCOX is her lover who has been banished from the grounds, JIM BANNON is Jack Packard, the detective, and BARTON YARBOROUGH is again his partner. JEFF DONNELL is the lady who stands to win an inheritance and MARK ROBERTS is the young lawyer designated to read the will.
All of it is directed in nimble style by Henry Levin, an old hand at these sort of programmers and, despite the low budget, given some handsome settings.
Summing up: Gets off to a slow start but gradually builds interest.
Did you know
- TriviaWorking title: "The Coffin"
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Unknown (1969)
Details
- Release date
- Country of origin
- Language
- Also known as
- La casa del muerto
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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