The Arnelo Affair

The thriller side only appears in the second part ;the first one,the best , is essentially psychological drama : a marriage on the rocks even though the husband does not realize it:when his wife tries to talk it over with him,he soliloquizes and his answer has nothing to do with her woman's concern ; he does not see that she's fascinated by Arnelo's charm (John Hodiak's look is real magnetism );as for the son (played by wunderkind Dean Stockwell,the future star of Fleischer's "compulsion" ) ,when he tinkers about with his dad ,most of the work is "too dangerous" for him ,and the boy has a relevant question:"what are you going to do when I grow up?";also revealing is his dream where everything is made of ice -cream,candy and chocolate ,but his mouth is sewn and he cannot take advantage of it .

Thus the characters are more detailed than the average thriller,and the murder mystery is more run of the mill stuff : the clues , the suspects ,the investigation , all is derivative .But Frances Gilford is pretty and moving , Georges Murphy gives an adequate performance as the indifferent husband obsessed by his nine to five work ;nonetheless,the stand out is arguably Hodiak as the refined and selfish womanizer.

Okay crime drama is helped by the competence of the film makers but hindered by the flat performance of one of the leads.

The actual story of a bored housewife seemingly framed for murder by a cad certainly isn't fresh but Frances Gifford is properly anguished in the lead. MGM was giving her the big push at this time but almost immediately after this was completed she was involved in a major car accident in which she sustained severe injuries which effectively ending her career and causing her mental problems for the remainder of her days.

Hodiak is also quite good as the rotten Arnelo of the title who manages to shade his rather contemptible character with a bit of conflict. The divine Eve Arden is also in the cast proving once again she's the best friend a leading lady ever had. In addition to being a bright spot she looks sensational in one glamorous outfit after another.

Where the film suffers is in the role of the husband portrayed by George Murphy. He could not possibly have played the role more flatly if he actually tried. It's as if everyone else learned their lines and he's reading them off a cue card, badly. He's a major flaw in the film.

Shot when noir was in its heyday the film is full of shadows and deep focus. Not a classic of the genre but a decent entry of its type.

Frances Gifford gets mixed up in "The Arnelo Affair," a 1947 film also starring George Murphy, John Hodiak, Eve Arden and Dean Stockwell. In fact, the film was on TCM as part of Dean Stockwell's birthday. He certainly was an adorable little boy.

Gifford plays Anne Parkson, the neglected wife of a successful attorney, Ted Parkson (Murphy). One night, Ted brings home a shady client, Tony Arnelo (Hodiak), who owns a nightclub. Arnelo has an immediate attraction to Anne and, upon learning that she has dabbled in room design, he invites her to decorate his club. Of course, he couldn't care less if his club ever gets decorated or not. Though Anne hasn't yet said "yes," he gives her a key to his place after their first meeting and invites her back the next day at 2. She arrives the next day and is confronted by an actress-girlfriend of Tony's. Tony slaps the woman and the frightened Anne runs away, the compact that her husband gave her falling out of her purse. The next day, she sees in the paper that the woman has been killed. In exchange for the compact and a letter he later steals, Tony wants Anne.

This is a good-looking film, with beautifully tailored mens suits on Hodiak and Murphy and smashing clothes for Gifford and Eve Arden, who owns her own dress shop. And that's about it. The dialogue is totally predictable - when Anne asks her husband to go away with her, the words were out of my mouth 30 seconds before she said the line. The attractive Gifford is a bore and gives no shading to her role at all. MGM never could figure out what to do with Laraine Day - why didn't she make this? Murphy has a pleasant way about him and Hodiak is okay, but frankly, Dean Stockwell as Anne's son steals that show. That's not saying much. Eve Arden is good but wasted.

The music is overpowering, and the pacing is slow. "The Arnelo Affair" needed a strong actress in the lead, better dialogue and faster pacing. Without those elements, it's pretty dull.

I have just caught this Movie on TCM, and can understand why George Murphy went into Politics if this was the best MGM could serve up to him. It is so slow-moving that the attempt to make it a real film-noir effort does not come off. It featured two of my favourite

players in Eve Arden (completely wasted) and Dean Stockwell(the best actor in the Film), but what really hit me was that the leading lady Frances Gifford went through some 90 minutes (it seemed longer!) without changing the expression on her face--her fainting scene was comical. John Hodiak played his role OK, but the script let him, and the rest of the cast, down very badly. I gave it 4 stars mainly because of the photography. It would have been on the first half of the Program when double features were the go.

FRANCES GIFFORD had one of the best roles of her career as the troubled wife of lawyer GEORGE MURPHY in THE ARNELO AFFAIR, but the director fails to get more than worried looks and a coma-like expression that she wears most of the time--while looking very beautiful. Facially, she bears a strong resemblance here to Donna Reed.

She's a woman who feels neglected by her busy husband and falls prey to the flattery of a womanizing man (JOHN HODIAK) who later kills a woman and sets up Gifford as the murderess. Only through the keen detective work of a doggedly determined officer (WARNER ANDERSON) and the gradual realization of her husband that she's been seeing Hodiak, do the deceptive Hodiak's schemes fall apart as clues are unraveled. EVE ARDEN, as a dress designer friend of the heroine, has her usual quips but none of them are particularly inventive.

It's strictly a B-film that has all the MGM gloss but falters because of a weak script and a poorly directed actress in the leading role. Miss Gifford gives a bland performance in a role that calls for more than close-ups of a fixed expression.

Hodiak is fine as the cunning predator and nine year old DEAN STOCKWELL is lively as Gifford's loving son. GEORGE MURPHY is unable to do much with the role of the neglectful husband, a thankless role that he plays in stolid style.