Bells of San Angelo

The usual, routine, singing cowboy stuff from Roy Rogers as he is sent to investigate some shenanigans at a ranch on the US/Mexican border. The film really belongs to Andy Devine as "Sheriff Cookie"; the enthusiastic, if not desperately competent local sheriff who alongside trashy-journalist "Lee Madison" (Dale Evans) has to help Rogers get to the bottom of it all. Fritz Lieber adds a wee bit of weight to the proceedings, and if you like songs with your westerns then this is no better or worse than the norm. The story is far, far too thin for 80 minutes though, an hour would have easily sufficed.

Did I see the movie correctly, or did Roy shoot Dale twice with a loaded gun! At least her white blouse showed no blood. After seeing that, I'm really glad that the famous cowboy couple got permanently hitched at the end of '47. In fact, there're a number of unexpected touches in this well-produced Rogers oater, including a baddie who actually grieves over his dead pet bird - how's that for humanizing a bad guy. Then too, looks like Republic popped a hefty budget for this Rogers programmer. The scenic Nevada buttes are a dramatic and eye-catching plus. And get a load of that strung-out silver mine clinging to the mountainside like a giant caterpillar.

So, can Roy, Devine, and Dale stop the smugglers from tunneling silver ore from the Mexico side of the border to the US side where it brings in a lot more dough. Those underground scenes in the cross-border tunnel are grimly well-staged. Meanwhile a really paunchy Sheriff Devine gets to throw his weight around in more than just comedic style -- so watch out bad guys. Meanwhile, the lovely Dale has a more meaningful plot role than usual, as a writer, no less. Then too, there's plenty of hard riding and fast shooting, along with flying fists that may surprise you (it did me). On the brief downside is a loose narrative, and maybe too few songs from the delightful Sons of the Pioneers.

All in all, its a nifty Rogers oater with a number of unusual touches. Also, it looks like Republic was maybe looking for a series uplft. So Front-Row guys and geezers, don't pass it up.

To all of my learned comrades that posted comments insulting the late, great Roy Rogers & Dale Evans, I say from the bottom of my pea-picking, reminiscing-good old days heart, PPPPPPTTTTTTTTTTTT!!!!!!!!!!!!! LOL! I honestly do realize that the color quality isn't exactly top shelf, most of the acting is sub-par & the plots are tissue paper transparent, but who gives a horses saddle bag? I love each and every dusty one of them. And this includes the 50s TV show with sidekick Pat Brady and Nellie Belle the jeep. Yes, Gaby Hayes is the best sidekick ever! I grew up watching R.R. He brought to the youth of my time, "truth, justice & the American way"! I stole that quote, by the way. It brings me back to my childhood, which I guess was worse than these movies were. Maybe that is why I enjoyed them so much. PapaLarry H

I've never been a fan of Roy's, even while I watched his 1950s TV

show as a kid. I wanted to buy one RR movie, just to see if I had

changed my mind about his films. I picked this one because a

couple of sources had stated that this was his best film, & was

"tougher" than most of his films. I don't like songs with my

westerns, so of course there was far too much music for my taste

here (I lost count at seven). The comedy, supplied by Andy Devine,

was pretty good (& actually quite funny near the end of the film), a

big improvement over Smiley Burnett, but nowhere near as good

as Gabby Hayes. Dale was OK as the heroine, & better than I

thought she would be, a better actor than her husband. Indeed,

there were a couple of very gritty fight scenes where RR took a

beating (& surprisingly, this was acknowledged in later scenes

where he was seen with bruises). But overall, not an exciting

experience for me. The plot was weak & the music disconnected

what little action there was. For the sake of comparison, I'm going

to try a very small dose of Gene Autry before going back to the

greatest of all cowboy stars, William Boyd!

Roy Rogers and sheriff/sidekick Andy Devine investigate the death of an alleged thief, who was supposedly shot in the act of ripping off a villain's silver-mine. Meanwhile, western-fiction writer Dale Evans comes to town under an assumed name and has to deal with Roy's patronizing of her work.

A mildly entertaining, loosely plotted Roy Rodgers picture, Bells Of San Angelo is good fun, with high production values (at least for a Republic Pictures Saturday matinée western).

The well photographed desert landscapes look nice in exaggerated Technicolor, as do Dale and Roy's spiffy outfits and good songs are the perfect antidote for slow spots, with Roy, Dale, and Bob Nolan taking turns singing with The Sons Of The Pioneers.

Here, a feistier than usual Dale Evans gives one of her best performances, stealing nearly every scene she's in! Playing the local priest is character actor Fritz Leiber, who's lookalike, also-named son was one of the great sci-fi writers of the twentieth-century!