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The Cat Concerto

  • 1947
  • Approved
  • 8m
IMDb RATING
8.2/10
5.2K
YOUR RATING
The Cat Concerto (1947)
AnimationComedyFamilyMusicShort

Tom Cat is a concert pianist who plays beautifully until he is interrupted by Jerry Mouse.Tom Cat is a concert pianist who plays beautifully until he is interrupted by Jerry Mouse.Tom Cat is a concert pianist who plays beautifully until he is interrupted by Jerry Mouse.

  • Directors
    • Joseph Barbera
    • William Hanna
  • Writers
    • William Hanna
    • Joseph Barbera
  • Stars
    • Bob Laztny
    • Jack Sabel
  • See production info at IMDbPro
  • IMDb RATING
    8.2/10
    5.2K
    YOUR RATING
    • Directors
      • Joseph Barbera
      • William Hanna
    • Writers
      • William Hanna
      • Joseph Barbera
    • Stars
      • Bob Laztny
      • Jack Sabel
    • 28User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 Oscar
      • 1 win & 1 nomination total

    Photos51

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    Top Cast2

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    Bob Laztny
    • Tom Speaking
    • (uncredited)
    Jack Sabel
    • Jerry Speaking
    • (uncredited)
    • Directors
      • Joseph Barbera
      • William Hanna
    • Writers
      • William Hanna
      • Joseph Barbera
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews28

    8.25.2K
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    Featured reviews

    10ElMaruecan82

    The most perfectly-timed cartoon of all time...

    Ever since "Steamboat Willie" revolutionary use of pre-recorded soundtrack, cartoons became a genre to be taken seriously. It's even more interesting that it coincided with the rise of the talkies for cartoons' reliance on music kept them loyal to the values of silent cinema where soundtracks, borrowed from jazz, folk or classical music, less to accompany than to complement the images. Many classical themes became popular standards thanks to Golden Age cartoons, Peer Gynt's 'Morning' theme, the 'William Tell Overture' finale for cavalry etc. And it's no coincidence that some of the best were directly related to music, think of "The Band Concert", first Mickey Mouse in color, Bugs Bunny's "What's Opera, Doc?" or the hilarious Tex Avery's "Magical Maestro".

    And in "Tom and Jerry" canon we have "The Cat Concerto", certainly their most accomplished short and deserving winner of the 1946 Academy Award. The cartoon's exploitation of the iconic "Hungarian Rhapsody" by Franz Listz is an inspired choice: the piece that lasts for more than ten minutes -and condensed here in a six-minute format- starts with a rather dark and melancholic introduction: the lassan, then energy rises and the tune gets more playful through the friska, that middle section that makes us anticipate the climactic and jubilant 'fugue' part. The rhapsody was used in several cartoons from Merry Melodies "Rhapsody in Rivets" and Bugs Bunny's "Rhapsody Rabbit" to "Who Framed Roger Rabbit" with the unforgettable duet between Donald and Daffy but William Hanna and Joseph Barbera paid the greatest tribute.

    And I can go on and on praising the animation quality, how Tom's fingers play the correct notes, how magnificently drawn is the piano and its inside mechanisms, but I'm afraid I wouldn't say anything special. Indeed, the iconic duo had reached its artistic peak and already won three Oscars. What I admire the most in the cartoon is the timing. It's not about the keys matching the music but the gags. Oddly enough, it's one of the things I even enjoyed as a child, I knew I wanted to get to the fugue but I had to go through the serious intro, then let the gags come at their own rhythm during the playful friska, to conclude on my favorite part: the fugue. Here's how the timing works:

    • The intro lasts 24 seconds and I just love the dramatic transition between the roaring MGM lion and the operatic music when the title card shows. Quite a way to set the tone.


    • From 00:24 to 01:39, we have the longest Tom and Jerry moment without a single gag -and I mean that in a good way- although Tom's overly dignified posture might bring a few chuckles but it's played rather straight. Tom salutes the audience, sits down, cleans his hand while players are tuning their instruments and then silence: he starts playing the first recognizable notes of the lassan. The absence of laughs has a point: we're invited to enjoy the music, to admire the animations from which gags would be a distraction. So the first gag only comes when Tom stops playing to dry his hands. His shirt moves off his tuxedo and he quickly readjusts it. Simple, brilliant and effective.


    • After that, it's almost another minute without a gag but I do love Tom's smirk at 1:52 addressing the audience, like saying "I'm good, aint'I"? After that we don't get full view on the keys. It might be a trick from the animators but it also prepares us for the next situation where we see the piano from behind and all the perfectly aligned hammers hitting the strings.


    • Finally at 2:05, we see Jerry whose sleep is musically interrupted. He's literally swept by the musical current and we get the second visual gag when he's literally rodeoing over an insisting hammer at 2:20. Jerry's time to shine.


    • At 2:40, he mockingly "conducts" the music with his finger then 10 seconds later, he runs under the keys making a musical wave that ironically matches the partition. Then, back to the music and notice that Tom's facial expression changes: he smiles more as if tormenting Jerry had boosted his confidence. But Jerry hasn't said his last word and so he'll start crashing Tom's party, one of the most brilliant gags is when he keeps hitting on one string until Tom knocks him out, for a priceless . Delayed fall at 3:20. Now, obviously there will come a time where we lose track of the gags but it's precisely because the tempo rises than so does the comedy, at the friska, playtime can start.


    • The first bit of true violence comes when Jerry slams the cover on Tom's fingers at 3:45, we get the infamous mousetrap at 4:20, then at 4:26, the first hint of the fugue is played as Tom tries to catch Jerry, preparing us to the finale.


    • At 4:50, like Donald in "The Band Concert", Jerry changes the piece to a pop song and mayhem ensues until the climactic moment where Tom has the upper hand, takes Jerry and puts him between the piano hammers that whack, hit, spank him from 5:30 to 6:00. Now, if that moment didn't seal the Oscar win, I don't know what it did. What a genius and magnificently animated way to use the piece's momentum... and then it's time to end on apotheosis.


    • From 6:26 to almost 7:00, Jerry plays over and over the iconic fugue, forcing Tom to follow the keys not once or twice but three times and loses for lack of endurance and the film couldn't have a better ending, we feel sorry for the exhausted Tom who messed his beautiful tuxedo, but when Jerry comes saluting the crowd with his own tuxedo, surely he shares some of the prestige with Tom, and surely many people in the theaters applauded what might be one of the greatest animated pieces of history.
    10movieman_kev

    pure magic

    Tom is playing Hungarian Rhapsody #2 for an audience, but when he wakes up Jerry, he must maintain his perfect piano playing abilities while contending with the mouse. I know there was a controversy between this short and the WB's Looney Tune short "Rhapsody Rabbit" (which is a funny short as well and the similarities are a lot), but I feel that this Tom and Jerry short is the clear winner. It is damn near pitch perfect and one of the best Tom and jerry cartoon shorts of all time. And rightfully so. The classic tune meets classic animation. This award winning cartoon can be found on disc one of the Spotlight collection DVD of "Tom & Jerry"

    My Grade: A+
    10llltdesq

    An excellent mix of classical music and animation-and a good Tom and Jerry cartoon as well!

    Cartoon studios have been blending animation with music probably since the start of animation. Particularly classical and also jazz. Every major studio has done at least a few cartoons where the animation is done to the beat of the music. This is one of the best of the MGM efforts. One of the few times when my sympathies have been with Tom more than with Jerry. While Rhapsody With Rivets is the best short to blend classical with animation (Sliphorn King of Polaroo was tops for jazz!), this cartoon, with several other Tom and Jerry shorts, does very well indeed and won an Oscar. Highly recommended.
    8CuriosityKilledShawn

    Encore!

    In a departure from the usual household mayhem, Tom stars as a classical concert pianist. Dressed in a tailcoat and hammering out Hungarian Rhapsody Number 2 (which you might recognize as the tune played by Daffy and Donald in Who Framed Roger Rabbit) he is bothered by Jerry, who just happens to live inside the piano.

    Cue loads of tricks played on poor Tom, who is desperately managing to stay in tune as Jerry runs amok. This cartoon actually won an Academy Award back in the day and it's easy to see why. The editing and timing are dead on, as is the imagination. A lot of laughs to be had here and one of the best Tom and Jerry shorts.
    10TheLittleSongbird

    Eight minutes of musical magic!

    This has to be one of my all time favourite Tom and Jerry cartoons. First of all the music is absolutely outstanding and is incorporated really well into the story, which is simple but very effective. The animation is also of true beauty, this is probably one of the better looking Tom and Jerry cartoons or so in my opinion. The sight gags are wonderful, extremely clever and put to perfect use. And Tom and Jerry are both great here, Tom flawlessly performs Lizst's Hungarian Rhapsody Number 2, something I hear a lot in cartoons, while tormenting Jerry(and vice versa) in the process, while Jerry serves as a perfect and somewhat cute foil for him. Overall, if you love Tom and Jerry and classical music this is a must see! 10/10 Bethany Cox

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    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Spirited Away (2001)
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    Drew Barrymore and Pat Welsh in E.T. the Extra-Terrestrial (1982)
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    Short

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Was the focus of a short and bitter flurry of allegations between Warner Bros. and Metro-Goldwyn-Mayer (MGM) of plagiarism over similarities between this film and WB's Rhapsody Rabbit (1946). The controversy began when raw film from "Rhapsody Rabbit" was sent to be processed at a central film lab which serviced both Warner Bros. Cartoon Studios and Metro-Goldwyn-Mayer Cartoon Studios. By accident, the finished negatives were sent to MGM, who eventually returned them, but Friz Freleng (the director on "Rhapsody Rabbit") suspected that Hanna and Barbera or others at MGM may have viewed the film before sending it on to Warner Bros. Hanna and Barbera counter-charged that Freleng had somehow overheard their ideas for "The Cat Concerto" and acted on it.
    • Goofs
      The promotional poster depicts the cat-and-mouse duo wearing pants and shoes alongside with their tailcoats with dress shirts underneath and bow ties; but in the actual short, don't wear pants or shoes at all.
    • Connections
      Edited into Tom & Jerry: Cartoon Festival Vol. 1 (1983)
    • Soundtracks
      24 Preludes, Op. 28//xxiv D min
      (uncredited)

      Music by Frédéric Chopin

      Played during the opening credits

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    FAQ1

    • Who gets the last laugh?

    Details

    Edit
    • Release date
      • April 26, 1947 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • None
    • Also known as
      • The Cat's Concerto
    • Production companies
      • Metro-Goldwyn-Mayer (MGM)
      • Metro-Goldwyn-Mayer Cartoon Studios
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 8m
    • Aspect ratio
      • 1.37 : 1

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