Cry Wolf

Just saw this last night for the first time. Must say that I loved Stanwyck running, leaping, jumping, being thrown by a horse, springing up again only to leap from an eight foot fence to the ground...This was clearly no stunt double. The gal was fleet of foot, and tenacious. She loved playing tough cookies, and that's what she served up here, a tough cookie who was really heroic and unafraid. She, as opposed to Flynn, does all the swashbuckling in this movie, and it's worth seeing just for that reason alone.

And it was suspenseful...I was really quite frightened of what she would find in the lab, in the lodge, in the dumb waiter...what's that about the cold cream??? I was so edgy after she scaled the fence into the lodge compound and got lost, that I had to turn off the volume so as not to hear the scary music. So the score really REALLY adds to the suspense.

I loved Errol Flynn in his early swashbucklers, and I really liked the character turns he took in Too Much Too Soon, and The Sun Also Rises and That Forsythe Woman. But here, he's just uneven..sometimes even blank, and then other times he's okay. Clearly the writers were trying to create a Max de Winter or Edward Rochester-type character ...is he good, or bad, sincere or lying? But the execution of the idea doesn't gel enough to satisfy.

So, the writing's choppy and shallow (especially the last 2 lines of dialogue and resolution), and there's not a TON of chemistry between Flynn and Stanwyck. And yes, the other roles are either over, or under written, so you end up with shadows or stereotypes. But still, I found it fun, and there's no reason why NOT to watch this movie, unless Rebecca or Jane Eyre or Pat & Mike is playing on another channel.

Sandra (the incredible Barbara Stanwyck, post Double Indemnity) appears at the home of Mark Caldwell (the manly Errol Flynn). they were both related to Jim, now deceased. although the Caldwell family doesn't believe that Sandra was married to Jim. and they say no will has been found. Mystery and intrigue. we meet Julie, the sister, and she tells us about Mark, and how controlling he is. he seems to interfere in everybody's doings. Julie and Sandra hit it off, but will that friendship be enough for Sandra to get to the truth? Brother Mark seems to dark and evil, but is he still hiding something? Sandra uncovers the truth, but will she be able to tell people what actually happened? it's pretty good. lots of build up to what could be going on in Mark's lab, but really, no big deal. low key thriller... ten years later, vincent price or someone would be doing Flynn's role, in color. I like the fact that this one is done in black and white.. it adds to the darkness and mystery. good stuff; a rarely shown Stanwyck.

Recently viewed this on TCM and was captivated. What was going to happen? Why was Barbara Stanwyck sneaking about? Where was her husband? What had happened??

Errol Flynn also stars, and he was good. Don't usually see him in many suspense films that I remember.

Barbara S. was amazing as usual. Believable - and wouldn't want to mess with her - but she's met her match with Flynn.

I thought a very good plot from which I have seen picked up in several other more recent movies. A solid "8" from this reviewer. I think you'll be entertained.

"Cry Wolf" came along when Errol Flynn's career was in slight decline. He hadn't had a successful film at the box office for the last few years but the above film is interesting and reasonably intriguing. His character in "Cry Wolf" displays almost nothing of the usual character traits. He is rather austere and emotionally detached. Flynn could quite easily have been cast as a villain. The film is a lot more low key in comparison with other Errol Flynn films. The story mainly revolves around a big house with many acres of land out in the sticks. There aren't the usual lavish production values. The plot doesn't allow for any of the usual camaraderie or any shenanigans that the fans had come to expect from Flynn. The tone of the film is a lot more serious, perhaps a bit grim but still very watchable. As the female lead, Barbara Stanwyck plays a character who attends the reading of a will after learning that her husband has died. Her husband was the nephew of Errol Flynn, who is quick to question if Stanwyck is the genuine article after the family has never heard of her. Whilst her background is being investigated, Stanwyck stays at the family estate where not all is what it seems..... There is a bit of mystery about "Cry Wolf" until about the last 15 minutes when all is explained. The two leads engage upon a series of verbal assaults upon each other and with both giving their all. Worth watching.

I disagree with all the reviewers who disagree with me. This was a tense, suspenseful melodrama which I feel has gotten a bad rap since it came out. The mood of the film is ominous and unsettling throughout and benefits from excellent acting jobs from the two stars. Barbara Stanwyck almost never gives a bad performance and does not disappoint, but the big surprise here is Errol Flynn. In "Cry Wolf" he shows unexpected depth and nuance - this from an actor known for one-dimensional action/ swashbuckling roles, in addition to his off-screen antics as a swordsman. Who knew he was capable of such acting?

More disagreement. I thought the script was intelligent and that the pacing was good and that the ending was not a lame copout. It did not rely on its star performances and it kept you guessing right up to the end. I never took a movie course but I know what I like, to coin a borrowed phrase, and this was a good picture. I will have to say I was going to award Geraldine Brooks the Hand-Painted Mustache Cup as Hambone Actress of 1947, but I passed because it was her screen debut.

But don't take my word. Decide for yourself if it's a quick, exciting 83 minutes. That's what makes horse racing.