The Macomber Affair

This is a very turpid Hemingway story, which he must have told out of his own experience as a qualified game hunter in Africa, here acting as a guide (Gregory Peck) for a married couple (Robert Preston and Joan Bennett), the man being very rich and bringing his wife to Africa in a vain effort to impress on her and save their marriage. Of course it turns the other way around. The film starts with his corpse being carried off an airplane and Gregory escorting a very depressed wife down from it, then concentrating on Gregory to deal with the aftermath of the matter in the shape of hangover thoughts, turning to a long flashback, which is the major part of the film. Was it an accident or was it murder? Neither Joan Bennett nor Gregory Peck can anser that question, which will follow you out.

Hunting wild animals, especially when they are of the noble kind like lions, must be perhaps the most despicable sport in the world, especially today, when so many of those finest animals are facing extinction, but this film shows clearly the rotten turpidity and destructive meaninglessness of it as a sport. There is some comfort in that nowadays safari tourists don't shoot animals except by cameras, but there are still abominable poachers around, that should be shot themselves, everyone of them.

THE MACOMBER AFFAIR has to be rated a success for the mere fact that it finally brings a Hemingway story to the screen pretty much intact and the way he wrote it. GREGORY PECK may not be the perfect choice to play the guide escorting a quarrelsome JOAN BENNETT and ROBERT PRESTON on a safari, but he acquits himself well enough in the role.

I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.

Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.

Well worth watching for some interesting performances.

Based on a Hemingway short story. And Hemingway knew how to craft stories that epitomized realms of male supremacy. His world was one of combat, African safaris, bull rings… all the places where "real men" constantly had to prove masculine courage. Women were an accessory… the old "Can't live with them, Can't live without them" philosophy.

In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues…who woulda guessed it?!

Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.

From 1947, "The Macomber Affair" is based on a Hemingway short story about a safari. I watched it knowing full well I didn't want to see animals hunted down, so I admit a certain prejudice.

Joan Bennett and Robert Preston are Margaret and Francis Macomber, an unhappy husband and wife who go on a safari guided by hunter Robert Wilson, played by Gregory Peck. Margaret is openly derisive of her husband, whom she considers somewhat of a coward, and he apparently is on this safari to prove his masculinity. It isn't very successful at first, as Francis runs like a rabbit when he's charged by a lion. I don't know who wouldn't, frankly.

Margaret is attracted to Wilson -- again, who wouldn't be, it's Gregory Peck -- and he falls for her. I don't know why because she's a very unpleasant woman. When a tragedy occurs, Wilson has to decide what really happened - was it an accident or deliberate? This film is somewhat miscast, as it required a Peter Finch or Trevor Howard in the Peck role. Peck doesn't come off as much of a big game hunter. Joan Bennett's character is a little too harsh, which I blame on the director, Zoltan Korda. There doesn't seem to be any reason for his attraction to her; she comes off as emasculating.

The film has an ambiguous ending. I didn't care how it ended, which is a major problem -- you should be invested in the characters.

This is an old-fashioned macho Hemingway story that received better treatment than most of his work. Still -- Hemingway is very difficult to film due to his spare language and all that subtext.

If you like seeing animals shot and killed (though I realize they really weren't) so someone can prove his masculinity, this is the movie for you.

The writing team of Casey Robinson and Seymour Bennett adapted Ernest Hemingway's "the Short Happy Life of Francis Macomber" into a solid screenplay which enlarged upon the subtle themes of the original. A wealthy couple(Robert Preston,Joan Bennett) arrive in East Africa ostensibly for a safari vacation but it soon becomes apparent that they are ill-matched and resentful of each other's failings.Their safari guide,Gregory Peck,attempting to conduct things professionally,becomes an unwilling spectator to their petty arguments and vicious insults.But as the party trek through the jungle in search of game the true personalities of the warring couple emerge playing havoc with Peck's sympathies and his growing interest in beautiful Bennett.An ironic twist of events await these adventurers as they pursue game more dangerous than they bargained for. An enriching score by Miklos Rozsa,the superb direction by Hungarian director Zoltan Korda,and fine performances by the 3 principals(especially Preston's paranoid tycoon) all serve the viewer with a gripping drama.