In British East Africa, a fatal triangle develops involving a frustrated wife, a weak and cowardly husband, and an English big-game hunter who comes between the couple.In British East Africa, a fatal triangle develops involving a frustrated wife, a weak and cowardly husband, and an English big-game hunter who comes between the couple.In British East Africa, a fatal triangle develops involving a frustrated wife, a weak and cowardly husband, and an English big-game hunter who comes between the couple.
Darby Jones
- Masai Warrior
- (uncredited)
Hassan Said
- Abdullah
- (uncredited)
Martin Wilkins
- Bartender
- (uncredited)
Featured reviews
This film deserves a DVD release. Excellent script, direction, and editing carry the film into Hemingway's world. The results are excellent. The three leads do very well with their parts. I particularly liked Joan Bennett. Her cynicism and brazen effrontery towards husband Preston held my attention as she carried on an obvious affair with Peck. The dynamic between the three stars smolders across the screen as Preston attempts to "prove" his manhood by killing wild beasts. In true Hemingway style the "big game" adventure turns into one of more human proportions. Pretty bold stuff considering the Production Code was still in full swing. Reginald Denny plays with authority in a minor role.
This Zoltan Korda adaptation of Hemingway's bitter tale of big game hunting and marital infidelity is the best movie adaptation of this author's work I have ever seen. Only Gregory Peck seems miscast in what is basically a Trevor Howard part, but this doesn't bring the movie down, it merely limits it. As the superficially charming, boyish, gregarious and basically not very nice Macomber, Robert Preston is brilliant, and he gives a daring, emotionally open performance. Joan Bennett is good as his wife, better than Peck but not perfect casting, either. What makes the movie work is its nasty story, and Casey Robinson's excellent and correct interpretation of it. The Hemingway mood, macho and misogynist, and misanthropic more than anything else, is caught to such perfection one might almost suspect that he was technical adviser (he wasn't). British East Africa is given the Tarzan treatment on screen, typical of the forties but for some difficult to take now. I find that it works, as Tarzan and Hemingway weren't a million miles apart in temperament and values, though I imagine that Tarzan was nicer fellow to get along with.
THE MACOMBER AFFAIR has to be rated a success for the mere fact that it finally brings a Hemingway story to the screen pretty much intact and the way he wrote it. GREGORY PECK may not be the perfect choice to play the guide escorting a quarrelsome JOAN BENNETT and ROBERT PRESTON on a safari, but he acquits himself well enough in the role.
I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.
Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.
Well worth watching for some interesting performances.
I found it a lot more satisfying than the later SNOWS OF KILIMINJARO in which Peck again was cast in the lead as a Hemingway white hunter in Africa. Although that film had the advantage of Technicolor and more expensive trappings, THE MACOMBER AFFAIR achieves more of an edge by being photographed in somber B&W, even though some of the stock footage and backgrounds are obviously studio shots.
Bennett is fascinating as the woman full of scorn for her husband and gradually showing her interest in Peck while Preston's resentment begins to turn paranoid. Miklos Rozsa's score gives it a film noir feeling despite the jungle setting--and it becomes a war of nerves before the satisfying conclusion.
Well worth watching for some interesting performances.
Based on a Hemingway short story. And Hemingway knew how to craft stories that epitomized realms of male supremacy. His world was one of combat, African safaris, bull rings
all the places where "real men" constantly had to prove masculine courage. Women were an accessory
the old "Can't live with them, Can't live without them" philosophy.
In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues who woulda guessed it?!
Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.
In this movie, all that comes across in spades. Robert Preston is Francis Mocamber, led around by the nose on a chain by his wife Margaret, played by Joan Bennett. They hire great white hunter Robert Wilson, portrayed by Gregory Peck, to guide them on safari. In the Mocamber marriage it's the wife who wears both the pants and the skirt. The trip is no picnic in the jungle but a miserable, forced emotional trek where the two men just get worn out by Margaret's constant authoritarianism and general bitchiness. Tragedy ensues who woulda guessed it?!
Not much more to be said. If you subscribe to the Hemingway universe, this movie is for you.
The writing team of Casey Robinson and Seymour Bennett adapted Ernest Hemingway's "the Short Happy Life of Francis Macomber" into a solid screenplay which enlarged upon the subtle themes of the original. A wealthy couple(Robert Preston,Joan Bennett) arrive in East Africa ostensibly for a safari vacation but it soon becomes apparent that they are ill-matched and resentful of each other's failings.Their safari guide,Gregory Peck,attempting to conduct things professionally,becomes an unwilling spectator to their petty arguments and vicious insults.But as the party trek through the jungle in search of game the true personalities of the warring couple emerge playing havoc with Peck's sympathies and his growing interest in beautiful Bennett.An ironic twist of events await these adventurers as they pursue game more dangerous than they bargained for. An enriching score by Miklos Rozsa,the superb direction by Hungarian director Zoltan Korda,and fine performances by the 3 principals(especially Preston's paranoid tycoon) all serve the viewer with a gripping drama.
Did you know
- TriviaFor the African scenes, Reginald Denny invented the first radio-controlled model airplane and, with Osmond Borradaile, put a camera on board in 1946.
- GoofsWhen Margaret and Robert start out on their safari driving across the country, in close shots they are shown looking out the right side of their truck at wildlife, but the shots of the animals they are presumably viewing are taken out the left side of a moving vehicle.
- ConnectionsFeatured in O ziliarogatos (1956)
- How long is The Macomber Affair?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Great White Hunter
- Filming locations
- Tecate, Baja California Norte, Mexico(doubling for the African Veldt)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 29m(89 min)
- Color
- Aspect ratio
- 1.37 : 1
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