Out of the Past

This is an extremely stylish film noir with a balanced, touching performance by Robert Mitchum. I was not expecting to be as moved by this film as I ultimately was. It has the snappy banter that one would expect of a film from the 40s, but the dialogue transcends mere wit and left me more than a little emotional. Mitchum is remarkably understated and cool, making his self-destructive behavior all the more entrancing. Kirk Douglas also adds a really light touch to his role, keeping his slick gangster more genuine than one might expect. I would have to say that while it is in many ways a typical film noir (and a fine example of the style), I have never seen anything quite like it. There are locations you would never expect to see in a film noir and a surprising bittersweet ending. Fantastic film.

Jacques Tourneur will probably be remembered best for this film, even though he had an extensive career in Hollywood. Working with Daniel Mainwaring, the author of the novel in which this movie is based, he created one of the best pictures of this genre, one that will be a perennial favorite. Mr. Tourneur and his cinematographer, the brilliant Nicholas Musuraca, made a stunning looking film that looks as good today, as when it was originally released.

If you haven't seen the film, please stop reading now.

Jeff Bailey has reinvented himself as the owner of a gas station in California. His past comes to haunt him at the beginning of the movie. Jeff has found peace and love in the small town where he has taken refuge. He can change his identity, but he can't hide from the people that want to see him dead.

We watch in the beginning how Jeff is sent away by Whit Sterling to look for the disappearing Kathie Moffat, who has stolen forty thousand dollars and gone hiding. Jeff finds her in Acapulco. Kathie gives a bad name to any other dames in the movies of this genre. She is totally ruthless; she will do anything to double cross Whit as well as have Jeff do whatever she wants.

Comparisons have been made between "The Maltese Falcon" and "Out of the Past". Both have plots that are twisted; when we feel we know everything, there is a new twist to the story. We are constantly misled into thinking one way, when in reality, something else has happened.

This is a film that combines all the elements of the classic film noir and juxtaposes it against the serene surroundings of where Jeff is now living. Black and white photography was used to great advantage in the movie. It has a style that makes it one of a kind. The music by Roy Webb plays neatly in the background without interrupting the action.

The acting is first rate. Mr. Tourneur got a brilliant performance from Robert Mitchum. His Jeff, is the epitome of coolness. It's hard to understand the mentality of American cinema of the times not paying Mr. Mitchum his due. He was a much better actor than he was given credit for. His presence looms large in this movie and it's a tribute to him that he makes his character dominate the movie.

Jane Greer was also excellent in her take of Kathie Moffat. She is pure evil, a sensuous woman who will do anything to get her own way. When we see her in Acapulco she is a seductress that no man can resist. She leads Jeff on by the sheer power of the desire he feels for her. Ms. Greer was not a beauty, by Hollywood standard, but yet, she makes an incredible contribution to the movie. Her textured performance is exquisite in its economy. We all see right through her, yet, she takes us for an incredible ride, up to the end of the picture.

The others in the cast do an excellent job. A young and dashing Kirk Douglas is perfect as the dubious Whit. He shows such a magnetism, even then, at the start of his career in movies. Rhonda Fleming had a small role and she makes most of it. Also Virginia Huston, as Ann, makes a great contribution to the film.

The film, ultimately, is a tribute to the talent of the director. This is Mr. Tourneur's best movie.

Out of the Past came at a time for Robert Mitchum after one of the worst films in his career, Desire Me which he did on a loan out to MGM. He must have been grateful to get back to RKO studios and to do one of the best noir films ever done.

Mitchum plays the luckless Jeff Bailey, private eye who has the ill fortune to fall under the feminine charms of Jane Greer after gambler/racketeer Kirk Douglas hires him to find her and $40,000.00 she stole from him after shooting him. Mitchum trails her to Mexico, but when he meets her, let's just say he easily sees why Kirk Douglas wants her back so bad. It's one piece of intrigue after another at this point until there's tragedy all around.

This was Kirk Douglas's second picture and he showed his range as a player after playing a weakling in his debut film, The Strange Loves of Martha Ivers. Douglas and Mitchum got good notices, but this film really belongs to Jane Greer. The sheer scope of this woman's evil will leave you gasping. Out of the Past gave Jane Greer her career role and she made the most of it. Two of post World War II Hollywood's biggest leading men and several others in tow. It's breathtaking when you think of it.

Out of the Past is a real downer of a film, but mesmerizing as a study of how a man can get hooked on feminine charms applied right.

Out of the Past (1947)

**** (out of 4)

Excellent film noir from director Jacques Tourneur has a detective (Robert Mitchum) being hired by a mobster (Kirk Douglas) to track down a woman (Jane Greer) who double crossed him. When the detective finds the woman the two quickly fall for one another, which will lead to disaster in the future. OUT OF THE PAST is considered by many to be the greatest noir ever made and I certainly won't argue. I think the entire noir genre has so many different great films that many people could argue for any of them but to me it just seems all of the elements are at full force here and this includes some terrific dialogue and performances. For me the greatest thing about this movie are the performances with Mitchum really standing out in one of his greatest roles. The dialogue fits Mitchum so perfectly because of that tough, laid-back nature of his and he has no problem throwing out this dialogue and making it sound cool. Mitchum was always able to use this cool nature of his and it was simply born to be hidden in dark shadows and smoke. Greer is also extremely good because of the cold-blooded nature she's able to give the character. Even Douglas is wonderful here and I don't think he ever gets the credit he deserves for his role here. The wonderful coldness that he brings the character is just fun to watch and you can't help but see what a snake this guy is. The cinematography and music score are both top-notch and really work well with one another. There are many great scenes here but I think my favorite remains the scene in the cabin where Mitchum is fighting his ex-partner and we see the woman's reaction with just a bunch of shadows bouncing off of her. OUT OF THE PAST is a fast and fun noir that manages to be cool and tough.

This film established the Robert Mitchum screen persona. In it he established the easy going laconic style that was to become his trademark. His Jeff Bailey is the epitome of the 1940s tragic hero.

The story is told in flashback, a Film Noir tradition. Bailey owns a gas station in a small California town. But he is a man with a past, a past that comes back to haunt him(as in Hemingway's "The Killers")

Bailey tells us that he was a detective in his previous life. He was hired by a gambler to find a girl who had stolen $40,000 from him. Bailey found the girl and the money , but love got in the way.

To reveal anymore of this convoluted plot would ruin it for those who have not had the pleasure of not seeing this masterpiece.

In addition to Mitchum, the rest of the cast excels as well. Jane Greer is the perfect Femme Fatal. Kirk Douglas is mean and sadistic as the gambler. Rhonda Fleming, Virginia Huston, Steve Brodie and Paul Valentine provide excellent support.(Greer and Valentine were in the 1985 remake "Against the Odds".

Jacques Tourneur one of the great Noir directors does a fine job with Daniel Mainwaring's story and script(using the pseudonym Geoffery Homes) and the Roy Webb music is the perfect compliment.

A lot of young talent went into the making of this classic. Many of the people involved went on to bigger and better things. It is easy to understand why.