Chûgoku no chôjin

This mans versatility is overwhelming. "Bird People of China" is nothing less than a humanistic drama filled with humor and warmth, from the man who brought us such violence-masterpieces as Ichi and Fudoh. I have no idea how he does it, but apparently this guy can make all types of movies equally well. Whats more is that the more of his films you see, the more recognisable they become, even though they're all totally different. In this film he really uses his (great) sense of humor, and allows for his characters to grow on you, and the result is a fantastic movie, and actually feels very chinese in style and theme. Greatly recommended for fans who think they know Miike...

9/10

A businessman is sent to a remote village to investigate a jade mine. He's joined by a debt-collect Yakuza. But what they find is much more valuable. I can't really go into any more detail though. Partly because I don't wish to spoil one single moment of the magic or wander of this great film and partly because even if I were to go into detail my mere words wouldn't do it justice. The is a film you have to watch, nay, experience for yourself. Do NOT go into it expecting over-the-top violence, graphic deviant sexuality, or any of the other ingredients of more well known Takashi Miike films as this is more than that MUCH more. One of, if not THE best film in Miike's quite impressive extensive cannon.

My Grade: A

DVD Extras: Commentary by Miike expert, Tom Mes; Takashi Miike interview; Bio/Filmagraphies; Promotional material; Annie Laurie bio and poem; Theatrical Trailer; Trailers for "Shinjoku Triad Society", "Rainy Dog", and "Ley Lines"

Another gorgeous film from Miike (is it the filters, film stock, or the Chinese landscape that makes it all so visually engrossing?) that trades in incessant, sensationalistic violence for light-hearted (relatively speaking) fantasy. Which is not to say that Chûgoku no chôjin avoids heavy social topics while maintaining its calm demeanor: the inevitable encroachment of civilization, and the assimilation/annihilation of traditional rituals and beliefs in the sweep of modern culture are issues thoughtfully explored along with arresting images of unspoiled Chinese vistas by frequent Miike collaborator Hideo Yamamoto. An unusually pensive yet rewarding experiment from Miike, and one that continues to prove there is much to his oeuvre besides global destruction, excruciating torture scenes, and zombie dance numbers.

"The Bird People in China" is one of those films you hear very little about, but that piques your curiosity after reading the synopsis. And then you watch it and realize what a gem it is.

Japanese filmmaker Takashi Miike is renowned for his ultra-violent films. This is a delightful departure for him and proves what a tremendously versatile director he is. Yes, there are some snippets of violence, including a rather brutal machete attack. But that's all offset by the film's wonderfully whimsical nature.

The film revolves around a Japanese businessman sent to a remote Chinese village to inspect the jade mines for his company. Along for the ride is a yakuza man to ensure the businessman's company's debt is paid off.

The film not only chronicles their colorful journey - those turtles must be seen to be believed - but then taps into the characters' psyches as they reach the village and suddenly find themselves trapped there. These two disparate men both find themselves enchanted by this magical place.

I won't give away much more of the story because you really should watch this film. Miike injects magical realism into his story and some moments are beautiful in every sense of the word. There's also plenty of humor. The van scene is positively hilarious, especially given the driver's deadpan reaction.

The film's very much about our need to dream. But it also tackles important issues such as the encroachment of civilization and the importance of keeping some places pristine and innocent, no matter how valuable they might be to the rest of the world.

If you like interesting foreign-language films that open a whole new world, then do yourself a favor, see this film. You will not be disappointed.

I've just finished watching The Bird People in China and have skimmed the other reviews on IMDb. Like most of the others, I do enjoy Miike's work, though not to the level of unconditional love that seems to be common here. In my limited experience, around nine Miike films so far, none have been a waste of time and several are fairly amazing. Notably Audition, though definitely not for the faint of heart.

This film left me with mixed emotions. It truly has touching moments, but it also suffers from common issues with Miike films... disjointed structure, unmotivated action (particularly from the Yakuza character), a bit of excessive violence, a kitchen sink approach to ideas... every possibility explored, even when simple would have been more effective, and finally a liberal borrowing from other films. In fact I'm surprised this hasn't been mentioned in other reviews. Miike clearly took much of the premise and emotional content from the movie Local Hero. A corporate drone begrudgingly travels to a remote village and, to his amazement, is touched by the locals and the lifestyle. There's more to the similarities but I don't want to give away too much. Though I will note that he pays homage to his source material by throwing in a Scottish song as a major motif. I also didn't buy into the ending... it seemed to detract from the more realistic aspects of the film.

All of this aside, the film is worth seeing. The scenery is amazing and fairly unique, the photography handsome (considering the budget), Masahiro Motoki as Wada is quite good (as he was in Okuribito/Departures), many of the secondary characters are wonderfully drawn (another Miike specialty), it's genuine and funny at times, and it takes you on an unusual journey, an actual adventure... rarely a dull moment.