A Face in the Fog

"A stage company cast finds themselves terrified when a bizarre killer known as 'The Fiend' targets them for death. A pair of reporters and their clumsy photographer set out to work the story of 'The Fiend' and find themselves targets as well. Just as you think our trio of heroes has the case solved, you're thrown another twist that has you wondering who the killer really is," according to the DVD sleeve's synopsis.

Taking "The Hunchback of Notre Dame" to Hollywood, producer Sam Katzman's lack of studio settings probably helps "A Face in the Fog" look interesting, especially toward the end (1930s traffic). The direction could be improved upon; for example, the camera angle on the fight scene is not helpful. The budget appears slight. Under the circumstances, most of the silent/talkie crossover cast perform it amiably.

**** A Face in the Fog (2/1/36) Robert F. Hill ~ Lloyd Hughes, June Collyer, Al St. John

Bizarre little mystery with no budget, but the story is pretty good and there are several interesting actors here at the zenith of their careers. A murderer called "the fiend" is killing show people but no one knows how they are being killed except that they are being poisoned. No one ever comes near the victims. And then there's that hunchback.

June Collyer (her last film) plays a meddlesome reporter who claims she can recognize "the fiend" because she saw his face in the fog (in a mirror). She becomes his target. Fellow reporter (Lloyd Hughes) tries to protect her, along with a ditzy photographer (Al. St. John). After there is a murder in a theater, the playwright (Lawrence Gray) pitches in to help solve the case.

St. John had been in silent films in the teens with Keaton and Arbuckle. Hughes was also a silent film start (THE LOST WORLD), and Gray was a big star in silent films and early musicals with the likes of Gloria Swanson, Marion Davies, and the Duncan Sisters.

Worth a look.

A reporter claims to have seen the face of "the Fiend", a hunchbacked killer dressed in black that is terrorizing a city and a theater in particular by poisoning people by some unknown means. The Fiend naturally makes her his next target and she has to go on the run. Hooking up with a reporter she attempts to find out the killer and remain alive.

Fast moving and making almost no real sense whats so ever this movie is as artificial a mystery as you can get. Its best described as taking a 1930's mystery and stripping it of anything other than the mystery mechanism (Murderer is on the lose killing people) while throwing in cliché characters, comic relief and making any revelation either a red herring or more likely a twist out of the left field of a ball park two cities over just to keep things going.

In any real sense its a mess, however as a pure machine it works. As totally mindless mystery time killer it can entertain you. Its the type of thing where you can pretty much guess the killer the instant he appears, but you don't care and can't be sure because the film is making so many odd turns that nothing makes sense even though you're hoping it will.

I don't know if you should search it out, but if you run across it an want to see as nonsensical and stripped down mystery as you can get its worth a shot. (I just don't recommend this if you need things to make and real linear sort of sense)

I've always been a fan of films where the killer is disguised in some way.....usually hunchbacked, a long cloak, a hat pulled down over his face, and a decided limp. That's why i LOVE this film! :)

(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).

This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!

A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).

The lites go out, and the person is dead....they've been poisoned, but without a mark on them!

Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).

Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.

This is a MUST SEE........IF you're lucky enuff to find it!

Norm

A Face in the Fog (1936)

** (out of 4)

A masked killer known as The Fiend uses a special bullet that is guaranteed to kill his victim as well as leave his mark. Frank (Lloyd Hughes) and Jean (June Collyer) take an interest in the mystery and decide to track The Fiend down but soon they become a target.

A FACE IN THE FOG is an early producer credit for Sam Katzman who would become one of the most prolific producers in Hollywood. This Poverty Row film is certainly far from bad but at the same time there's really nothing here that sets it apart from the dozens of other "old dark house" type thrillers that were released throughout the decade. While there are a few interesting things here in the end it's pretty forgettable.

Both Collyer and Hughes are decent in their roles and they at least keep the film entertaining. Al St. John, former co-star of Roscoe 'Fatty' Arbuckle, is the comic relief friend but takes away more than he adds. At just a hour the film moves fairly quickly and as I said it's interesting enough to hold your attention. I will say that I liked the look of the killer and the opening sequence is also quite good. Still, A FACE IN THE FOG really doesn't stand out in a crowded field so it's only for die-hards of the genre.