Brave New World
- TV Movie
- 1998
- 1h 27m
IMDb RATING
5.2/10
2.2K
YOUR RATING
In a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules.... Read allIn a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules. A tragic outsider jeopardizes the status quo.In a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules. A tragic outsider jeopardizes the status quo.
- Directors
- Writers
- Stars
Wendy Benson-Landes
- Fanny
- (as Wendy Benson)
Nicholas Belgrave
- Alpha Student Boy #1
- (as Nick Belgrave)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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'Brave New World', the 1932 novel by Aldous Huxley, told of a new world where babies were decanted as Alphas, Betas, Deltas, Epsilons, or Gammas, all designed to know their places in society, and in the case of the lower classes, decanted as multiple identical twins to staff entire factories and production lines. Their God is Ford (as in Henry) and their motto is 'history is bunk'.
In the book, Bernard Marx is a fish out of water, an Alpha of stunted growth who has dangerous ideas, who refuses to act like he is expected to, and is generally despised. The film's Bernard is Peter Gallagher, a kind of magnetic Romeo figure, popular with the girls, and a confident success. Already there's been some tampering done with the source.
With Rya Kihlstedt as a colourless Lenina (again nothing like the book's character, who is conventional to a 't') and Leonard Nimoy as the Controller, Mustapha Mond, the film loses impact and goes downhill very quickly.
Nods can be given (grudingly) at the attempts to develop computer generated conditioning forms, and to give some sense of a futuristic world. It just doesn't come off. The savage reservation is simply full of young Americans out to pick a fight, while John (the savage child of Linda, a Beta stranded in the reservation) does speak Shakespeare, but is otherwise of little interest and very unlike the book.
A disappointment and a huge bore, missing both the humour and the science-fiction/faction innovations of Huxley's novel.
In the book, Bernard Marx is a fish out of water, an Alpha of stunted growth who has dangerous ideas, who refuses to act like he is expected to, and is generally despised. The film's Bernard is Peter Gallagher, a kind of magnetic Romeo figure, popular with the girls, and a confident success. Already there's been some tampering done with the source.
With Rya Kihlstedt as a colourless Lenina (again nothing like the book's character, who is conventional to a 't') and Leonard Nimoy as the Controller, Mustapha Mond, the film loses impact and goes downhill very quickly.
Nods can be given (grudingly) at the attempts to develop computer generated conditioning forms, and to give some sense of a futuristic world. It just doesn't come off. The savage reservation is simply full of young Americans out to pick a fight, while John (the savage child of Linda, a Beta stranded in the reservation) does speak Shakespeare, but is otherwise of little interest and very unlike the book.
A disappointment and a huge bore, missing both the humour and the science-fiction/faction innovations of Huxley's novel.
Why do they do it? Why do they pick a novel like this which obviously has a following (seeing how it's still around after 75 years), and screw around with the story line? Are the writers thinking "Yeah, that Aldous guy is OK, but I'm much better." Or are they thinking that we simply wouldn't understand the story in it's original form? This trash is going to offend anyone that can actually finish a book without pictures in it. Watching what they did to this classic is similar to watching "Romeo and Juliette" rewritten to have a happy ending. I can't think of any demographic that's going to be pleased with the result. I would seriously like to attend the brainstorming session where they worked out the screenplay just to hear the rational behind rewriting a classic.
Brave new world is one of the most inspiring and prescient novels of the 20th century (it was first published in 1932). In the future it portrays, humanity has achieved its final goal: happiness, understood as the ability of each person to satisfy his/her impulses almost immediately. Achieving this goal means leaving science, religion, and most of our culture in the way. In this perfect world people have all the sex and TV they want, hyperconsumption is a social virtue, and books are denigrated because they promote individualism. Sounds familiar?
The novel is dark and pessimistic and the characters' personality is flat because they are supposed to be that way. The only exception in the novel, the savage, is well portrayed in the movie but the rest of the characters appear too normal (too present-day) in the movie. This is especially true in the case of Lenina, the central female character who is supposed to be typical of her time (no brains, just fun, thank you) in the novel while in the movie has a more complex personality. This change ends up altering the plot and was probably caused by that big stupidity of our times, political correctness.
This adaptation of the novel for TV mass consumption also includes several other changes such as an assassination plot (unthinkable in the original) and the inclusion of a happy ending, which completely distort the message. Maybe, the novel was right: all that matters is having a lot of sex and violence on TV but we should avoid "intellectual" narratives that make people think and, therefore, "unhappy".
1/10.
The novel is dark and pessimistic and the characters' personality is flat because they are supposed to be that way. The only exception in the novel, the savage, is well portrayed in the movie but the rest of the characters appear too normal (too present-day) in the movie. This is especially true in the case of Lenina, the central female character who is supposed to be typical of her time (no brains, just fun, thank you) in the novel while in the movie has a more complex personality. This change ends up altering the plot and was probably caused by that big stupidity of our times, political correctness.
This adaptation of the novel for TV mass consumption also includes several other changes such as an assassination plot (unthinkable in the original) and the inclusion of a happy ending, which completely distort the message. Maybe, the novel was right: all that matters is having a lot of sex and violence on TV but we should avoid "intellectual" narratives that make people think and, therefore, "unhappy".
1/10.
The "Brave New World (TV Movie 1980)" from the BBC was a billion times better, you can find references to that adaptation in IMDb
Just watch the BBC version or read the book, there is nothing in this one to redeem itself, awful.
The 3 hours long BBC version and the book can be found in the website Huxley dot net at the very bottom, there are the links to the book and the movie Sadly the copy came from a bad VHS, but watchable. There is no better copy as far as I know. A bit cartooned in style, worth it anyway, so the book.
Bottom line, do yourself a favor, watch the BBC version or read the book
Just watch the BBC version or read the book, there is nothing in this one to redeem itself, awful.
The 3 hours long BBC version and the book can be found in the website Huxley dot net at the very bottom, there are the links to the book and the movie Sadly the copy came from a bad VHS, but watchable. There is no better copy as far as I know. A bit cartooned in style, worth it anyway, so the book.
Bottom line, do yourself a favor, watch the BBC version or read the book
What would Huxley think? His masterwork now fodder for the MTV culture of the world. It was interesting that the writer and director chose this particular style to shoot BNW from. Granted the cliche' of Hollywood and American culture in general may seem like a Huxleyian paradigm but really, here it seems a little pretentious, as if to make some vocal statement saying "America has finally caught up to the novel's vision." Oh brother! This almost cynical disregard for respecting the author's true vision of his own work is pretty sad, as every nuance of Huxley's story has its meaning and characters stomped upon with references to rave culture, soap opera scandal type revelations and media blitz culture. The video and vocal overlays that are supposed to drive us through the films locations....superfluous. THe concepts of life inside the Brave New World become so much pseudo intellectual rambilng, the characters merely philosophical mouthpieces. If I didn't know any better I would have thought this film was French in origin. One can almost sense a level of shame being heaped upon us, the viewers as if this is the world we want and the writer and director know what we WILL become in the future. How odd. This is the second movie I have seen based upon the novel, the first being the 1980 movie with Bud Cort and Marsha Strassman. Somehow they never seem to quite get it right, but this one missed the mark the furthest in my opinon. Definately skip this version.
Did you know
- TriviaThe book "Brave New World" that this movie's based on has been banned in many places, including Ireland in 1932. It was Huxley's 5th novel. It was also based on many people, including Freud and Jung, and each character is based off of someone as well. Also, the book has many references to Shakespeare, and some of his banned works.
- ConnectionsReferenced in Gen RX (2014)
Details
- Release date
- Country of origin
- Language
- Also known as
- Un mundo feliz
- Filming locations
- Barwick Studios - 4585 Electronics Place, Los Angeles, California, USA(closed December 31, 2009, now Quixote Studios - Griffith Park)
- Production companies
- See more company credits at IMDbPro
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