L'étoile de mer

More avant-garde film-making by Man Ray, this work follows a roughly impressionist quality to its film-making. Shot mostly through warped lens and (I think) prisms, we follow a rough narrative about a love triangle, or something like it, and a man obsessed yet afraid of the beauty of the woman he's attracted to.

This is another of those many films that not only asks for multiple viewings, it requires it. Every time you view it again, you see something or something else fits in so that it becomes an even larger work.

Don't worry, though... this isn't one of those hard-to-watch films that don't make any sense and you have to stick with it just to "get it." On the contrary, it's a relaxing and pleasantly visual film that works more as a treat for the eye than a lengthy condescending piece of symbolism. It's based on a poem by the great Robert Desnos, and is very poetic in that quietly beautiful way. If anything, the best part of this film is how Ray's mise-en-scene always directs the eye simply to the right part of the screen, so that almost no work is done by the spectator to just sit back and experience it. On the other hand don't go into this film if you're really tired.

--PolarisDiB

This Man Ray short has a modicum of plot – or, at least, its imagery is essentially related. A woman, possibly a prostitute, picks up a client but, when she undresses, he unaccountably gives her the brush-off! He had 'sung' the woman's praises in the intertitles – but it appears that he admires beautiful things in general and, indeed, he eventually becomes infatuated with a starfish! The woman, scorned, attacks the sea- creature with a knife...

It is a typical example of experimental cinema from this era, which also unleashed the likes of Germaine Dulac's THE SEASHELL AND THE CLERGYMAN (1928; the main reason I picked up this Kino DVD collection in the first place!) – with a similar aquatic reference, no less! – and the Luis Buñuel/Salvador Dali collaboration UN CHIEN ANDALOU (1929), both of which also boasted overtones of eroticism and violence. Even so, the most notable effect here is the frequent distortion of the image, as if it was being shot through stained-glass windows!

I've always found the dilettante Man Ray and his artistic efforts to be deeply pretentious, and I've never understood why his work attracts so much attention. Apart from his Rayographs (which he invented by accident, and which are merely direct-contact photo prints), his one real contribution to culture seems to be that he was the first photographer to depict female nudity in a manner that was accepted as art rather than as porn. But surely this had to happen eventually, and there's no real reason why Ray deserves the credit. The critical reaction to Man Ray reminds me of the story about the Emperor's New Clothes.

"L'Étoile de merde" ... whoops, "de mer" ... features a lot of blurry photography and a recurring visual theme of a starfish, which is never explained. Starfishes have the fascinating ability to regenerate lost limbs -- and even to regenerate entire duplicate bodies -- but, if that has anything to do with this movie's theme, Ray neglects to say so. I was much more impressed by this movie's title cards, which (in French) manage to include rhymes, a pun ('Si belle, Cybele') and some portmanteaux.

As so often in Ray's work, there is indeed a beautiful young woman seen in this movie. Unfortunately, the photography is (largely) so blurred that we have little opportunity to appreciate her. I'll rate this mess one point out of 10.

I saw this (and several other films by Man Ray) as part of a DVD collection of avant garde shorts.

This one, however, stood out above all the rest. This director clearly had an ability to capture the surreal and dreamlike that David Lynch or Jan Svankmajer would envy. I was simply in awe throughout the 16 minutes this was on screen.

One great aspect, though, about this short film, was the music. Now, the music may not have been part of Ray's original intentions, but it fitted this film perfectly - haunting and hypnotic. Reminded me a lot of some of the incidental music from Tarkovsky's Stalker.

This short definitely gets a 10.

The Starfish (1928) is a surreal journey following a man and a woman. This short definitely isn't for me. I do enjoy experimental film but this movie made me feel nothing and I just find it to be incredibly bland. The cinematography is nice though!

The cinematography is by far the best part of the short, and feels very ahead of its time. The camerawork is extremely experimental, and there's a lot of long, lingering shots. The film also uses framing to its advantage and you can tell a lot of effort went into it. Also in terms of visuals, I really enjoyed the text that appears on screen.

The sound design is done fairly well and is effective in some places, but I don't like the score. The score feels way too repetitive and gets old after the first couple of minutes. However, the sound design immediately helps to create an eerie atmosphere.

I don't feel like I can comment on the acting, as the characters are barely shown and aren't the main focus of the short film. The character development is near nonexistent and they have nothing special or notable about them to discuss.

Lastly, the film has an interesting tone, but the pacing lets it down. It's a very unnerving movie and has a strong experimental and arthouse vibe, with an unnatural structure to go alongside. Unfortunately, I ended up getting quite bored while watching and I feel the short would've benefit from having a shorter run time.