Urban Legend

This is yet another teen slasher movie, one of the many to have come out recently. I don't think this one quite ranks up to the SCREAM movies, but I think it was better than the I KNOW WHAT YOU DID LAST SUMMER movies.

College student Natalie Simon, (Alicia Witt) mourning over the recent murder of an old friend, finds herself in great danger after a large number of students are being murdered. Each murder is performed in the style of an urban legend, which many of the kids know. Everyone is a suspect, including the best friend Brenda (Rebecca Gayheart), love interest Paul (Jared Leto) and friend/prankster Damon Brooks. (Joshua Jackson)

The premise of this movie is fairly cool, but the rest of the movie is basic slasher-movie type stuff. It's pretty predictable too, as are most movies like this one. The acting is not especially great, but some of it is fair. Alicia Witt does a good job as the star of this movie. Rebecca Gayheart probably does the best acting job of all, especially at the end.

Most all of the characters are boring and flat, aside from the main one. Many are simply there to get killed, and some that are more important are not as interesting. Still, this movie is better than I KNOW WHAT YOU DID LAST SUMMER and probably worth a rent.

Urban Legend provides great value as it laughs, cries and scares it way through its running time. A really enjoyable addition to the 'horror smart' teen genre such as Scream and I Know What You Did...

The cast is pretty good as well which helps the film enormously.

Adding Robert Englund to the cast was an inspired choice.

Its good fun like its supposed to be :)

URBAN LEGEND

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / SDDS

A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.

History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.

Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).

As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).

Urban Legend (1998) is a movie I rewatched for the first time in a long time on Tubi recently. The storyline follows a college campus where the kids one day at a coffee shop compare random horror urban legends. They try to figure out which story is more realistic than the others. Shockingly the murders they talked about start happening all over campus. This movie is directed by Jamie Blanks (Valentine) and stars Jared Leto (Suicide Squad), Alicia Witt (Dune), Rebecca Gayheart (Jawbreaker), Loretta Devine (Crash), Michael Rosenbaum (Guardians of the Galaxy vol. 2), Robert Englund (Nightmare on Elm Street) and Tara Reid (American Pie). The storyline for this is fairly mediocre but still fun to watch unfold. This felt like a step down from other movies from this era like Scream, Final Destination and I Know What You Did Last Summer (I felt the same way about Blanks' Valentine film also). The acting in this is better than it should be and Leto is actually pretty good in this. The kill scenes are solid and worthwhile for horror fans. The twist at the end is a bit predictable but clever in a this era kind of way. Overall this isn't a masterpiece but is a worthwhile addition to the genre. I'd score this a 6-6.5/10 and definitely recommend seeing it.

The days of low-budget slasher films appear to be back with Urban Legend, a mildly entertaining but mostly lame variation on Scream with an attractive cast of young TV stars.

The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.

If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.

Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.

Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.

What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.

That clever scene might have been the first scene of a clever movie. It's the last scene of this one.