Urban Legend

Back in the day, the best horror films were Hitchcock movies, like "Psycho" and "Frenzy". Even after Hitchcock, "The Exorcist" was frightening, and Brian DePalma made scary stuff like "Dressed to Kill". Now, we've hit the bottom of the barrel.

If a bunch of people being hacked up is scary to you, then this movie (and about 100 other wastes of film) should be right up your alley. The only thing that was remotely scary in this movie was the acting.

And just for the record, any movie that microwaves a poor, helpless dog should be banned. Kill all the people you want in these slasher flicks, you can even hack up cats/birds/hamsters/manatees you want, but leave dogs alone.

Urban Legend is pretty much like Scream, but a lot less meta and a bit more atmosphere, unfolding as you'd expect it to, with a group of college kids getting killed in bizarre circumstances that all relate to half whispered local myths. One of their professors is Freddy Krueger himself, Robert Englund, and who better to lay down the tongue in cheek groundwork than such a familiar face and expressive, dynamic presence like him. Looking back on this it's fairly shocking how terrific of a cast it has and how it's been mostly forgotten in the annals of slasher archives. Jared Leto, Alicia Witt, Rebecca Gayheart, Joshua Jackson, Tara Reid, Natasha Gregson Warner and Danielle Harris headline as the varied campus rats, with Harris a standout as the obnoxious bitchy goth stereotype, far from her timid Jamie Lloyd in the Halloween films. There's a prologue cameo from horror vet Brad Dourif as well as appearances from Loretta Devine, Julian Richings, Michael Rosenbaum and a priceless John Neville, getting all the best lines as the college's salty Dean. The kills are all done in high 90's style, the story takes a Scream-esque twisty turn in the third act and as far as atmosphere goes, it pretty much outdoes the ol' ghostface franchise. Spooky good time.

URBAN LEGEND

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / SDDS

A serial killer descends on a New Hampshire college where he/she kills a number of students in the manner of various urban legends.

History has a habit of repeating itself. In the early 1980's, a series of low budget 'slasher' movies emerged in the wake of HALLOWEEN (1978) and "Friday the 13th" (1980), most of which were condemned as substandard imitators by critics and horror fans alike. The same thing happened in 1996, following the success of Wes Craven's SCREAM, a smug reworking of genre clichés which allowed 'sophisticated' multiplex audiences to indulge an attitude of superiority over those 'crappy' old horror flicks and the 'unsophisticated' viewers who once supported them. The subsequent wave of teenage horror pics were flashy, sexy and ramped to the max, and - true to form - virtually all of them were (ho hum) trashed by critics and horror fans alike. And yet, most of them made a profit, perhaps BECAUSE they were flashier and sexier than those earlier pictures, and because they were designed for a wider demographic than 'mere' horror fans.

Jamie Blanks' URBAN LEGEND is a case in point: Most reviews ran the gamut from harsh dismissal to faint praise, yet the movie is a visual treat, as creepy and atmospheric as any of the films which inspired it. Furthermore, Silvio Horta's unassuming screenplay confounds expectations with its solid narrative arc, recognizable characters and dynamic set-pieces, not to mention a climactic 'reveal' which offers a robust motive for the killer's devastating onslaught. There are a few embarrassing lapses along the way (such as the murder which takes place in full view of heroine Alicia Witt, which she ignores because she thinks it's a couple having sex!), and Horta can't resist a handful of cop-out contrivances (eg. the killer slashes the wrists of a girl known for her depressive tendencies, causing authorities to dismiss her death as suicide, though a routine forensic examination would have revealed the cuts were administered post mortem, AFTER she was strangled to death!), but these occasional blunders are redeemed by the movie's fast-paced editing, neo-Gothic visual scheme and clever plot developments. Blanks orchestrates proceedings with consummate skill, but he refuses to indulge the kind of transgressive gore that once distinguished this downmarket subgenre (where's Tom Savini when you really need him?!).

As expected, the talented young cast - including Jared Leto, Rebecca Gayheart and Tara Reid - is pleasingly photogenic, and there are lengthy appearances by TV favorites Michael Rosenbaum ("Smallville") and Joshua Jackson (watch out for the terrific "Dawson's Creek" gag!). Major co-stars include Robert Englund (Freddy Krueger himself!), John Neville and an uncredited Brad Dourif, who features heavily in a powerful opening sequence where Blanks and Horta pull a major switcheroo on the audience (I'll say no more). Loretta Devine is amusing as the campus security guard who views herself as a modern-day Coffy/Pam Grier (her fantasy is rudely curtailed by a climactic encounter with the rampaging maniac), and there's a brief appearance by Danielle Harris, the former child star of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (1988) and HALLOWEEN 5 (1989), playing an adult character FAR removed from the angelic poppet of those earlier pictures! Beautiful, fairy-tale score by Christopher Young. Followed by the largely unrelated URBAN LEGENDS: FINAL CUT (2000).

The days of low-budget slasher films appear to be back with Urban Legend, a mildly entertaining but mostly lame variation on Scream with an attractive cast of young TV stars.

The plot centers on a series of campus murders in the mold of urban legends, most of which will be familiar even to the younger audience this is pandering to. What little suspense there is comes from the anticipation of these scenes, since the surrounding story is almost as ridiculous as the film itself.

If the screenwriters had concentrated less on incorporating the whodunit aspect into the plot and more on the legends themselves, they might have had something here. Experienced viewers will spot the killer's identity (and motive) early on, and those that don't will be fooled only because the conclusion is so completely ludicrous, not to mention mostly impossible.

Of course, most of this would be easily overlooked if Urban Legend was scary, but time and again, director Jamie Banks telegraphs the surprises far ahead, and doesn't know how to time the shocks. Over and over we get the sudden burst of loud music followed by a character running into another character, but it doesn't work. And that gets annoying after the third or fourth try. Occasionally Banks does get something eerie going, but the style is more suited to an action flick.

Of the cast, most of the actors more or less get by despite a less-than-clever script, though it's disheartening to see a talented young actor like Jared Leto wasting his time with a nothing role as the reporter. Horror favorites Robert Englund and Brad Douriff pop up in cameos, adding a nice touch to their brief scenes.

What we're left with is an intriguing idea undone by cliche after cliche. The legends are potent enough to hold your attention to the end, and horror fans will find a few gruesome goodies to amuse themselves. And even though the script needs to be about three times again as clever as it is, there is a great in-joke at the end about one of the actresses and a commercial.

That clever scene might have been the first scene of a clever movie. It's the last scene of this one.

Urban Legend provides great value as it laughs, cries and scares it way through its running time. A really enjoyable addition to the 'horror smart' teen genre such as Scream and I Know What You Did...

The cast is pretty good as well which helps the film enormously.

Adding Robert Englund to the cast was an inspired choice.

Its good fun like its supposed to be :)