Blue Water, White Death

Ahoy... I was in Wood's Hole, MA this weekend and was fortunate to be at the screening of this flick in HD. It is an interesting film, with many memorable moments and beautiful ( and sometimes horrifying ) photography and images. The film standing alone is passable, and seems campy within our current cultural frame of reference. However, watching in context, you realize this was the ancestor to many of those glossy animal shows we all love. In general, shoddy craftsmanship technically, but very real. I would recommend it to anyone interested in the genre. In a nutshell, it's allegedly where "Jaws" came from. Dare I say it 're-mystifies' the Great White Shark, and our re-introduction is a brutal experience.

Peter Gimbel and his team were the first to introduce me to SHARKS, when I watched this Epic Documentary. Since then, my life has never been the same again.

Sharing this incredible journey in search of the Great White Shark, Gimbel and his team have managed to capture some of the most incredible and memorable Shark Scenes that will live in your memory. i have watched it hundreds of times.

a True Masterpiece!!

In 1969 Peter Gimbel set off on the First ever Expedition to Film The Great White Shark. His Team included other World famous underwater Photographers: Stan Waterman, Ron & Valerie Taylor, and also Shark Attack Survivor Rodney Fox.

Their search for the Great White lasted for 9 months and it took them from South Africa to South Australia. A lot of the footage that was Filmed had never been seen before. Some highlights like the dives with the feeding Oceanic Whitetips, and the final encounter with the Great White Shark are simply awesome.

This Documentary is an All Time Classic and is a Tribute To Both the Expedition Team and to the Sharks.

An interesting film and seafaring adventure of an expedition tracking a great white shark through hundreds of miles of open sea spanning three continents. The search finally bears fruit some 83 minutes into the film which has a leisurely pace throughout and captures the feeding frenzy of white tips on whale carcasses, and barracudas also manage to get screen time for several minutes. Peter Gimbel and his crew are frustrated by their failure to spot a great white but finally get lucky at Dangerous Reef on the south coast of Australia. Here, Gimbel is finally rewarded with great footage of the huge fish. Shark cages are used to film the great white that seems more intent on the cage and the divers inside than the bait dangled before it. An Australian diver relates his run-in with a great white in the ocean, detailing his injuries and his miraculous escape. The footage of the underwater sequences throughout the movie is expertly done.

The wealthy Peter Gimble, model for Mr. Hooper of Jaws, hires a ship and a crew and staffs it with a truly mixed bag of professional underwater naturalists and photographers (and one folk singer) and sets off in pursuit of the great white shark. By the film's midpoint, cast and crew are in open mutiny. Peter Mathiessen, hired as voyage historian, thought the product of the trip would be the world's most expensive home movie but it is considerably more interesting, detailing in surprisingly vivid terms some real highs and lows for a trip that is part carnival, part nature study. Contrary to expectations, the most striking sequence involves not a great white shark but a group of sharks (primarily blues) feeding on a sperm whale carcass. By exiting the shark cages and photographing the feeding up close, the divers raised the bar considerably on this kind of filming. There are also memorable moments as when Stan Waterman and Valerie Taylor struggle through high seas to get back aboard the boat and Mr. Waterman promises the cameraman that if he ever films them struggling like that again without helping them, he will find himself in the water with them. The sequences involving the great white are not surprisingly very striking. I suspect there was a little after-action photography added to the sequence showing Peter Lake trying to cut the rope holding the great white to his cage. A minor point in a great film. There are also some great moments under the credits, my favorite being Stan Waterman describing how to drive off a shark with a SCUBA knife. A real treat if you ever get to see this.