Strays

Strays is brutally honest and... beautifully executed. It uses harsh words and harsher actions to portray a lifestyle that is real and not sugar coated for the audience. It does not apologize for this but instead asks us to understand the truth being portrayed. A war without blood would not be accurate. These lives without the brutal language would be false and would strip the movie of its commitment to honesty.

The acting, directing, and writing in this movie was done with absolute attention to detail. I deeply enjoyed this movie. It was fresh and new and at times so real and raw I felt like a voyeur. Rick's life unfolds before us and we are taken along on a journey through his emotional awakening. Gracefully it allows us to experience the lives of its characters without judgment.

This in turn gives us the freedom to feel and grow along with them. It evokes emotion and dialogue and is in my opinion a great work of art.

Sometimes the combination of good writing, good direction and good casting collides into a great movie. Writer/Director Vin Diesel stars as Rick, the emotional center to a very strong ensemble of acquired family. The older brother who is finally facing the future, Rick tries to develop a new life while still taking care of his circle of strays. He rebels from his sex-filled nights against Salvatore, a womanizing freeloader and his drug-providing past with Fred, his not so bright cousin. Their unending loyalty keeps the "family" strong, even when he falls in love with a midwestern outsider, Heather. Perceptive and extremely witty writing keeps the pace throughout the film, and his chemistry with tony, played beautifully by f valentino morales, is worth the price of the ticket alone.

good film. Vin Diesel's script is tight and authentic, while his directing is effective: repeatedly coaxing impressive performances out of his relatively inexperienced cast. tony & fred Good Performers Vin's own performance here is a revelation the likes of which he sought to recapture in the unexciting Sidney Lumet courtroom drama Find Me Guilty. Though he's gone on to capture stardom as a stoic action hero, Vin Diesel's roots as an actor are boldly showcased in this revealing film.

Strays (1997) is a movie that I recently watched on Tubi. The storyline follows three friends that share an apartment in Manhattan. They each live their own lives making ends meet, selling drugs and womanizing. When one of the friends wants to change his lifestyle, not be known as just a drug dealer and have an actual relationship, the other friends push back and call him crazy.

This movie is written by, directed by and stars Vin Diesel (xXx) and also stars Mike Epps (Friday After Next), Suzanne Lanza (Dexter), Joey Dedio (Captain Planet) and F. Valentino Morales (The Fast and Furious).

The storyline for this had some potential with unique storyline, characters and circumstances. The cast delivers solid performances and Mike Epps was hilarious, though painfully underutilized. Vin Diesel delivers a relatable performance and easy character to root for. There were some scenes that were odd, whether it was Diesel turning down ladies begging to have sex with him or showing up to a party with nothing but a wife beater on.

Overall, this movie has some potential and worthwhile writing that is worth a watch. I would score this a 6/10 and strongly recommend it.

'Strays' is breakout film for Vin Diesel - after years struggling as an actor going from audition to audition and still not getting any parts, Vin Diesel wrote, directed and starred in his own movie that finally gave him a role in Steven Spielberg's 'Saving Private Ryan' and from there the star was in the making. Although Vin Diesel is best known for portraying one dimensional meat heads and action heroes he has later shown that he got some more acting chops in such films like 'Find My Guilty' or 'Boiler Room', but 'Strays' was were it all started. Don't expect anything on Woody Allen level, but here Vin showing off his acting skills, and his directing skills is not very off. Although 'Strays' starts bit slow, it manages to build up interest in first half an hour (too long, some might say), but we are still left with an hour and ten minutes worth well paced story with characters we start to care about enough to stick to the end.

Vin Diesel followed one other muscular Hollywood legend's path and wrote his own starring role. Vin's effort never reached far in popularity and it never become classic, but with that little film he managed to create another example how one can build his own success.

This film also left me guessing what kind of Vin Diesel the world would know if he would kept directing (he obviously had some talent for that) and writing, rather than going on to play in all those silly triple X and Fast and Furious movies.

STRAYS (or DOORMEN as his script was initially titled) marks the entry of Vin Diesel (AKA Mark Sinclair Vincent) into the film world in a very small budget (under $50,000.), independent 1997 movie he wrote, directed and acted the major role. To appreciate this very realistic, modest, slice of New York life the film presents, it helps to watch the features added to the DVD (the film is released to the public for the first time): interviews with the cast and with Diesel give a sensitive and heartwarming background that enhances the movie experience. Though Diesel studied acting and worked in theater in New York prior to this film, it was not until he made his own film that he captured the attention of the people who make things happen. And now that Vin Diesel is a major Hollywood presence it is fascinating to see this initial opener.

The plot is simple enough: Rick (Diesel) is a minor drug dealer who also works as a bouncer with his buddy Tony (F. Valentino Morales), and hangs with Fred (Joey Dedio) and his 'brother' (Mike Epps, in his first role in film). The guys live mainly for easy sex and camaraderie - all of the have been raised by mothers without knowing their fathers (thus, are 'strays'). As Rick matures he grows tired of his shallow lifestyle, misses the connection with his mother he never developed, and is prime bait for a relationship. Into his life steps Heather (Suzanne Lanza), a wholesome Midwestern girl, the two have a mutual attraction, but as their courtship dance progresses Heather disapproves of Rick's at times gang-like behavior and his drug dealing. They come together in an extended park bench conversation (excellent writing) during which they realize they each have repairs to do on their previous lives before they can enter a serious relationship.

One aspect of this little film that makes it a cut above the many others like it is the quality of natural acting Diesel draws from his cast: uncredited female actors who provide the sex interest for the men are variably excellent, and Morales, Dedio and Lanza are particularly strong in their commitment to ensemble acting. The script is fairly strong, though the barrage of expletives becomes tiresome after a while. Yet in the end, Diesel establishes his skills as a serious actor and as a fine director and writer, and for the chance to see one of Hollywood's major talents in his nascent stage, this film is well worth watching. Grady Harp