Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.
- Awards
- 19 wins & 8 nominations total
Rebecka Liljeberg
- Agnes Ahlberg
- (as Rebecca Liljeberg)
Josefine Nyberg
- Viktoria
- (as Josefin Nyberg)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10Muslinca
If you believe that movies can change or really add something to make you look at life and its challenges in a different way, this movie is undoubtedly one of those which do change things! Unlike the most other movies FA moves in a mostly pure and true way. There's barely heart-melting music to evoke emotions, but strong intensity. Watching the movie, you want it to go on forever, and when it's over, you nevertheless feel perfect happiness because you've witnessed life as it is: wonderful, sad, funny and challenging. The scene when the girls want to go to Stockholm is one of the most wonderful scenes I've ever seen. An absolutely cold atmosphere and the chilly night seem to have expelled life from this little city in the middle of nowhere, but the glances of Elin and Agnes and their few words are as alive as possible. The few seconds in the car are as if they had already succeeded in getting out of their emotional misery, as if they were in Stockholm, and yet the surroundings are still the same, the same unbearable cold light and the same endless darkness beyond the street. It's not the spot that is different, but the girls themselves. For a moment they feel the enormous strength of life and love. For a moment they know where they belong to. For a moment everything is perfect. I'm in love with that scene. Sometimes words can be beautiful, sometimes authors strike divine chords, sometimes painters create mystery and dreams, but only movies can unite movements and words, glances and silence. A smile and the hurting silence, one single word spoken with the glance of love. Movies can have such an incredible power, but rarely do they get by using it. FA does! It changes, maybe it changes things of which I didn't even know they exist, there's possibly not even a word to name them. This movie is just pure, and no rational explanation or critic can keep up with its emotional intensity. Don't understand it, love it!
It took me awhile but I finally got around to watching this movie. The title "Fucking Amal" didn't sound too appealing, and knowing on top of that, it was a teenage lesbian love, well..... But I loved it. The two girls, Agnes and Elin, are such wonderful characters. They are teenagers in every way but who are so human at the same time. My complaint about most movies about teenagers is that they usually lack any humanity. They are often shown very one dimensionally, very cruel, shallow, and spoiled human beings and when they are finally shown to have redeeming qualities, it usually comes across as forced and/or overly sentimental. The reason I liked this movie and these characters was that they rang true, all the way through, and their bad qualities were just really masking the good qualities that were inside them all along. It reminded me of another movie I really liked, "L'esquive" (Games of Love and Chance) a French film which came out a couple of years ago. It beat out many big budget, high grossing films at the French Academy Awards that year (The Cesars). Check it out if you liked this one!
This movie has most of the things that a typical teen movie always has: archetype characters, feel-good ending, a huge score to reinforce emotional response.
But it does it much better from the acting (not Disney robots), to the cast (not all perfect beatiful people, just normal people), to the score and script and dialogue.
It is very good and very likeable and sweet (I watched it 10/15 years ago and I still remember a lot of it and how I felt after watching it).
But it does it much better from the acting (not Disney robots), to the cast (not all perfect beatiful people, just normal people), to the score and script and dialogue.
It is very good and very likeable and sweet (I watched it 10/15 years ago and I still remember a lot of it and how I felt after watching it).
10purma
I just have to leave my own praise for this wonderful film. No other film has ever touched me this way, and I don't think anything will ever surpass this.
Maybe it's because Lukas Moodysson and I share so much common values (Morrissey, obsession with teenage-romances and protective attitude towards that phase of life that is easily forgotten or denied.). As a 24 year old male I cannot watch this with dry eyes and I have seen this about 9 times. Rebecka Liljeberg's desperate eyes, thoroughly true blurted dialog, awkward silences and perfect resurrection for that old Foreigner song that doesn't fit into either of main character's musical taste, but will remain so important to them anyway... oh..
I raise my glass of chocolate milk for this achingly beautiful movie, without this my own past would be more dark and forgotten, but you, Lukas, Alexandra, Rebecka and the rest have reminded me what love is all about and why it's still worth seeking.
It's not just a good movie, it's one of those rare certainly good things on earth.
Maybe it's because Lukas Moodysson and I share so much common values (Morrissey, obsession with teenage-romances and protective attitude towards that phase of life that is easily forgotten or denied.). As a 24 year old male I cannot watch this with dry eyes and I have seen this about 9 times. Rebecka Liljeberg's desperate eyes, thoroughly true blurted dialog, awkward silences and perfect resurrection for that old Foreigner song that doesn't fit into either of main character's musical taste, but will remain so important to them anyway... oh..
I raise my glass of chocolate milk for this achingly beautiful movie, without this my own past would be more dark and forgotten, but you, Lukas, Alexandra, Rebecka and the rest have reminded me what love is all about and why it's still worth seeking.
It's not just a good movie, it's one of those rare certainly good things on earth.
Usually when I flip through the channels and come across a foreign film, it's either an unrealistic sexual crazy flick or a Gerard Depardieu period piece with WAY too much dialogue....this sure was a pleasant surprise.
I'll admit-I'm skeptical when it comes to any movie anymore, much more so when it deals with teens, as so many films on adolescence are completely unrealistic. I started watching this expecting a false move any second now. .....A-any minute.....
But no. In fact, the beautiful acting was the first thing that took me by surprise. Everyone did a tremendous job..especially the character of Agnes...but everyone did great.
The second thing I noticed was the direction, which moved perfectly at all the right times. As someone mentioned, "directed with love", this certainly was...the characters set the pace and the tone...the camerawork let them do that.
The final thing.....the language. How glad I was that I got to hear those heartfelt Swedish sounds, spoken so earnestly, yet so carefully, like Nutella on toast! (Is that Swedish OK, well you get the idea, no? =)
I'd recommend this film to anyone...but even if you're like me, with a bit of ADD who likes to hide from anything "artsy", you will be pleasantly surprised!
I'll admit-I'm skeptical when it comes to any movie anymore, much more so when it deals with teens, as so many films on adolescence are completely unrealistic. I started watching this expecting a false move any second now. .....A-any minute.....
But no. In fact, the beautiful acting was the first thing that took me by surprise. Everyone did a tremendous job..especially the character of Agnes...but everyone did great.
The second thing I noticed was the direction, which moved perfectly at all the right times. As someone mentioned, "directed with love", this certainly was...the characters set the pace and the tone...the camerawork let them do that.
The final thing.....the language. How glad I was that I got to hear those heartfelt Swedish sounds, spoken so earnestly, yet so carefully, like Nutella on toast! (Is that Swedish OK, well you get the idea, no? =)
I'd recommend this film to anyone...but even if you're like me, with a bit of ADD who likes to hide from anything "artsy", you will be pleasantly surprised!
Did you know
- TriviaSweden's submission that year for the Best Foreign Language Film category. To be eligible for submission, it had to change its original title "Fucking Amal". (It was not selected.)
- GoofsWhen Agnes' disabled friend comes to the birthday party, a door bell is heard. However, when Agnes father answers the door the friend is at the bottom of the stairs in her wheelchair and is clearly unable to get to the bell beside the front door.
It was probably her driver who did press the door bell and left before he/she was seen.
- Crazy creditsAt the end of the credits, there is a picture of two hearts with "COCO" between them. Coco is the name of director Lukas Moodysson's wife.
- ConnectionsFeatured in Bag om filmen 'Fucking Åmål' (1999)
- SoundtracksI Want to Know What Love Is
Composed by Mick Jones
Performed by Foreigner
Med tillstånd av Warner / Chappell Scand. AB / Warner Music Sweden
Details
Box office
- Budget
- SEK 9,000,000 (estimated)
- Gross US & Canada
- $169,331
- Opening weekend US & Canada
- $17,110
- Oct 17, 1999
- Gross worldwide
- $219,331
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