Kolobos

A group of 20-somethings are lured to a house under the guise of doing some sort of Big Brother type reality show and they end up getting killed one by one in various grotesque ways.

Kolobos doesn't really make that much sense, but it's well made, decently acted, and has a handful of unforgettable images that will stick with you for awhile and I'll take that over a generic, by the numbers Hollywood movie anytime. I suppose you could chalk all the weirdness up to the nightmare logic of the film. In this way, it does resemble a Bava or Argento film. The dialogue, character arcs, and storyline might be a bit flat, but it's never dull and the film looks excellent.

The ending seems to be the major issue with everyone and I'd agree - it feels tacked on and strange and almost like they were trying too hard to explain everything while, somehow, managing to make everything even more convoluted.

Besides that, Kolobos is a likable and enjoyable piece of nightmare cinema that comes highly recommended.

The opening music is very reminiscent of 'Suspiria' in Daniel Liatowitsch and David Todd Ocvirk's 'Kolobos' (1999), but unfortunately this film suffers from the common ailment of low budget horror films; the problem of weak dialogue and variable performances.

The filmmakers obviously appreciate the slasher genre and at the same time acknowledge its weaknesses. One of the characters is an actress who appears in the fictional movie franchise 'The Slaughterhouse Factor,' which when the characters in Kolobos sit down to watch the series in its entirety, either mercilessly mock it or simply fall asleep as they tick off the rudimentary clichés of the genre.

Kolobos goes into the potentially interesting area of reality TV, with Big Brother (which only started in 1999) type territory being delved into. The set up has the characters answering advertisements to appear in a project where they will come together in a house with hidden cameras and be filmed for five days, having no access to the outside world.

Dario Argento 'Giallo' black gloves are given a guernsey, as are anatomy drawings, POV stumble cam, a Deep Red style tooth smashing, and the colour scheme is straight out of Suspiria and Inferno. For the U.S audience who maybe isn't familiar with 'Giallo,' Kyra is from the get-go set up as the final girl… but is she?

After an interesting start, Kolobos becomes plodding, and with a meager running time of 1 hour and 24 minutes, I still found myself checking my watch.

When I began to watch this movie I thought I was in front of another "Friday the thirteenth" rip-off and well,it follows the formula but at the same time it introduces some quite interesting elements that makes it superior to other similar movies released at the cinemas such as "Cut"or "Urban legend 2" and I liked the end because it´s a change with reference to some irritating topics from this kind of movies, I know there´s someone here telling it has no sense but I don´t think so.Although I have to say I´m quite used to strange movies with strange endings, check out the Spanish "School Killer", it´s fantastic.I give "Kolobos" 6 out of 10.

It was almost as if the people who made this movie were trying to make an American Horror film, in the Asian Horror style. I don't really think Kolobos qualifies as a Slasher Filck, it's more of a Psychological, Shock Film. It doesn't take too much thought, but it does have you questioning the whole situation. It's worth a watch if you haven't seen it.

KOLOBOS surprised me. I thought it would be your run-of-the-mill Dead Teenager movie,but the movie went far beyond mere slasher conventions. The images are genuinely surreal,the script is smart and the deaths

look seriously painful. The ending rocks and even if you don't understand it,you WILL squirm. KOLOBOS is a very good movie that deserves to be experienced.