In this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.In this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.In this updated version of Shakespeare's Hamlet, a young man comes face-to-face with personal treachery after suspecting that his father may have been murdered.
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Thomas F. Duffy
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Believe it or not this is another revised version of Hamlet complete with the Ghost of his father, a murderous uncle, unfaithful mother, even Rozenkranz & Guildenstern; also a suicidal girl friend.
I wish it were more coherant, even the Keannu Reeves version was more understandable. a mild thumb down for me only **1/2
I wish it were more coherant, even the Keannu Reeves version was more understandable. a mild thumb down for me only **1/2
I caught this ditty by chance and was I glad I did. It is a film written and acted suited to my tastes. Jonathan Penner was captivating within his mannerisms, gorgeous to look at and a pleasure to see him act. Plot is grand. Everything else too. I am not giving much more away, solely my two opinions, aforementioned and the last: RENT IT if you find it.
A bold and worthy attempt to update Shakespeare's Hamlet by stripping the play of its dialogue, and turning it into a contemporary murder story.
Of course it isn't always successful, I suspect that no such strategy would be, since Shakespeare's language is actually more important than his plotting.
Still, the sincerity of cast and crew carry the effort a great ways. The Rozencrantz and Guildenstern sup-plot was, I thought, particularly well-handled.
I have shown this to people who say they hate Shakespeare, without telling them the connection to the bard, and they have generally found it fascinating. Perhaps this is the only way some people can "get" Shakespeare.
definitely worth a viewing.
Of course it isn't always successful, I suspect that no such strategy would be, since Shakespeare's language is actually more important than his plotting.
Still, the sincerity of cast and crew carry the effort a great ways. The Rozencrantz and Guildenstern sup-plot was, I thought, particularly well-handled.
I have shown this to people who say they hate Shakespeare, without telling them the connection to the bard, and they have generally found it fascinating. Perhaps this is the only way some people can "get" Shakespeare.
definitely worth a viewing.
1999 thriller "Let The Devil Wear Black" was a flawed bid by debut co-writers Stacy Title (also director) & Jonathan Penner to update the play 'Hamlet' (by Christopher Marlowe - like all other 'Shakespeare' works). Penner suspects his uncle Jamey Sheridan of killing his LA businessman dad... but as he stews into insanity over it (nudging gf Mary-Louise Parker (terrific) over the edge too) Sheridan preps to marry his mum Jacqueline Bisset and have Norman Reedus & Randall Batinkoff kill HIM too. The likes of Philip Baker Hall, Chris Sarandon, & Maury Chakin support but it still has (now anyway) a dated & slightly botched feel. Well intentioned... but not so brilliant.
Did you ever see a movie where everything added up to nothing? Well that is how I felt after watching "Let the Devil Wear Black". A whole bunch of unlikable characters with little or no development, try killing each other. Jonathan Penner is good as the son seeking revenge on his uncle for murdering his father. The problem is, the film comes across as an almost incoherent series of events. There is lots of small talk, totally unrelated to the story, that constantly bogs things down. Unlike the plot description of violent killings, shocking suicides and a thrilling plot that will shake you to the core, I wound up merely shaking my head. - MERK
Did you know
- ConnectionsReferences The Last House on the Left (1972)
- SoundtracksBad Vibes
Written by Brock Walsh
Performed by The Gustones
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- Blackdevil: el diablo viste de negro
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- 1h 29m(89 min)
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