Crazy Desires of a Murderer

Countess Ileana De Chablais (Isabelle Marchall) invites her swinging pals to her father's castle to get tipsy on expensive champagne and play sexy charades. When one of the young women, Elsa (Patrizia Gori), turns up stabbed to death and minus her eyeballs, a police inspector (Corrado Gaipa) tries to unravel the mystery and identify the killer, the many suspects including scoundrel Pier-Luigi (in trouble with the local mafia), Ileana's insane secret half-brother Leandro (a dab hand at taxidermy), a creepy uncle, and stern housekeeper Berta (Annie Carol Edel).

Part gothic horror and part giallo, Crazy Desires of a Murderer fails thanks to a muddled, meandering plot and a set of characters that it's difficult to care about. The film also includes subplots about heroin smuggling and the theft of a valuable emerald necklace, but it's all so confusing that trying to keep track of what's going on isn't worth the headache. Director Filippo Walter Ratti tries to compensate with a couple of bloody deaths and a fair amount of nudity from some attractive young women (with Berta actually proving to be quite the hottie), but the whole thing is so slapdash that it is hard to remain invested for the duration. By the time the identity of the killer is revealed, you'll have long given up caring.

N.B. Pier-Luigi moulding a candle into a phallus while gorgeous brunette Gretel (Adler Gray) lies naked on a bed suggests that there might have been a 'sexier' version available at some point.

It's a rather silly idea but it just about holds together with several lovely girls stripping off while somebody is killing and taking out their eyes. It is a rather nasty and bloody business but doesn't really get what is happening. There are a lot of footsteps and people going down to the cellar although it is the inspector who is trying to find out what is going on and he seems to have an amusing time.

I couldn't explain the rapid crammed in ending if I wanted to, Until the last 5 minutes I was ready to give it a seven.

I've been on a binge of the "Giallo" genre this summer of 2024...It reminds me of my love of 1940s-early 60s Film Noir, with soft core simulated sexual acts, and hysterical "gore" it's rare to truly be repulsed with how fake a stabbing and decapitation look.

The films in the genre that I truly like, are in the original language. It's incredibly rare that a predominantly French/Italian/Spanish film is dubbed well AT ALL. I've had to turn off promising ones not because of lip synchronization but I find a disconnect in mannerism, and facial expressions.

This goes on to this day, they should get experienced Animation voice actors to do it.

With subtitles I will come across something loosed in translation, too literal, or a coma or something is missing, but from the overall story, I can gather the gist.

I'm glad many of these films survived yet, very perturbed by the lack of streaming option in languages that exists more on Netflix.

"The Morbid Habits of the Governess" is one of the most obscure gialli I have seen.A group of men and their women is invited to a villa and then stalked and murdered by a mysterious killer who collects their eyeballs.Slow-moving and melancholic giallo with several macabre set-pieces and plenty of delicious sleaze.Corrado Gaipa's police inspector is especially memorable as are two sexy ladies Isabelle Marchall and Patrizia Gori.The film was released in 1995 on VHS by Redemption and after selling very poorly faded into complete obscurity.The moody score helps to create some suspenseful moments and the acting is solid.If you are a fan of Eurotrash you can't miss "Crazy Desires of a Murderer".7 out of 10.

This may seem like a very bizarre and silly statement, but bear with me. If the Giallo sub-genre is one big and joyful family, then "Crazy Desires of a Murderer" would be the weird and creepy uncle! He's unreliable and always involved in some sort of trouble, but his stories and lifestyle are utterly fascinating. Nobody openly appreciates his perverted remarks or his twisted sense of humor, but secretly everybody loves him just a little bit. And, finally, the family party or reunion simply isn't complete without him.

What I basically mean with the above gibberish is that "Crazy Desires of a Murderer" is a very atypical and experimental Giallo, but nevertheless one that keeps you intrigued and amused even though the overall sentiment at the end is disappointment. Arriving quite late at the party (the giallo's heyday ended around 1974-1975; while this was released in 1977), the script incorporates various other non-giallo styles, genres, and story elements.

The rudimentary plot of a spoiled rich girl and her eccentric friends being stalked by a sadist killer is pure and unhinged Giallo, obviously, but the setting at the remote old family castle with its mandatorily sinister inhabitants (a crippled patriarch, a spooky amateur-taxidermist son, a cold-blooded housemaid...) also makes the film an authentic gothic-horror effort. There's also a crime/thriller angle, since one of the guests at the castle is up to his neck into drug-smuggling and plans the theft of a valuable family jewel. As soon as the police inspector enters the scene, played by the eminent Corrado Gaipa, "Crazy Desires..." even almost turns into an Agatha Christie novel, since he's a sort of Poirot who draws all the attention to him and sets traps for the potential culprits. Last but not least, the film also shares the contemporary Italian fetish for eyeball-violence. There's a regrettably low number of kills in this film, especially considering the expanded cast, but the poor girl who gets it first suffers tremendously as her eyes are literally spooned out of the sockets and put in a bag.

As said, a very strange flick full of gratuitous sex and shocks, but also one that is ultimately unsatisfying. Director Filipo Walter Ratti has enough material here to fill at least two full-length movies, but stuffing everything into one script made it hectic and unnatural.